As tight of a stranglehold Feige has on the MCU and as good as he's weaved these stories it's going to be tough to move the MCU in without acknowledging Spider Man.
Leaving that FFH cliffhanger is maybe the shittiest part of it all. I really wanted to see what would happen afterwards.
Sony legally *has* to protect their IP or it ceases to be IP at all. They absolutely, 100% will not allow Spider-Man to appear in MCU films without some type of deal.
Disney also wasn't attempting to get an ownership stake. They were attempting to get something in return for producing future Spider-Man films in a world where no MCU team-ups are planned for at least the next few years. Previously they did the work pro bono because they had Avengers on the horizon to make their own money with the character. Without that, they cannot justify producing these movies for nothing in return. It's (very) basic business.
Sony always balloon their budgets for their Spider-Man films outta control, with marketing and all.Sony doesn't have any incentive to make a deal right now anyway, they owe it to themselves to see if they can make a good film on their own, if they can and it does say $900 mill WW, then it would be stupid to give up even a 20-30% stake.
Sony always balloon their budgets for their Spider-Man films outta control, with marketing and all.
Watch them do less net than what they had could do hypothetically with Disney, even at 30%, in their next film.
Weren't Homecoming and Far from Home cheaper than every other Spider-Man film sans Raimi first one in the 00's?
You're still going to. Sony is making the sequel to Far From Home. It's just going to be devoid of all MCU connections.
It just really won't make narrative sense anymore.
I'm serious when I say the best thing Sony could do would be to have Peter just fall into an alternate dimension. Whatever they do next is gonna be shit, but at least then they don't have to handwave away everyone else existing.
I'm not really sure if Feige had anything to do with that but that was mostly just Disney realizing that they got played. They wanted good PR but got the opposite. Once egos got sat aside, they were able to resolve that whole issue.Feige got James Gunn back, he'll probably be working his magic overtime behind the scenes
Protect the existence of those rights. They disappear if other companies use the character and the owner doesn't intervene. That's a big reason why companies sue for copyright infringement in the first place. If you don't protect your IP, it stops being your IP.Protect what? They own the rights to the solo Spider-Man movies, they have nothing to lose by letting Spider-Man also appear in MCU films, it builds goodwill with fans and gives them free advertising.
Of course they want control of the franchise. They already had it. Marvel is not going to allow random characters to enter their universe without creative control. They have meticulously crafted the most impressive and profitable franchise in the history of cinema. The first of its kind. Yeah, they want control. Obviously. It's better for everyone if they get it.Disney is the hold up, they want a financing deal would give them broad control over the franchise. That was their whole plan from the get go. If you co-finance a movie you have effective co-ownership of it in many respects.
They probably thought they could get it too by intertwining Spider-Man's story so much so with Iron Man. Sony didn't take the bait.
Variant Venom cover by Rob Liefeld
I think that's what Tom Rothman is for... for the budget...
Protect the existence of those rights. They disappear if other companies use the character and the owner doesn't intervene. That's a big reason why companies sue for copyright infringement in the first place. If you don't protect your IP, it stops being your IP.
Of course they want control of the franchise. They already had it. Marvel is not going to allow random characters to enter their universe without creative control. They have meticulously crafted the most impressive and profitable franchise in the history of cinema. The first of its kind. Yeah, they want control. Obviously. It's better for everyone if they get it.
So the idea of Sony shoving Venom into the third Spidey flick against all better judgment seems an awful lot like Raimi's Spider-Man 3 in which Sony did the same. Also makes me recall Dark Phoenix, in which Simon Kinberg was allowed to repeat his past mistakes as well.
How Sway?You're still going to. Sony is making the sequel to Far From Home. It's just going to be devoid of all MCU connections.
I mean for the MCU there's nothing to resolve really, the cliffhanger was purely Peter based.
For Peter it can be done outside of the MCU it just is a shame it will be so
So the idea of Sony shoving Venom into the third Spidey flick against all better judgment seems an awful lot like Raimi's Spider-Man 3 in which Sony did the same. Also makes me recall Dark Phoenix, in which Simon Kinberg was allowed to repeat his past mistakes as well.
