It has been a while since I've thought about it but I'm pretty sure the ABC saturday morning block was my go to. You just couldn't beat having Duck Tales in your programming lineup. I realize it's cheating to retroactively give a property now owned by viacom to CBS Kids, and I'm pretty certain the both cartoons ran on local stations before they were devoured by megacorporations (I think it was either local channel 5 or 11 in LA?), but I just wanted an excuse to dredge up childhood memories of waking up way too early on saturday to watch every cartoon I could stand until the ones I didn't like come on so I could start my actual weekend. All rise for the national anthem.
View: https://www.youtube.com/watch?v=0vI0UcUxzrQ
Estimates have Transformers just barely making it to first place, so I'll stick with that ordering. Beetlejuicier and horror counterprogramming are hanging on pretty well, even if it doesn't look like Lionsgate can even make low budget psychological horror work. Overall post-COVID September is still in its rebuilding phase, I personally wanted Transformers One land bigger than this as from all accounts it's an *excellent* film but it does seem to be missing some of the intangibles that drove audiences to Beetlejuice Beetlejuice. Trades are giving it room to leg out but with schools fully back I'm less optimistic. New theatrical animation is a weekend away.
Looking forward folks will have plenty of time to pore over the charred crater left behind by Megalopolis while the rest of us wait to see if Joker Deux can get some prerelease buzz going. Who you got winning the post-summer race?
Holding strong is Warner Bros' third weekend of Beetlejuice Beetlejuice at $25M, -51%. The numbers say everything in terms of the staying power of that Tim Burton-directed Jenna Ortega, Michael Keaton, Winona Ryder movie. As we told you yesterday, by Sunday, the sequel is gonna pass the domestic of Shang-Chi ($224.5M).
Lionsgate's tire fire continues following the bombing of Borderlands, The Crow and last weekend's lowest Dave Bautista opening, The Killer's Game, with Never Let Go. And there's another dud next weekend in the studio's handling of Francis Ford Coppola's $120M epic Megalopolis, bound for a $5M opening (however, the studio isn't on the hook for marketing on that one, and they're walking away with at least a $3M-$5M distribution fee, I'm told, even if the Adam Driver, Shia LaBeouf, Aubrey Plaza movie tanks).
VARIETY SEZ:
"Transformers One" doesn't seem primed for a breakout start after earning $9.56 million from 3,978 locations across Friday and preview screenings. That puts the animated prequel, co-produced by Paramount Animation and Hasbro Entertainment, on track for a $26.3 million opening weekend in North America, pacing behind industry projections for a $30 million-plus debut.
Whether "Transformers One" can keep a strong engine running in the weeks ahead will be the ultimate measurement of its success. Paramount was able to leg out a salvageable performance for another family-oriented feature this summer, with the original special-effects caper "IF" finishing with $111 million domestic after a muted $33 million opening. The studio will look for staying power here too.
(Click image for full chart)
Worldwide Updates:
Weekend Box Office Archive (Updated 2023-05-07) and Appendix
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