The moral of the story, don't hire Damon Lindelof to introduce a mystery box which neither he nor anyone else would be able to solve in a logical and satisfying manner.
He's like the best example against the single-auteur theory in that his work so clearly demonstrates how film is a collaborate process where multiple artists contribute to the final piece, not just the director (see: Scott's take on BR that led to the Final Cut).
The Leftovers is a pretty good show though, he can do fine when mystery isn't the entire focus of the narrative.
And fortune cookies.
Yeah I was always into the idea that Xenomorphs take on aspects of its host. So the Queen could be an outcome of whatever they were using to sustain themselves on LV-426 before the humans arrived.We don't really know, maybe the xenomorph species evolved all by itself after many various hosts. Like humans, engineers, animals, other alien life forms, etc.
Seeing his name attached to Covenant was all I needed to back out on it. I'm sure he's done good work elsewhere but these prequels had too much mystery box and too many professionals making rookie mistakes (going off watching Prometheus and reading on Covenant after release). IIRC Prometheus was actually a bit more rooted in Alien before he got involved, and he chose to make stuff more vague.The moral of the story, don't hire Damon Lindelof to introduce a mystery box which neither he nor anyone else would be able to solve in a logical and satisfying manner.
Ugh, good thing they put a stop to Ridley Scott's madness. After Alien Covenant, this movie would have bombed even harder. Canceling it was the smart decision.
Legit couldn't believe what I was seeing when David uttered the now famous "you blow, I'll do the fingering" and of course the other tons of dumb shit in that movie. Had a strong feeling Covenant would bomb when I walked out the theater.
Umm, I'm confused, I didn't say otherwise :PThey only put a stop to it because Covenanf bombed. Prometheus did well at the BO
From Wiki:Werent they pressured during production of Prometheus to distance it from the Alien IP?
Spaihts wrote a script for a prequel to the events of the Alien films, but Scott opted for a different direction to avoid repeating cues from those films. In late 2010, Lindelof joined the project to rewrite Spaihts's script, and he and Scott developed a story that precedes the story of Alien but is not directly connected to that franchise.
I wonder how the prometheans would triple in size
Im sure David would have done that as well.
Plot twist, thats actually David in the chair.
I always joked with Bobby that Ridley would somehow top the level of awfulness that Covenant was and the lore by actually making the Jockey be David.
That synopsis is one step closer!
I wonder if we'll ever get that Neil Blompkamp version now. I believe there were reports that the only reason it was killed was because of Ridley.
Yep. The worst part about these movies wasn't that they were shit, it was that they retroactively ruined the engineer/Alien lore.Whenever people say movies can't retroactively harm those in the past this is the movie series I use to show they can.
Prometheus and the stupid fucking "Engineers" ruined the mystery of that Space Jockey. Also no, the space jockey was NOT a bloody suit, it was a fossilized skeleton of a weird ass alien species, it was also about 15 ft tall and a lot bulkier then the Engineers we got in Prometheus, "human" looking giant Aliens are one of the most boring and laziest designs for making an Alien imo.
Then Alien Covenant had to go and ruin the origins of the Alien (the version of it we know), which should have NEVER BEEN revealed.
It's like he doesn't grasp that some things are better left unknown, it's the idea of them that makes them scary and that sense of the Xenomorph having been a perfectly evolved species for survival. Seeing this huge ass looking Space Jockey and wondering where it came from, how old it is, and realizing that it too succumbed to the Xenomorph and just how old and long the Xenomorph had survived is what made it horrifying.
Having the Xenomorph be David's "design" and him doing what he did to Shaw made ZERO DAMN SENSE. Like seriously, wtf? The only good thing Prometheus did was have an ending that set up something that could have been great, Shaw and David going to the Engineer world and interacting with them, they could have made something amazing out of that, totally go for a 2001 style space movie, something more along The Martian in tone with actual SMART choices and interesting questions that it could prose by Shaw and David meeting the Engineers and having humanity's first interaction with an intelligent non-hostile alien species. Instead they literally threw that whole thing out for one of the most GENERIC "twists" and one of the worst things they could do to the Alien franchise.
They should have just made Prometheus/Covenant it's own separate thing not tied into the Alien series.
I loved Covenant and Prometheus, I wanted to see the end of this story.
I honestly don't get the extreme level of hate they get, it seems disproportionate to the mistakes that they made.
Lindelof is a genius incapable of doing wrong though /eraThe moral of the story, don't hire Damon Lindelof to introduce a mystery box which neither he nor anyone else would be able to solve in a logical and satisfying manner.
Tbh neither of these bother me, I still more or less consider the Engineers to be the creator of the Alien, David just took what was there and modified it. I also thought Fassbender sold all of it very well, I was genuinely shocked when I saw what he did to Shaw.Making a spiteful Weyland android the creator of the Alien was a terrible idea, as was making the Space Jockeys 7ft tall albino bodybuilders. It's incredibly reductive and destroys the mystery of the original films.
Blomkamp is perfectly fine as long as somebody else is handling the writing.
He says a lot of things. They were ready to straight into filming the next one, more or less, but Covenant didn't make as much as they thought it would so it was put on hold. I'm holding out some hope that someone eventually makes it, but I don't expect it to happen at this point.
It's all...so....awful.
Ridley Scott's some kind of savant who doesn't understand his own work. Like he has an incredible eye, he understands mood, tone, pacing...but you better hope he's paired with a screenwriter who knows what they're doing because Ridley Scott sure doesn't grasp what he's filming. He's like the best example against the single-auteur theory in that his work so clearly demonstrates how film is a collaborate process where multiple artists contribute to the final piece, not just the director (see: Scott's take on BR that led to the Final Cut).
Here's some of what Dan O'Bannon, Alien's screenwriter, had to say in various interviews over the years:
And regarding the Space Jockeys....
Like, no shit. That's the point. Watching the first movie, I assumed the Space Jockeys were just some random other unfortunate race that fell victim to the Xenomorph. The alien was just what would result when the forces of evolution by natural selection acted upon life in space. Nature's scary enough on Earth, so what evolution would produce in space....
I know that Ridley Scott had in his mind for a long while that they were bioweapons, but I feel like that's so small. There's an existential fear in the unknown, and reducing the xenomorph to a manmade creation explains it away, it turns it into something that might as well be a killer robot.
It's funny. There was a period in the development of Alien that they considered making the xenomorph a creation of the Company!
But they knew this was a mistake, they knew that had to keep the alien an "Alien". And now, with the twist Ridley Scott made to the lore in Prometheus and Covenant....it isn't as alien, really. I mean, it's a creature from off-world, yes, but it has a very human origin. Go figure.
If all we knew about alien was that it evolved somewhere else, the scariest question in my mind would be....what sort of ecosystem could this thing have come from? If this is what a parasite looks like, what else is from its world...? What could a predator of this thing possibly have been, or what else existed in this food chain...?
They had countless opportunities to use the question "What kind of horrible planet would produce a creature like Alien as just one of its species?" as a foundation for a movie.
Or just make one about some giant pale humans hunting Fassbender, I guess.
I didn't know it was controversial to say that he lacks a finishing touch. Admittedly, I bailed out of Lost during the 4th season, so, he may have turned things around in the end.