This is good casting
That's a good choice.
That description you wrote sounds like an average episode of Altered Carbon lol. So maybe Netflix is the right partner after all!It's not uncommon for an episode of Cowboy Bebop to have multiple locations, a hand-to-hand fight scene, a shootout (or two) and some kind of car/spaceship chase (all in 20 minutes). You can certainly adapt the property in a smart way without breaking the bank because the setting/characters means you can basically tell any kind of story you want, but I wouldn't expect it to "mirror" the way the anime works unless they want to drop a lot of money on the show.
You mean to tell me you didn't like the remake of Heathers mashed with the Death Nlte IP? LOLNah, at best it was one of those "so bad it's good" kind of movies. Wished I watched with my friends while drunk or something lol, the movie had a lot of unintentional humor
You never saw the Gintama Live Action, eh?
Anime and video game live action adaptations are never good. Guess I don't have to watch it, and I most likely won't.
That description you wrote sounds like an average episode of Altered Carbon lol. So maybe Netflix is the right partner after all!
No one who can't pass the paper bag test will get casted.But Jet is black, or at least part black/passing (like a Vin Diesel or Dwayne Johnson)
At least in the first episode, there's a lot of action. I wouldn't worry about that part. Do expect things to be drawn out a bit more though. These stories are being stretched far past twenty minutes.That show was pretty light on the action, though I'm not expecting every episode of this to have action either
Will probably be pretty serialized too
I know you're joking but the good news is that the director of Death Note is too busy with Godzilla right now. :DI too hope that Netflix's Cowboy Bebop reaches the level of Netflix's Death Note. Heck, I hope that they put the same extremely talented people from Death Note onto Cowboy Bebop as they clearly know what they're doing.
There isn't really an overarching theme, that's kind of the point. Every character has their own "genre" as it were. Like Spike's action noir or Jet's gritty cop drama. Or one-off episodes like Pierrot le Fou which is almost gothic horror. Like how the musical stylings and genres constantly change depending on the episode so do the writing and visual stylings of the episodes themselves. I'm not very good at describing genre (it's something that's actually really difficult to nail down), but just calling Cowboy Bebop "space western" is a pretty huge disservice since it underplays just how much Cowboy Bebop mixes up its genres and style to deliver something wholly unique to itself. I had a friend who expected the show to be a "space western" and he was surprised that the only western episodes were basically only the first episode and kind of Mushroom Samba and that's basically it.The back drop of CB is definitely a space wester. I mean they're refered to as cowboys constantly and that sort of aesthetics permeates much of the different remote locales and even the way some characters speak and behave. They even throw in a Native American shaman. CB might meander into and incorporate other genres, and does a damn fine job of it, but those aren't really the main overaching theme of the "world" it's in. The Ein comparison is to draw a pattern and not meant to demonstrate carbon copy character. In itself, it would mean nothing, but in relation to many other things it adds to many similarities between the shows.
Can they just remaster it?If The Seatbelts are not involved in this then this project is doomed.
You do not adapt cowboy bebop with music by anyone else besides Yoko Kanno
Though i always see these under "popular now" so people are at least curious. Netflix doesn't care about critical reception as long people still want to see it (even if they want just to see how bad it is). Best example are the Adam Sandler exclusives and smith/ork movie.Netflix sure makes a lot of shit programming, this won't be different. Another unnecessary live action redo.
Ok but...are they going to make an episode as ground breaking as that?This is only gonna be 10 episodes. I doubt they will have time for side stories like this unless they can integrate it into the main plot.
You mean to tell me you didn't like the remake of Heathers mashed with the Death Nlte IP? LOL
I like both Fayes suggested so far. Far better than the casts I googled.Honestly, I feel like Pom Klementieff would be interesting as Faye.
Heathers is a 80's movie that seemed to heavily influence Adam Wingard's Death Note. Hence the shift in focus from the relationship between Light and L to Light and Mia.
Exactly. Even the cheesy 80's song choices.As shit as that movie was the director made some pretty fun choices with the final destination deaths and Dafoes ryuk
I don't think I've audibly laughed harder in my life at a movie than when that ladder flew threw that guys face.As shit as that movie was the director made some pretty fun choices with the final destination deaths and Dafoes ryuk
I see that you disagree and that's okay. I don't think CB hides that it's a space western and I don't think it's a disservice to say that it generally does adhere to that in a broader sense while exploring other avenues.There isn't really an overarching theme, that's kind of the point. Every character has their own "genre" as it were. Like Spike's action noir or Jet's gritty cop drama. Or one-off episodes like Pierrot le Fou which is almost gothic horror. Like how the musical stylings and genres constantly change depending on the episode so do the writing and visual stylings of the episodes themselves. I'm not very good at describing genre (it's something that's actually really difficult to nail down), but just calling Cowboy Bebop "space western" is a pretty huge disservice since it underplays just how much Cowboy Bebop mixes up its genres and style to deliver something wholly unique to itself. I had a friend who expected the show to be a "space western" and he was surprised that the only western episodes were basically only the first episode and kind of Mushroom Samba and that's basically it.
They're not garbageCan the actresses who people think look like Faye actually act though?
- Based on the worldwide phenomenon from Sunrise Inc., Cowboy Bebop is the jazz-inspired, genre-bending story of Spike Spiegel, Jet Black, Faye Valentine and Radical Ed: a rag-tag crew of bounty hunters on the run from their pasts as they hunt down the solar system's most dangerous criminals. They'll even save the world…for the right price.
- Episodes: 10
- Co-Production: Netflix and Tomorrow Studios (a partnership between Marty Adelstein and ITV Studios). Netflix will handle physical production.
- Showrunners / Executive Producers: Andre Nemec, Josh Appelbaum, Jeff Pinkner and Scott Rosenberg of Midnight Radio
- Executive Producers: Marty Adelstein and Becky Clements of Tomorrow Studios (Snowpiercer, Good Behavior); Yasuo Miyakawa, Masayuki Ozaki, and Shin Sasaki of Sunrise Inc; Tetsu Fujimura and Matthew Weinberg.
- Writer/Executive Producer: Christopher Yost (Thor: The Dark World, Thor: Ragnarok) will write the first episode.
- Consultant: Shinichiro Watanabe (director of the original anime)
Can the actresses who people think look like Faye actually act though?
...the people behind the screenplay for Beverly Hills Cop 4?