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View: https://www.youtube.com/watch?v=VEJ8lpCQbyw
During an interview with Collider's Steve Weintraub at the Mediterranean Film Festival in Malta, Stahelski shared insights into this exciting new chapter. Last year, Stahelski told Collider that he was aiming to have the film in production within a year, so he wasn't too far off, as he recently told Weintraub:
"We start shooting in January in Scotland, that's why I go right after I leave. I go to Scotland on Monday to do the final location scout."
"I'll keep it to the core. Most audiences, I'll use the gun analogy, most of what you know about gunfights or car chases, because most of us don't get involved in gun fights, or car chases, or sword fights, we learn through movies. And what those movies show you is about 95% bullshit. You don't fight 50 guys with your bare hands and then walk away, but it's fun. It's wish fulfillment. So John Wick, we know it's a cartoon — I know it's not — but we also have fun with it. But we do tactical reloads, we try to do fire manipulations, stuff like the professionals do, the military do. But then we have fun with it, you know? Sword work is very much the same."
"Swords, to me, are of one of the trickiest things to do in fight scenes, because if I mess up too much with the firearm, the muzzle flashes are digital," he added. "So we don't have to worry about hurting anyone. When we do car stuff, that's also a big concern. But there's ways now, cables that take some of the hazards out for the cast." He went on to explain that with "Swords, it's a little trickier because now I got to trust that my actors are swinging this piece of metal at each other, and hopefully not gonna take their eyes out or stab somebody. Every sword movie, somebody gets poked or hit on the head or something like that. It takes a little bit more skill and a little bit more dedication. So that's always a concern."
View: https://www.youtube.com/watch?v=VEJ8lpCQbyw