Now that I'm thinking about it, I hope this film wins an Oscar. It might be able to edge out against Raya and Luca.
Manifesting this.
Manifesting this.
There's just so much beautifully subtle character animations in this, that I totally agree it deserves it.Now that I'm thinking about it, I hope this film wins an Oscar. It might be able to edge out against Raya and Luca.
Manifesting this.
Now that I'm thinking about it, I hope this film wins an Oscar. It might be able to edge out against Raya and Luca.
Manifesting this.
Now that I'm thinking about it, I hope this film wins an Oscar. It might be able to edge out against Raya and Luca.
Manifesting this.
To be fair it's still pretty early to make that call. As well as Luca, Pixar's Encanto would also be in the conversation and it's crazy we have hardly seen anything from that yet. And there is also Henry Sellick's Wendell and Wild due this year.
Raya is totes mediocre and the jury's obviously out on Luca still, so who knows.Now that I'm thinking about it, I hope this film wins an Oscar. It might be able to edge out against Raya and Luca.
Manifesting this.
Disney developed an amazing cg artstyle, tool, and pipeline with Paperman, only to never use or iterate anything from it since 2012.I maintain it's a sad how studios like Pixar and Disney have essentially unlimited money, resources and talent and yet they never really try to take a chance to do something truly visually different from the norm from an animation standpoint. They made movies that look reasonably different from each other to be sure, but all of them seem to share the same rendering pipeline and style. Their photorealistic-like lighting and shading seems to work out the same way in every movie. CGI has potential for being so much more. And it's borderline bizarre how movies like the Hotel Transylvania franchise has more respect and reverence for Disney's principles of animation than Disney themselves these days. Where my squash and stretch at.
Disney developed an amazing cg artstyle, tool, and pipeline with Paperman, only to never use or iterate anything from it since 2012.
Really bums me out.
I maintain it's a sad how studios like Pixar and Disney have essentially unlimited money, resources and talent and yet they never really try to take a chance to do something truly visually different from the norm from an animation standpoint. They made movies that look reasonably different from each other to be sure, but all of them seem to share the same rendering pipeline and style. Their photorealistic-like lighting and shading seems to work out the same way in every movie. CGI has potential for being so much more. And it's borderline bizarre how movies like the Hotel Transylvania franchise has more respect and reverence for Disney's principles of animation than Disney themselves these days. Where my squash and stretch at.
It's difficult for any film to slay the Disney/Pixar dragon without the box office receipts to back it up. A well-received, streaming film... even one produced by Lord and Miller... still faces an uphill battle. But it's a solid bet for a nomination.Now that I'm thinking about it, I hope this film wins an Oscar. It might be able to edge out against Raya and Luca.
Manifesting this.
Just to clarify, Encanto is from Disney... not Pixar. It's the team behind Tangled and Zootopia. I have it as the front-runner to win so long as it doesn't face a delay and get pushed into 2022.To be fair it's still pretty early to make that call. As well as Luca, Pixar's Encanto would also be in the conversation and it's crazy we have hardly seen anything from that yet. And there is also Henry Sellick's Wendell and Wild due this year.
Yeah. I hope Netflix promote this movie better, they aren't that great at maintaining IP. Maybe it's because my kid doesn't watch much on Netflix but it felt like their previous efforts like Glen Keane's Over the Moon came and went and disappeared pretty quickly.
The trailer has 25 million views, I think it will do ok with viewership.Yeah. I hope Netflix promote this movie better, they aren't that great at maintaining IP. Maybe it's because my kid doesn't watch much on Netflix but it felt like their previous efforts like Glen Keane's Over the Moon came and went and disappeared pretty quickly.
Yeah. I hope Netflix promote this movie better, they aren't that great at maintaining IP. Maybe it's because my kid doesn't watch much on Netflix but it felt like their previous efforts like Glen Keane's Over the Moon came and went and disappeared pretty quickly.
I really dug it!
Also sony's animation is honestly amazing. There art style to me is more impressive then pixar's work lately
Didnt they revive this or did i imagine that?
Genndy Tartakovsky's 'Popeye' Movie Is Back In Development [Updated] - SlashFilm
Genndy Tartakovsky (Hotel Transylvania) was working on a Popeye movie several years ago, and it fell apart. But a new report says it's in the works again.www.slashfilm.com