I'd say childish behavior is claiming you know what other people here have went through and basing your judgment of them in complete nonsense.This thread does not align with that recent age poll. Lots of people in here have clearly never lost anybody close to them. Childish behavior.
Incredible post.I'll never forget the first time I heard DQ8's overworld theme -- it was the eve of my brother's ninth anniversary from a tragic overdose and emotions were understandably running high in our household, and from the first plucks of the harp I was immediately transported to this Jesus artwork my dad found solace in after his death. I'm especially terrible at describing the finer points of music -- an irksome weakness as a writer -- yet the way its boundless beauty summoned an otherworldly surge of emotions that night practically brought me to tears.
I'm hardly a religious individual, but over the next hundred hours I spent with that game, I hoped that with every harpstring and trumpet blare that he was, as I always do, watching over me.
I make no excuses for Sugiyama's activism -- it was especially hurtful that a man so essential to the awareness of game music and who inspired countless others in the industry (Hayato Matsuo, Yoko Shimomura, and Hirokazu Ando) used his fortune to cause great harm to the marginalized. It was a persistent point of guilt in my enjoying Dragon Quest: a series with nary a cynical bone in its body. Needless to say, the world is an objectively better place without him in it and I do hope those subject to his political crusades find their lives that much easier.
I won't even pretend Dragon Quest's musical fiascos measure up to even a tenth of the level of importance as the issues raised within this thread, but even if you were to disingenuously shrug off his abhorrent views and activities, his iron-grip upon the soundtrack and gradual lack of care towards the series negatively impacted the modern Dragon Quest experience. Dragon Quest XI's MIDI instrumentation is an abomination. The 3DS remakes are stripped of their orchestral tracks for the Western localizations. (And while I'm of the opinion DQ7's MIDI is actually solid, I absolutely refuse to play DQ8 without the symphonic score for obvious reasons.) The MIDI tracks recycled across the franchise -- and, by association, represent the series via numerous spin-offs -- frequently fail to convey the original compositions' majesty, not the least in their Smash Bros. cameos undermining the grand DQ11 stage.
I'll readily admit that I don't know the first thing about Japanese copyright law, so it's very possible not all the issues raised above will be solved with his death. But dead the man is, and now with the awful stain of bigotry and nationalism washed off the series, it's my hope moving forward that whoever takes his place not only channels what made his earlier compositions so good, but ensures every one of the iconic pieces that defined gaming music -- be it the unbridled joy of the Main Theme, the endless scope of Adventure, and the ethereal grace of Heavenly Flight -- is treated with the respect and dignity they deserve across the globe.
As Neiteio said, Dragon Quest's music is ours, and as I've done over the past two years, I choose to engage with it in the memory of my brother: a man I guarantee never so much as heard the name "Dragon Quest," yet whose passing reminds me to cherish life every day. The never-ending journey of kindness persists in the series' heart, and where Sugiyama failed, I'll continue channeling that for the sake of my goals.
oh fuck off
stop acting like he died in a tragic manner
dude lived up 90 years old being loved and celebrated while also being a piece of shit holocaust/war crimes denying asshole while laughing at LGBTQ teen suicide rates throughout his life
Nicely said, and thanks for taking the time to write all of that out. Being a big DQ fan has -- from the musical side of things -- been frustrating to say the least, for the reasons that have been cited many times. As someone who is statistically past the halfway point in my own life, I think about this stuff a lot... what we leave behind, what we'll look back on, what impact we've had on others, what we feel we should have done or done more of, etc. I hate what Sugiyama has done to tarnish/damage this series, the marginalized, and our enjoyment of playing these games, but I do look forward to seeing where DQ will go now that it is hopefully free of these shackles. It makes me even more excited about DQ12 if the OST's creation hasn't been initiated.I'll never forget the first time I heard DQ8's overworld theme -- it was the eve of my brother's ninth anniversary from a tragic overdose and emotions were understandably running high in our household, and from the first plucks of the harp I was immediately transported to this Jesus artwork my dad found solace in after his death. I'm especially terrible at describing the finer points of music -- an irksome weakness as a writer -- yet the way its boundless beauty summoned an otherworldly surge of emotions that night practically brought me to tears.
I'm hardly a religious individual, but over the next hundred hours I spent with that game, I hoped that with every harpstring and trumpet blare that he was, as I always do, watching over me.
I make no excuses for Sugiyama's activism -- it was especially hurtful that a man so essential to the awareness of game music and who inspired countless others in the industry (Hayato Matsuo, Yoko Shimomura, and Hirokazu Ando) used his fortune to cause great harm to the marginalized. It was a persistent point of guilt in my enjoying Dragon Quest: a series with nary a cynical bone in its body. Needless to say, the world is an objectively better place without him in it and I do hope those subject to his political crusades find their lives that much easier.
