Not with the level design of the old ones they don't.
Read this:
You can't pull off the same level design of the old ones with mario style movement. The PS2 era tried that and the platforming was much more boring.
FYI, there is a pretty interesting conversation between the author of the article (writer/designer Hamish Todd), on one side, and a highly proficient speedrunner of the classic games, on the other. The conversation takes place in the comments section of the article:
The author of the article (Hamish Todd) responds to that comment here, and the conversation goes back and forth for a bit, so I think it would be of interest for many folks here.
This has also been discussed a bit in other threads, where folks (like the speedrunner above) frequently mention Mirror's Edge.
I also really like the example of Super Cloudbuilt, as I've mentioned on occasion:
Richard Moss: ...The grid [in Classic TR] meant that players would always know that if they jumped forward, backward, or sideways from a standing start, they would finish exactly one block [one unit] away. Likewise, three steps forwards or backward were equal to the length of one block [one unit], as was hopping backwards, while a running jump took three steps to prepare and traveled a distance of two blocks [two units] forward. And you knew that you could execute a running jump, without fail, by walking to the edge of a block, hopping back, running, and jumping...
Part 1:
Richard Moss: [3m11s]"...an alluring world that demanded a kind of patient precision... its mechanics, its rules by which players could navigate the world... Lara Croft moved predictably and consistently. Controlling her at times felt like moving a remarkably agile tank. But that was a small price to pay for the intricate environmental puzzles that this enabled. There were multi-jump maneuvers, desperate leaps across chasms, dives between poisoned darts, spike traps, backflips up to secret areas..."
[4m23s] "...And all of those things might have been totally different if not for one simple decision during development, one pragmatic choice to lay the levels out on a grid of square blocks. Everything comes back to that: the majority of the puzzles, and certainly all of the platforming owe their existence to that decision... the cavernous chambers and ruins and outdoor areas that provide a sense of isolation, of solitude and discovery... Lara's almost iconic movements, her backflips and sideways somersaults, her swandives and 180 degree forward rolls. These were all defined by the grid. The grid meant that players would always know that if they jumped forward, backward, or sideways from a standing start, they would finish exactly one block away. Likewise, three steps forwards or backward were equal to the length of one block, as was hopping backwards, while a running jump took three steps to prepare and traveled a distance of two blocks forward. And you knew that you could execute a running jump, without fail, by walking to the edge of a block, hopping back, running, and jumping... when you coupled all these abilities with the grapple button that allowed Lara to try to catch a ledge while airborne, plus a few environmental elements like movable blocks she could push or pull, and steep inclines that she could slide down... you had all the tools needed to devise some masterful environmental puzzles. Tomb Raider's grid was game-changing, it defined and confined the problem space for both players and developers in such a way that it became liberating…"
[14m53s]"...This is the moment, perhaps more than any other, that defined what Tomb Raider would become. It meant that the game would have a fully realized 3D world, but also a clear and consistent internal logic. Switching to a grid-based system, with a purpose-built room editor, would have huge ramifications for the game's development..."
[26m20s] "...they learned more about the most interesting ways that Lara could interact with this grid-based environment, and began to think of more intricate puzzles involving sliding jumps and timers, and the full extent of Lara's acrobatic abilities. And still always, you could identify your possible routes through a level, not by finding the shiny surfaces, or following the onscreen prompts pointing you there, as has become the norm in today's 3D action-adventure games, but rather by understanding that relationship between Lara's capabilities and the geometry of the world..."
Part 2:
Gavin Rummery: [0m20s] "...becuase [the grid-based Level Editor I created] was so easy [for the Level Designers] to use... that's what made Tomb Raider [as] intricate as it was for the time, because the levels could be modified so easily... in some ways I do feel that's been lost... I love games like Uncharted and whatnot but you can tell that – I've looked into how they're doing it – and you can see that they have to just kind of design the path through the level and where you're going to be able to grab onto and where you're not, up front, and then the artist then just [makes] these fantastic-looking environments, but they're kind of restricted to what's been decided already... having that kind of easy way of building environments is obviously just not possible anymore..."
Richard Moss: [3m30s]"...it's much harder now, to keep the playfulness and flexibility in the game's level design as it moves through the stages of production... just for simple reasons of logistics, dozens of artists might have to redo parts of their work, or sit around twiddling their thumbs, if a designer wants to do what Heather [Gibson] and Neal [Boyd] did, during the original Tomb Raider development, which was to keep experimenting and tweaking the layouts, throughout the process...
[27m50s] ...Minecraft's blockiness is no mere aesthetic: it's the consequence of its voxel-based engine, a cubic variation on the same grid conceit that Tomb Raider used... the Tomb Raider Level Editor was released for free with the PC version of the 5th game, and it's still used by a passionate community of fan creators today, many of whom are involved in the level editing community because they don't see any other games that can scratch the same itch as the old-school Tomb Raider. And with their custom modifications and extensions to the editor, it's actually able to produce some incredible levels, and remarkably organic-looking environments, all while still adhering to that grid, that preserves the game's internal logic..."
How Tomb Raider's grid-based level editor shaped the early series' design and identity (part 1) | The Life & Times of Video Games
Every aspect of the original Core Design Tomb Raider series (and by extension the franchise's success post-Core) comes back to the grid that lies beneath it — the majority of the puzzles; the platforming; the cavernous chambers and ruins and outdoor areas that provide a sense of isolation, of...lifeandtimes.games
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