2010 - also based on a sequel by the original author, was an underrated and excellent sci fi thriller that never attempted to emulate the original.
I enjoyed the miniseries with Steven Weber and Rebecca De Mornay, because it stuck to the source material.
2010 - also based on a sequel by the original author, was an underrated and excellent sci fi thriller that never attempted to emulate the original.
The audacity of following up Kubrick is blowing my mind a little. Look out for Clockwork Orange and Barry Lyndon remakes.
Looks horrid.
It's a sequel to the original book with some references to the movie.
Remember most of those tropes are tropes due to this movie. (Well creepy kids more a Children of the Damned thing.)I enjoyed the Doctor Sleep book, some decent moments.
I'm in the minority I think, I deeply disliked The Shining film. I just didn't think it was that great, a lot of the nuance from the book was lost (unavoidably perhaps). In the book there is all this build up as to why Jack goes mad, it makes sense given all you know about him, why his character lets the Overlook twist him. In the film he just goes bonkers for no obvious reason. Plus stuff like the creepy little girls was just unimaginative, but maybe that's me looking at it through the lens of someone who had seen plenty of that trope before he watched The Shining, maybe in 1980 it was fresh and horrifying. The Shining book was genuinely creepy, the hedge animals (brrrr).
I'm glad he's making the effort to do this. I don't care for the book nearly as much as I care for Kubrick's adaptation of it, but I don't want to see all the King fans left in the dust either. Hopefully there aren't any King fans crazy enough not to like the *aesthetic* of Kubrick's movie even if they didn't like the changes. There's no reason this can't satisfy people who prefer the movie or the book simultaneously.Flanagan is on record in a few of the interviews that went live with the trailer essentially saying that his movie exists in both the book AND Kubrick continuity, and that navigating the anachronisms has been part of the challenge of bringing the film to life. In fact, the first task he set himself was convincing King that this movie also needed to be in Kubrick's universe.