I won't even pretend Dragon Quest's musical fiascos measure up to even a tenth of the level of importance as the issues raised within this thread, but even if you were to disingenuously shrug off his abhorrent views and activities, his iron-grip upon the soundtrack and gradual lack of care towards the series negatively impacted the modern Dragon Quest experience. Dragon Quest XI's MIDI instrumentation is an abomination. The 3DS remakes are stripped of their orchestral tracks for the Western localizations. (And while I'm of the opinion DQ7's MIDI is actually solid, I absolutely refuse to play DQ8 without the symphonic score for obvious reasons.) The MIDI tracks recycled across the franchise -- and, by association, represent the series via numerous spin-offs -- frequently fail to convey the original compositions' majesty, not the least in their Smash Bros. cameos undermining the grand DQ11 stage.
I'll readily admit that I don't know the first thing about Japanese copyright law, so it's very possible not all the issues raised above will be solved with his death. But dead the man is, and now with the awful stain of bigotry and nationalism washed off the series, it's my hope moving forward that whoever takes his place not only channels what made his earlier compositions so good, but ensures every one of the iconic pieces that defined gaming music -- be it the unbridled joy of the Main Theme, the endless scope of Adventure, and the ethereal grace of Heavenly Flight -- is treated with the respect and dignity they deserve across the globe.
As Neiteio said, Dragon Quest's music is ours, and as I've done over the past two years, I choose to engage with it in the memory of my brother: a man I guarantee never so much as heard the name "Dragon Quest," yet whose passing reminds me to cherish life every day. The never-ending journey of kindness persists in the series' heart, and where Sugiyama failed, I'll continue channeling that for the sake of my goals.
This thread does not align with that recent age poll. Lots of people in here have clearly never lost anybody close to them. Childish behavior.
I've lost several that I've been close to, including my father who passed at a much younger age than 90. Sugiyama can get fucked, regardless of whatever headass imaginary concept of adulthood you think is to suddenly show respect to someone despicable just because they're dead.This thread does not align with that recent age poll. Lots of people in here have clearly never lost anybody close to them. Childish behavior.
This thread does not align with that recent age poll. Lots of people in here have clearly never lost anybody close to them. Childish behavior.
Just wanted to share some of my favorite stuff:
The DQ9 piece in particular I absolutely adore. I hope that in the future the next composer can capture what made Sugiyama's stuff magical while also being jut a better human being.
Tell me, does the air smell nice high up there on the stilts you've crafted?
This thread does not align with that recent age poll. Lots of people in here have clearly never lost anybody close to them. Childish behavior.
I wouldn't hold your breath, I bet they keep the music largely the same. It's iconic.Its going to be weird playing a DQ game where the same three tunes aren't playing over and over again.
I've never lost someone close to me who denied war crimes lmaoThis thread does not align with that recent age poll. Lots of people in here have clearly never lost anybody close to them. Childish behavior.
The talk of Sugiyama's war crime denial prompted me to do some research on said war crimes. Jesus Christ, I was not prepared for some of that shit. Disgusting.
The "fun" part of japan and its war crimes is that it gained immunity from prosecution for sharing its torture-driven data to the US.The talk of Sugiyama's war crime denial prompted me to do some research on said war crimes. Jesus Christ, I was not prepared for some of that shit. Disgusting.
Ever since I started watching One Piece (yeaaaars ago) and whenever this track popped up, I always thought "That is some Dragon Quest music right there":
So they should totally get the composer to compose DQ from here on.
Aside from the Overture, it feels like this is the best opportunity we have to actually get someone new. The question is who: Yoko Shimomura has come up a bunch of times here, but Square rarely share composes between IPs.DQ lives and breathes nostalgia, so they'll have to defer to his estate to keep using the music they will inevitably want.
Free from a hateful bigot, yes.
shimomura's a free agent and she's done stuff for a whole lot of different square IPs. she headlines KH, but was also behind the main motifs in XV and has done work on the mana series over the years and that's just for squareAside from the Overture, it feels like this is the best opportunity we have to actually get someone new. The question is who: Yoko Shimomura has come up a bunch of times here, but Square rarely share composes between IPs.
Nobody ever talks about how poor Eva Braun must have felt likeThis thread does not align with that recent age poll. Lots of people in here have clearly never lost anybody close to them. Childish behavior.
Great idea! Why don't you lead by example and not post in this tread?
I like this.Sugiyama may have tried to weaponize his fortune against vulnerable groups, but everyone is free to reappropriate his works as a source of strength instead -- including the people he oppressed.
Nobody ever talks about how poor Eva Braun must have felt like
I don't think there is that much disdain for him outside of places like Era in the west, tbh.Not that it really matters, I guess, but does anyone know if Japanese people are confused by the difference in reaction from Western and Japanese fans of DQ?
They died together, so duh.Nobody ever talks about how poor Eva Braun must have felt like