I can't wait till Ad Astra comes out on 4k blue ray.
That film is going to look incredible on an OLED.
That film is going to look incredible on an OLED.
I've given up on my Sony x800m2. It was great at first, but I can't play a damn 4K disc without it locking up at some point. It seems the Sony X700 also was plagued by this issue with many online complaining about it.
I still have my LG UBK90 around and am plugging it back in. I was unhappy with it because of raised blacks in Dolby Vision and not being able to disable upscaling in order to let the TV handle it. But at least it never froze on a disc. I think I'll just lower the brightness to 48 for DV and just not worry about it anymore.
Or maybe splurge for a Panny 820. Hmmm...
I can't wait till Ad Astra comes out on 4k blue ray.
That film is going to look incredible on an OLED.
Just move brightness down 1 notch, it seems there is variation from panel to panel in regards to where 0 black actually is when playing DV over HDMI, for some bizarre reason.
I'm annoyed that DOWNTOWN ABBEY somehow got the Dolby Cinema exclusive over Ad Astra. I guess Fox was only able to afford one premium format.100% agreed. All I did was bitch about the PQ at the movies. Raised blacks, crushed blacks, washed out colors and dim as fuck bright scenes
Well with mine, I'm pretty sure it is 48. I have tried 49 and I can still detect noise in letterbox bars in some scenes.
There is still something that doesn't sit right with me about this though. I have always noticed and I'm pretty sure it has been confirmed that the raised black bug isn't constant when watching DV. It will be present in one scene but then everything will be perfectly black in a subsequent scene. It almost seems random. There could be long stretches of a film where at the default of 50 brightness you are still getting true black.
My question then is what happens to scenes where the bug does not manifest itself and you have lowered the brightness to 48? Isn't something being thrown off there?
Well if that was actually the case it might, but for me EVERY film I've played has grey letterbox bars, so it must be across the board over HDMI.
Trouble is people are talking about a crushed DV problem over HDMI and streaming too, but can't say I've noticed that lol, goes on and on all this.
I'm annoyed that DOWNTOWN ABBEY somehow got the Dolby Cinema exclusive over Ad Astra. I guess Fox was only able to afford one premium format.
Try using DV Game instead of DV Cinema preset. Just copy DV Cinema settings into it.I just think DV is a mess to be honest. I almost prefer HDR with LG's dynamic tone mapping on these sets. When it is working correctly DV is great but it often does not.
Just look at Sabrina on Netflix. Show is almost too dark to function.
I really need to try out a Dolby Cinema but yeah...no idea how Ad Astra wouldn't be a shoe in
Have you seen the box office returns? Downton Abbey made double what Ad Astra did. It was simply a business decision. Not about which would benefit more from the Dolby Cinema presentation.
This is my question too if anyone knows as I'm in the market for a second TV. I currently have the TCL R617 which I do like a lot and wouldn't mind getting the 2019 product from them. However, it sounds like the C9 is a lot more future proof, especially with next-gen consoles a little over a year away.Disregarding any unforeseen new features or significant upgrades in panel uniformity or brightness, is theoretically upgrading from a 7-series to a 9-series LG OLED in the next few months a pretty safe bet? The C9 pretty much checks all of the boxes without having any glaring flaws or omissions right? HDMI 2.1, much improved Game Mode + a low-latency mode in all picture modes, and now upcoming GSYNC support. It seems like the sort of TV that isn't going to be that much worse than the 10 or maybe even 11-series displays, but I also don't know enough to know if that's actually the case.
Interesting. So in Lightspace you can only do 1D LUT in HDR. That is one benefit to Calman I guess then as you can do a 3D LUT on any mode. Though it requires some work to get it right. LUT calibration is the way to go for sure. I wish more companies implemented direct LUT calibration. My dream would be a combination of LUT calibration with Sony's application of calibrated SDR modes being the base for HDRFrankNitty Had the 3D LUT on my C8 done via Lightspace, interestingly he didn't want to do HDR as you can only do a 1D LUT (so kept my manual calibration) which would screw a lot of stuff up......not the end of the world as HDR game at least uses the correct colour space, unlike SDR game, which now looks fantastic with true rec709 finally!!
Interesting. So in Lightspace you can only do 1D LUT in HDR. That is one benefit to Calman I guess then as you can do a 3D LUT on any mode. Though it requires some work to get it right. LUT calibration is the way to go for sure. I wish more companies implemented direct LUT calibration. My dream would be a combination of LUT calibration with Sony's application of calibrated SDR modes being the base for HDR
100% agreed. All I did was bitch about the PQ at the movies. Raised blacks, crushed blacks, washed out colors and dim as fuck bright scenes
Looking forward to the review of the TCL 55R625 from RTings. That'll determine whether or not to pick it up, and considering how long it usually takes for them to turn around a review, it should be just around Black Friday time (or at least the holiday sale period).
So Costco suddenly finally gets the 6 series but it's the "65R613"? https://www.costco.com/TCL-65"-Class-(64.5"-Diag.)-4K-Ultra-UHD-LED-LCD-TV.product.100515334.html
That's last year's model isn't it? Why would they suddenly pick that up now as soon as the new one comes out.
