I thought this would be dumb but I was pleasantly surprised. I can't even pin down why the trailers didn't work for me besides the iffy style and uninspiring action shots. Maybe it was that combined with the shoehorned A-ha song, which felt to me like an on-the-nose nostalgia grab? Turns out the trailers weren't deceptive, they just didn't highlight why this movie works.
This movie works because it's an earnest full-bodied adventure that captures the tone and flavor of gaming as escapism, and doesn't cut corners with its storytelling. You get to know who everyone is, what they want, and why. They all have rational reasons for doing what they do, and these motivations keep them grounded and on track in the spectacle to come. In spite of appearances, RPO doesn't use nostalgia as a crutch at all. It doesn't trip itself up with forced references like I expected. All of the references are there because of course that's how a virtual world would look, with people picking avatars from their favorite games and movies. RPO doesn't smash you over the head with these things, it shows people who love pop culture enjoying pop culture in a boundless digital playground. The film accesses nostalgia by showing other people's experiences and nostalgic memories in ways that we the audience can relate to. I must say, this movie plays to Spielberg's strengths. I doubted he still had it in him.
How about that Shining sequence? It's the definition of a nostalgic episode done right. What an absolute joy to delve into that world with no warning. I can still hear my audience's scattered chuckles of recognition and anticipation as the characters walked down those stairs. I was in disbelief. I was like, is this movie seriously doing a deep dive into a lovingly recreated horror classic right now? And it kept getting better after they approached the typewriter. The twins, that spectacular flood... I couldn't believe Spielberg and co. brought back the bath lady in all her grotesque glory. The whole thing was pure magic.
The Shining sequence is easily the highlight of this movie for me, but I think the very first big setpiece, the race, illustrates how RPO avoids its potential fate as a leaden special effects bonanza that leaves you feeling hollow, and instead shapes itself into a warm, inventive, hopeful adventure story that makes an unabashed grab for the heart. The race proceeds as a big and loud, dense and fast-moving spectacle. It's a dynamic and well put-together scene that succeeds in raising your heart rate. And that could have been all it did. Instead, Spielberg interweaves solid character building. You get to know what kind of guy Wade is. He's got skills and know-how, and the scrappy instincts to work a side hustle during this intense challenge, scooping up the lost coins of wrecked players. More importantly, he has a noble streak, which leads him to make the split-second choice to save a rival, who becomes a friend.
On top of this crisply executed character stuff, which imposes no dragging effect on the thrills of the scene and works as an effective intro to the protagonists you're going to spend the next 2+ hours with, here's my favorite bit: you get a really neat and satisfying look at the same setpiece from behind (or more correctly, underneath) the curtain; the race playing out once more as Wade speeds in reverse through a kind of backstage basement space that lets him look up through the track above like a two-way mirror and see the various obstacles and hazards sent up to cause another round of the mayhem he recently survived. It's an awesome, hugely entertaining twist on what might have been a by-the-numbers action scene.
I don't know how closely the movie follows this book, and how much of a hand Steven Spielberg really had in the things I credited him for, but RPO is a marvelous adaptation regardless. A real feast for the senses, with a surprisingly robust plot. I'm glad I was wrong about this one.