lolJust the idea makes me want to vomit, keep that history shit away from my Bond
I just like Cold War spy aesthetic
Big tape reel computers and stuff mmm
lolJust the idea makes me want to vomit, keep that history shit away from my Bond
It's hardly a hot take, it's a sentiment that has been widely expressed for years.Well that sure is a hot take. And what does not acceptable in 2018 even mean? Not acceptable to you, maybe. But otherwise, it's acceptable. Except for the Moore era and to a lesser degree, the Bronson era which is very Moore-like, the films age well because it adheres to a classical filmmaking style which holds up better than trends in filmmaking which come and go.
It's hardly a hot take, it's a sentiment that has been widely expressed for years.
Obviously I'm not talking about the actual filmmaking, or the beautiful music, etc. Interestingly enough, while the books are more offensive than the movies I thought the films were pretty poor adaptations of the ones I read - From Russia With Love and Goldfinger especially (gasp!).
And you know exactly what I mean by not acceptable in 2018.
Not even that long ago
Gay Panic!!
Holy shitWell, do you want films to express what society should ideally be like or more like what it actually is? Even if it's an escapist spy thriller? Plenty of straight guys would have "gay panic" in reality. But that one is not what I would call gay panic. Gay Panic is thinking you may be be turned gay.
It's the archtypical Gay Villian that is the problem. Bond may not be uncomfortable but a lot of the audience will be.I was on board before, but you're really reaching here.
Edit: I just watched the scene again to check if I was misremembering it completely, but yeah I'm not picking up on what you're claiming here at all. Silva says 'first time for everything' as he strokes Bond's legs, upon which Bond smiles and replies 'what makes you think this is my first time?'
It's the archtypical Gay Villian that is the problem. Bond may not be uncomfortable but a lot of the audience will be.
Even if you don't agree with that example you know I could pull out a dozen more.
Nah, I ain't gonna talk Silva because I only saw that movie once and nearly fell asleep in the theater.If the audience is uncomfortable, that seems like it says something about them and their issues, not the movie. I still disagree. Also, Silva was not gay but bisexual.
If you're talking about Silva, sure, I'd love to hear more.
Nah, I ain't gonna talk Silva because I only saw that movie once and nearly fell asleep in the theater.
You don't want to talk about all the casual misogyny and racism of the classic films?
There's no loads else out there, is there?Boyle was the only thing that had me excited about this movie.
It's fine, but not exceptionalMask is Zorro is absolutely fantastic (the sequel not so much).
Doesn't sound like the script was the culprit, it seems.Rumours that the film's script was the source of the disagreement have been reported, with producers alleged to be unhappy with the decision to focus on contemporary political tensions with Russia and a "modern-day Cold War".
However one industry source told the Telegraph the split was due to a fall out over whether to cast Tomasz Kot as the lead villain. The 41-year-old Polish actor stars in Cold War, a love story set in 1950s Europe, and was described as a "left-field" decision for a Bond enemy.
"Craig has a big say in all the casting decisions. None of the Bond girls have been chosen without his say so," the source said.
Please, dear god, no.Boyle insistence on bringing an entirely new team, including his established writing partner John Hodge, infuriated Bond producer Barbara Broccoli, another industry source told the Telegraph.
It is unclear whether producers will now stick to Boyle's controversial script, written by Hodge, or revert to the version by Purvis and Wade, thought to be more typical for a Bond film.
Some new details have emerged:
https://www.telegraph.co.uk/news/2018/08/22/danny-boyle-quits-bond-dispute-films-russian-villain/
Doesn't sound like the script was the culprit, it seems.
Please, dear god, no.
Some new details have emerged:
https://www.telegraph.co.uk/news/2018/08/22/danny-boyle-quits-bond-dispute-films-russian-villain/
Doesn't sound like the script was the culprit, it seems.
Please, dear god, no.
Some new details have emerged:
https://www.telegraph.co.uk/news/2018/08/22/danny-boyle-quits-bond-dispute-films-russian-villain/
Doesn't sound like the script was the culprit, it seems.
