Any excuse to post "Music Book" by Tatsuro Yamashita, I'm there! Excellent thread idea.
On that note you can't have "If You Wanna Dance Tonight" and let this continue to be a thread!Love City Pop. This youtube channel has some great mixes.
https://www.youtube.com/channel/UCuSh1X0HqVXewI0vDS4-YTg/featured
Back when I was still getting into the genre, I was constantly amused by how often "4 AM" from Taeko Ohnuki's Sunshower made its way into everyone's YouTube recommendations. That probably had a big role in spreading awareness of this style of kayokyoku outside Japan.For some reason, this video always shows up as a recommendation on my YouTube, and it has showed up even before I even knew of City Pop. I'm not sure why it did and why it still does but I'm not complaining. It has a good sound.
Mukaiya helped define Casiopea's texture and spaced-out but exuberant arrangement. Otaka, meanwhile, is a really good jazz and fusion organist who's done some excellent albums with jazz artists from around the world...so this seems like punching below her weight and also off to the side too much. Even T-Square doesn't play with real erudite performers that often, though they're still very talented and excel at a niche outside Casiopea's.I like organ a lot in jazz music and I understand Kiyomi Otaka started as an organist, but I much prefer Mukaiya's use of electric piano and his style of improvisation. In recordings of live performances with Mukaiya, the guy looks like he's having so much fun, too.
Aboslutely. Otaka is definitely a great organist, but the new(ish) lineup will absolutely take some more getting used to. Don't get me wrong- I love Casiopea, but Mukaiya definitely has a soft spot in my heart!Mukaiya helped define Casiopea's texture and spaced-out but exuberant arrangement. Otaka, meanwhile, is a really good jazz and fusion organist who's done some excellent albums with jazz artists from around the world...so this seems like punching below her weight and also off to the side too much. Even T-Square doesn't play with real erudite performers that often, though they're still very talented and excel at a niche outside Casiopea's.
Both Casiopea and T-Square tend to pull from the same pool of returning and upcoming Japanese jazz players, so I'm confident about most of their new albums and tours. The real issue starts with how few people tend to discuss those bands outside Japan, considering their influence on video game music and the Japanese fusion scene.
T-Square had a clear influence on Yoko Shimomura, also, since Guile's Theme eerily resembles an early T-Square track composed by Hirotaka Izumi. The lead guitarist and co-founder, Masahiro Ando, dabbled in video game music himself and ended up becoming the central musician behind Gran Turismo (which explains why Satoshi Bandoh, one of T-Square's drummers, also contribute his own BGM to the games).I found out about both of those bands in an interview Shoji Meguro gave where he spoke about some of his influences. I love Casiopea but haven't listened to much of T-Square. I should probably fix that.
Hi Im just here to say that Shizuka Kudo has rocketed to one of my recent favorite artists, in part because I searched for City Pop. Her and Dreams Come True are probably my two favorite City Pop artists.
Wonk, Why'd that first one sound like the Super Mario Odyssey theme?
I hope that kick included everything Emperor's ever done.I've been on a black metal kick for months, and this has stopped that.
The real issue starts with how few people tend to discuss those bands outside Japan, considering their influence on video game music and the Japanese fusion scene.
Do they have Memories in Beach House?
The first time I heard Casiopea, it was like an epiphany to me, like I was finally hearing the "missing link" between popular Japanese music and Japanese video game soundtracks, it was that extra bit of DNA that was missing in the genetic code. I've tried several times to get Jeremy Parish to listen to some T-Square and Casiopea so he can do an episode of Retronauts about how Japanese fusion jazz and City Pop fit into the timeline of video game music to no avail.
Anyway, some recommended tracks, most of these were from the previous thread as well:
I'm also trying to figure out what exactly it is that is making this music finally explode and catch on outside of Japan. Is it just people interested in Japanese developed video game music or "vaporwave" finally connecting the dots or something?
Definitely,citypop and J-fusion jazz seem to just now be catching up. I'm talking more from a Western perspective of understanding the musical roots of this stuff since so many people outside of Japan were first introduced to these genres through video game soundtracks. YMO and Sakamoto have been a known influence in the West for some time.I'd include techno kayo in the timeline of VG music considering Yellow Magic Orchestras influence at the time.