I honestly think this is probably one of the reson why the deal broke. Marvel want to use Norman as central MCU villain for a bunch of MCU movies like Loki. But no way Marvel will do this if they don't have safety net so Sony can't just take him away, which is why they ask for a stake in financing etc.Hey at least it happened before Feige brought in Norman Osborn as a principle MCU mega antagonist.... Imagine if the deal fell through in the middle of a mega arc with Osborn at the head of it like so many wanted
How will that work?You're still going to. Sony is making the sequel to Far From Home. It's just going to be devoid of all MCU connections.
You're wrong. This was about getting money in return for doing work. The basic concept of business. Marvel cannot allow characters that are not under their control to appear in their movies, because that would be giving a third party the ability to mold the MCU. They can't just have a character from Sony's universe appear in their own.Well they're not getting it in this case. They can swallow their pride and realize they make plenty of money as if they really "care about the fans", but they don't give a fuck about that, this is about IP control for them, the whole thing was a way to try and eventually force/coerce Sony to have to give up a large portion of control over the Spider-Man franchise.
The funniest part of it all is basically Tom Hardy probably fucked them out of it by doing such a good job in the Venom movie, now no way is Sony just gullibly going to hand over a large control share of the IP when they just did $860 mill on a Venom picture.
How Sway?
The guy who revealed Peters identity is a disgruntled ex Stark employee. Peter is accused of drone striking half of Europe/England with a Stark Satellite. Aunt May runs a charity that helps relocate people displaced by the blip.
It would just be easier to reboot the character than trying to make a direct sequel to FFH.
People like Venom and have been waiting a long, long time to have him properly put into a Spider-Man film, that could work just fine if they did it right.
You're wrong. This was about getting money in return for doing work. The basic concept of business. Marvel cannot allow characters that are not under their control to appear in their movies, because that would be giving a third party the ability to mold the MCU. Sony. They can't just have a character from Sony's
universe appear in their own.
Also. D this "for the fans" nonsense, it makes you look incredibly foolish. These are both publicly traded companies. All either of them care about is profit. They both have a fiduciary duty to maximize shareholder value. That's the bottom line for both of them.
At the end of the day, Sony is only in the position they're in with Spider-Man because of Marvel Studios. They allowed Feige to build the character up for free, and now they're trying to capitalize on the work he did and make sequels because Tom Holland Spidey will get butts in seats. All thanks to Disney. Sony was tanking the character on their own before that. They're an incompetent studio that makes bad movies.
Basic concept of business is you don't hand over control of 30-50% of your main IP to anyone.
A good picture is as simple as getting a decent script, they have a foundation in Spider-Man that's easy enough to follow, they can even simply just rehire the same writers.
People like Venom and have been waiting a long, long time to have him properly put into a Spider-Man film, that could work just fine if they did it right.
It's really not, though. Especially when you have morons like Rothman and Arad in charge of things meddling in the creative process.
Comic book movies need to be fun, they need to understand that really these movies are basically a half-COMEDY. Yes, comedy. That's what brings in the casuals. You can sprinkle in all the "nerd shit" after that of comic book mythos, but if you get too serious, it gets too dull for the casuals.
They already have Holland and presumably will be keeping the rest of the cast that they can, so they basically already have those dynamics in place.
Aquaman also worked big time under this concept.
The script honestly is kind of shit, but it's light/fun enough with enough jokes and a charming lead that it doesn't matter.
The script doesn't need to be a Picaso when it comes to comic book movies.
Forcing Hardy Venom into the MCU is not the right way to do it. That's something that should be built up to. Peter's in college now. Older. Experienced at being Spidey. Gets the suit on some alien planet in an Avengers movie. He should wear it for an entire movie or two. He takes the suit to Reed Richards after things get weird. When Venom first appears it should be terrifying because he looks just like spider-man has for the last 100 issues er- two movies except now his mask has a mouth. We just established Peter's Spidey-Sense and how OP it is when he focuses on it in FFH. How perfect then when this new villain doesn't trigger that sense because the symbiote has bonded with Peter before. Just as Tony inadvertently caused his own enemies (and peter's in the case of Vulture and Mysterio), Venom is Peter's creation. A perfect union between two beings that hate both Spider-Man and Peter Parker.