That article is confusing, it says Boyle and Craig disagreed on casting the villain but then goes on to say that Broccoli was infuriated that Boyle wanted to use his own script writer to change stuff up. Weird.
Time to take Craig out to pasture...and Barbara needs to stop being so pushy.
There were already problems brewing since the early days with Spectre, Blofeld and Thunderball. But EON worked around those problems for years on end until Licence to Kill was wrapped and other problems arose which caused a six years gap to happen. After which it seemed they had things fixed until after Casino Royale (no I don't consider the reboot to be a production problem). Quantum had the writers strike, Skyfall its problems are well documented and than there's Spectre you probably also already know.As someone who has only followed Bond since Craig burst onto the scene with CR (I loved that film when it came out and still think it's my favorite after going back and watching all those that came before), has production ALWAYS been this shit, or is this a Craig-era only thing?
Bonds leave, it's their thing Goldeneye was written for Dalton then retooled for Pierce (that's why it's the only one of his I really like)As someone who has only followed Bond since Craig burst onto the scene with CR (I loved that film when it came out and still think it's my favorite after going back and watching all those that came before), has production ALWAYS been this shit, or is this a Craig-era only thing?
I mean, I feel like they've just completely flubbed this franchise since CR. It's especially evident as other franchises have grown and done the whole thing just as well (and sometimes better). And in all of it, it seems like the constant variable is Craig.
I get it, people have bad days and work is work is work, no matter what you do. But being such a pain to work with when you're making absolute bank of a classic franchise.... as an outsider looking in, it's frustrating.
'67 Casino Royale and Never Say Never Again weren't made by EON productions. Simple as that.Why is it being referred to as Bond 25? There's already 26 movies. 25 if you don't count the original "Casino Royale" from 1967 which was more of a spoof. In which case it should still be Bond 26 if not 27. Am I missing something? Does 25 refer to something else? Or do they not count a couple of the films?
A Nolan Bond movie already exists and it's called Inception.He would probably want to do it with a new Bond not pick up the pieces after Boyle left.
Thank you. Makes so much sense.'67 Casino Royale and Never Say Never Again weren't made by EON productions. Simple as that.
It's his action, and his stance used to be he would never use an action unit.A Nolan Bond movie already exists and it's called Inception.
Besides, there's too much normal human interaction going on in bond movies that Nolan would just fuck it up with "higher art" dialogue and convoluted concepts that don't belong.
But I'm not talking about the action. I'm talking about the storytelling.It's his action, and his stance used to be he would never use an action unit.
The Bond films live by the 2nd and 3rd unit shooting the action scenes and they know what they are doing.
I know, I was counterpointing on how he would actually fuck it up.But I'm not talking about the action. I'm talking about the storytelling.
Yeah it hasn't been good, exactly. Meanwhile action hasn't been too bad? We need better interaction not action imho and Nolan would not really be the magic bullet the franchise needs.I know, I was counterpointing on how he would actually fuck it up.
The scripts in the Craig era have been more Nolan wanky dialogue than most of his actual films
I have no idea why people want him.Yeah it hasn't been good, exactly. Meanwhile action hasn't been too bad? We need better interaction not action imho and Nolan would not really be the magic bullet the franchise needs.
Maybe even a reference to how he used to be with MI5? Would be amazing, so I don't see this happening, ever.I wanna see Pierce Brosnan as the villain. Dude looks badass with a beard.
As someone who has only followed Bond since Craig burst onto the scene with CR (I loved that film when it came out and still think it's my favorite after going back and watching all those that came before), has production ALWAYS been this shit, or is this a Craig-era only thing?
I mean, I feel like they've just completely flubbed this franchise since CR. It's especially evident as other franchises have grown and done the whole thing just as well (and sometimes better). And in all of it, it seems like the constant variable is Craig.
I get it, people have bad days and work is work is work, no matter what you do. But being such a pain to work with when you're making absolute bank of a classic franchise.... as an outsider looking in, it's frustrating.