Are there any substantial updates expected for 2020 TVs that are compelling enough to suggest that people hold off right now?
Are there any substantial updates expected for 2020 TVs that are compelling enough to suggest that people hold off right now?
Doesn't the C9 have Hdmi 2.1 and vrr?Hdmi 2.1 and vrr (freesync/gsync) could be game changers. I'm holding off to see what next gen consoles and nvidias 30 series support
The reason I would hold off buying the 9-range LG is by the time HDMI 2.1 features become prevalent it will cost a damn lot less to buy.
I've seen enough posts in this thread about "wait for HDMI 2.1/VRR" to make me doubt the LG C9's 2.1/VRR support. Do people just not realize the C9 has HDMI 2.1 already? Or is the support half-baked or something??
We have consoles that support specific parts of 2.1, well actually just Xbox One X. It is jot full 2.1 bandwidth. By HDMI spec they can say they support 2.1 VRR and ALLM which is why people think the xbox is 2.1. It however is not. You can read the EDID and see that it is still 2.0b bandwidth.I think some people are saying you should wait for consoles to support it , but fail to acknowledge we already have consoles and TVs that do support it .
Which makes me think it's just people who are waiting for a preferred brand or budget price point.
I've seen enough posts in this thread about "wait for HDMI 2.1/VRR" to make me doubt the LG C9's 2.1/VRR support. Do people just not realize the C9 has HDMI 2.1 already? Or is the support half-baked or something??
If I remember right, all of its HDMI ports are advertised as 2.1.How many hdmi 2.1 ports does the c9 have? I'd like at least 3.
Agreed.It's good. Definitely an upgrade from a standard theater and the surround sound is impressive, if a bit loud, but if you own an OLED the image quality isn't going to blow you away.
Agreed.
Dolby Cinema blacks are better than standard projection, but they are nowhere near OLED. The overall image is brighter than standard projection too. This is really good for 3D presentations which I've always found way too dim. I saw Alita in Dolby 3D and was impressed. It was the best 3D experience I've had.
My biggest gripe with Dolby Cinema is that they don't use masking. In a regular screen at AMC, the screen is 1.85.1 and if the main presentation is scope the screen will then wooden at the sides and shrink at the top to perfectly got the image. Dolby doesn't even attempt this. 2.35:1 films are shown with black bars at top and bottom.
The reason this bugs me is that once you are used to OLED you notice these when more when they are not pitch black. It is a constant reminder that in Dolby Cinema that blacks are just an even darker shade of great. If they would use masking that flaw wouldn't draw so much attention to itself.
Welp. Guess Ill save my money then especially I'm gonna get a good sound set up next year.
Main thing I don't like about the Dolby Cinemas near me (and they are ALL this way) is the exit lights cast onto the sides of the screen and it impacts the picture. it's really unfortunate because the other auditoriums are not like this.Agreed.
Dolby Cinema blacks are better than standard projection, but they are nowhere near OLED. The overall image is brighter than standard projection too. This is really good for 3D presentations which I've always found way too dim. I saw Alita in Dolby 3D and was impressed. It was the best 3D experience I've had.
My biggest gripe with Dolby Cinema is that they don't use masking. In a regular screen at AMC, the screen is 1.85.1 and if the main presentation is scope the screen will then widen at the sides and shrink at the top to perfectly fit the image. Dolby doesn't even attempt this. 2.35:1 films are shown with black bars at top and bottom.
The reason this bugs me is that once you are used to OLED you notice these when more when they are not pitch black. It is a constant reminder that in Dolby Cinema that blacks are just an even darker shade of great. If they would use masking that flaw wouldn't draw so much attention to itself.
I for one do not trust LG to have not ballsed up somehow. There is no way to future proof yourself with new technology until there exists a way to test full compatibility. We need to wait for the new generation of consoles.
I still really want to get a TV by Black Friday this year to replace my 5-year-old 1080p Samsung, and I'm still really tempted by the C9...I'm with holygeesus on not buying 1st gen technology. If your main concern with HDMI 2.1 is next gen consoles, you might as well wait for the C10 and whatever incremental improvements it has over the C9. Plus, by this time next year the C10 will be cheaper than the C9 is right now.
I still really want to get a TV by Black Friday this year to replace my 5-year-old 1080p Samsung, and I'm still really tempted by the C9...
I think some people are saying you should wait for consoles to support it , but fail to acknowledge we already have consoles and TVs that do support it .
Which makes me think it's just people who are waiting for a preferred brand or budget price point.
That's what I'm thinking. Gonna try and get the money together, might be some good deals to be found.
Why? Seems like a solid tvNah. I own a C9, and I would advise waiting if you can. The only reason I bought in this year was because my old TV was dying.
With that said, there may be a way to get multichannel PCM to your older receiver while sending HDR to your TV. With an HDFury Integral 2, you can split the audio and video and have them sent to each device separately. It'll support both multichannel PCM and 4k60 HDR with minimal input lag. The only major downside is that it costs $250 + shipping. At that price point, you're already into new receiver territory.
Nice, looking forward to seeing it on the big IMAX first this week but as a scifi fan I expect to like it and pick up the disc for my OLED too.I can't wait till Ad Astra comes out on 4k blue ray.
That film is going to look incredible on an OLED.