That is infinitely more interesting and the exact type of longform storytelling the MCU allows for and encourages than "hey venom showed up fight him". That's how you get another Batman V Superman
How many movies have you walked out of going "well the script was good, but the movie was bad". It doesn't happen very often for a reason.
If this whole thing were half as easy as you're purporting, every studio would just follow the magic formula
It ain't that easy
They screwed-up the last three times now. I guess it's not that simple if they repeated the mistake so many times already.A good picture is as simple as getting a decent script, they have a foundation in Spider-Man that's easy enough to follow, they can even simply just rehire the same writers.
They screwed-up the last three times now. I guess it's not that simple if they repeated the mistake so many times already.
Even Venom is basically a mess only saved by his actor going full Jim Carrey by chance.
Another basic cconcept of business is don't damage your brand. Which they are doing by cutting Disney out of the picture. Tom Holland Spidey without the MCU is a totally different character. Sony has incompetent, meddling studio execs who will continue to put out shitty movies, damaging their brand.Basic concept of business is you don't hand over control of 30-50% of your main IP to anyone.
A good picture is as simple as getting a decent script, they have a foundation in Spider-Man that's easy enough to follow, they can even simply just rehire the same writers.
Short term. It'll be fine... but Holland is in danger of being rebooted out eventually like he never was with the MCUAs long as Sony retains the charm of Holland + his best friend played by Jacob Batalon, they'll be fine I think.
That's already established, no reason to mess with that.
Just got to keep it fun and the action on point and they'll be OK.
Amazing Spider-Man was too dry and dull with not enough humor.
Sony always balloon their budgets for their Spider-Man films outta control, with marketing and all.
Watch them do less net than what they had could do hypothetically with Disney, even at 30%, in their next film.
Weren't Homecoming and Far from Home cheaper than every other Spider-Man film sans Raimi first one in the 00's?
Hire a better producer, plain and simple. That's not some magic formula only Disney has access to, there are plenty of good producers and directors that are hawks at bringing in a picture on budget without much fuss.
I think there's still another year for a deal to be worked out. And if there isn't one now there'll be one later after the next crop of Sony Spider-Man universe films release and underperform. Spider-Man wasn't going to have his Far From Home MCU sequel for another 2 or 3 years anyway. Y'all should chill.
Except it does seem to work quite often ... it's not even specific to Marvel ... Aquaman is a huge hit, Venom is a huge hit ... largely IMO because Hardy is genuinely quite funny and charming in the role.
Both of those scripts are pretty mediocre, but the general response from "Joe Public" was quite positive.
The comedy/charm/fun is the key. You have that and you're most of the way home. People don't care about deep, resonant story telling in superhero movies. It's probably better actually to steer clear of that.
Yeah, I don't see any of this turning out well for Sony, just because Rothman doesn't have the pedigree on delivering blockbusters that are Box Office success and is commercially viable. Not saying this isn't a logical business decision, but I would keep playing hardball with Disney.
Armchair CEOing aside (with more armchair ceoing), I think stretching Lord and Miller a bit more could work for the next installment, and they've earn good will with Spider-Verse. Rothman can just take credit from the foundation Pascal set. I just recently read the screenplay for Spider-Verse and it sounds like a bunch of nonsense on paper, but damn is their execution not on point. They can take really out there scenarios and make it work.
Yeah, anything can work as long as Sony picks the right people to be behind the project. I think people forget that every film in a culmination of a lot of factors. This can fail and also succeed, but I'm still leaning on these movies going to shit.
And that's the thing. If we don't see any real progress in terms of finding a director, there's still hope. If they find another director, the dream is for-sure dead.They need to start on the script fairly soon-ish here, don't think Sony is going to want like a 3-4 year gap.