Him = the student, right? The student betrayed Luke, who is a good Force user. So the student logically turned to the dark unless you want to imply "grey Jedi" shenanigans.
No. I'm talking about Luke. Isn't that who you're talking about ?Him = the student, right? The student betrayed Luke, who is a good Force user. So the student logically turned to the dark unless you want to imply "grey Jedi" shenanigans.
This is Star Wars, the original movie basically was one big mistake that almost accidentally happened in editing and post. That's the history of this series, it should be embraced not a source of shame.
No, I was talking about the student. This is the post I was replying to (important part bolded):No. I'm talking about Luke. Isn't that who you're talking about ?
I wonder what Lucas had in mind as the reason for Luke hiding Colonel Kurtz style on the island. Because in his drafts the son hadn't turned to the dark side by the time the story began.
Ahh. My mistake. Sorry.No,I was talking about the student. This is the post I was replying to (important part bolded):
Yup. Everything about the film/marketing was hitting the right notes to the larger audiences.
Like remember the reactions to the fact that they were gonna use a lot of practical effects and shoot on location again? That wouldn't be a big deal now but it was a HUGE deal in 2013-4Yup. Everything about the film/marketing was hitting the right notes to the larger audiences.
The worst part was that they had already "remade" the throne room from RotJ with a satisfying enough twist where Kylo wasn't redeemed.I mean...
We get the Emperor telling the young hero to strike him down in anger, the young Skywalker he once corrupted redeeming himself and dying, a victory montage including Endor and Bespin.
The whole movie isn't ROTJ 2, but the third act is.
And it literally rehashed rejected concept art from ROTJThe worst part was that they had already "remade" the throne room from RotJ with a satisfying enough twist where Kylo wasn't redeemed.
...and then they end up in another throne room so he can be redeemed for real this time.
Yeah, if you look back at the old place or anywhere really, these simple on set videos seeing real sets, puppets, and also shooting on film got people so hyped. It was a major, major deal. The nostalgia for the prequels was nothing close to what it is today, people clearly wanted a return to the old style. No matter how IX turned out I still think JJ Abrams did an amazing job especially given the short of amount of time he had between being chosen as director and principal photography, and JJ + Lawrence Kasdan was a winning combo.Like remember the reactions to the fact that they were gonna use a lot of practical effects and shoot on location again? That wouldn't be a big deal now but it was a HUGE deal in 2013-4
Exactly, the throne room scene had already been done but in a far more interesting way and with a twist.The worst part was that they had already "remade" the throne room from RotJ with a satisfying enough twist where Kylo wasn't redeemed.
...and then they end up in another throne room so he can be redeemed for real this time.
This is Star Wars, the original movie basically was one big mistake that almost accidentally happened in editing and post. That's the history of this series, it should be embraced not a source of shame.
Eh, TFA is a case study in fanservice wankery imo. Good to please uberfans because it kicks them right in the nostalgia and they are looking to love it anyway, and new fans don't realize they're watching a lukewarm regurgitation of previous concepts. TRoS was the natural conclusion of TFA despite the best efforts made in TLJ to course correct into something new.TFA is probably THE most compelling example of how to reintroduce a franchise to a new and old generation of people. It's like RE7, something familiar but new in all the right ways. Originality is not the end all be all metric for storytelling and it says so much about the quality of TFA as a film that it's biggest sin is an apparent lack of original beats. An argument that gracefully tiptoes around doing any leg work when it comes to discussing themes, story, execution, or anything resembling genuine informed critique.
thisThe Force Awakens, while messy, nails it from a character stand point as Rey, Kylo, Finn and Poe were easily enough to continue forward with. I understand the complaints about the "beat for beat" nature, but JJ set the table.
If I think it did one thing "wrong" it was ending at that moment it did, as it essentially forced Rian Johnson to pick up TLJ immediately after TFA... which is a little hand-tying narratively.
If I think it did one thing "wrong" it was ending at that moment it did, as it essentially forced Rian Johnson to pick up TLJ immediately after TFA... which is a little hand-tying narratively.
A director simply having a vision in place and executing it without being concerned about fan reception over the previous film was The Last Jedi. Being overly concerned about responding to the fan reception and the last movie apparently being divisive got us Rise of Skywalker.Disney's take on Star Wars has been a case study in mismanagement. There was no cohesive vision, you had a total of 8 writers all playing broken telephone with themselves, management and a story group with an unclear role. You had films rushed out within an impossible timeframe forcing directors to have their vision in place before the hype died down and the consensus was formed on the prior film.
The Last Jedi was the anti-safe though. Tons of people complained about how TFA took too little risks. TLJ was an overcorrection IMO. Rian did finish his draft before though.A director simply having a vision in place and executing it without being concerned about fan reception over the previous film was The Last Jedi. Being overly concerned about responding to the fan reception and the last movie apparently being divisive got us Rise of Skywalker.
If all it took to please people was fanservice then TROS would have succeeded as a film when it came to reception. TROS failed when it came to the characters. So none of the fanservice resonated. Meanwhile, TFA absolutely nailed the characters and that's what made that film resonate with audiences at the end of the day, because that's always been the most important part of SW.Eh, TFA is a case study in fanservice wankery imo. Good to please uberfans because it kicks them right in the nostalgia and they are looking to love it anyway, and new fans don't realize they're watching a lukewarm regurgitation of previous concepts.
Filming started on TROS well after TLJ released, August 2018, almost a year later. And again, I don't know why these should wait for and be so heavily influenced by fan reception. Last Jedi was the natural next step for the characters and Rise of Skywalker seemed to be overly concerned with making fans and specifically people who disliked the last film happy. Rey Skywalker, Rose being sidelined, a big bad in the place of Snoke, etc. I think a lot of TLJ critics these days can at least respect it these days for having a singular artist's vision and being confident about it.The Last Jedi was the anti-safe though. Tons of people complained about how TFA took too little risks. TLJ was an overcorrection IMO. Rian did finish his draft before though.
Either way, neither had the chance for a consensus to form before they jumped in head first to the next film. These shouldn't have been 2 years apart. Too many easy ways out were taken.
Yes, this is also why the BTS features and "documentaries" on the Blu-ray are extremely sanitized; same with Rogue One, Solo and TROS. Disney cannot and will not formally acknowledge any form of BTS trouble on any production.
My favorite part is finding out that Lucas dislikes ESB the most out of any of his SW films, and that during production of it, he constantly butted heads with Irvin Kershner because Irvin had the audacity to...film multiple takes of a scene in order to get the actor's performance and emotions right.
"It's good enough!" was always Lucas' response. And goddamn if that isn't the mindset that caused the PT to turn out the way it did...
Source for this? I've heard Kershner say in interviews that he made Lucas promise to give him freedom to make the movie he wanted to make. Did he not follow though?