In the late 1940s and 1950s, Hollywood studios — under pressure from the right — promised they would not "knowingly employ a communist." This blacklist eventually became notorious, especially in Hollywood, which came to lionize its victims in several films. And yet it is becoming increasingly difficult to distinguish the blacklist policy from the emerging current treatment of right-wingers.
Earlier this week, Gina Carano, an actor in
The Mandalorian, was fired from her job after a controversy over an allegedly anti-Semitic social-media post. In short order, UTSA, her talent agency, dropped her as a client.
Many media accounts have taken the anti-Semitism charge at face value (
USA Today: "… an anti-Semitic Instagram Story that she shared from another user.") The post in question, which triggered a social-media firestorm that quickly led to her firing and loss of representation, was not anti-Semitic by any reasonable definition. The post simply argued (uncontroversially) that the Holocaust grew out of a hate campaign against Jews, which it then likened (controversially) to hatred of fellow Americans for their political views:
"Jews were beaten in the streets, not by Nazi soldiers but by their neighbors … even by children. Because history is edited, most people today don't realize that to get to the point where Nazi soldiers could easily round up thousands of Jews, the government first made their own neighbors hate them simply for being Jews. How is that any different from hating someone for their political views"
nymag.com
