Do you have a link? Or the name of the short story collection?If you want a chaser go read that David Foster Wallace takedown of Ellis afterward.
I tried google but I cant find it, only Bret's response.
Do you have a link? Or the name of the short story collection?If you want a chaser go read that David Foster Wallace takedown of Ellis afterward.
I call this "White Male-itis". And yes, it's both rampant and insidious.Man, this is... really key. These guys - white, male, successful, hyper privileged, in short - they don't really believe that anything outside of their experience exists. They don't comprehend the notion that things that didn't effect them, personally, can leave a mark on other people. It's a critical failing of empathy, and it's at the root of so so much of what's wrong with the systems they've built.
he's really amazing, the BHL interview was something elseChotiner is known for this type of interview. Not sure why anyone agrees to talk to him (well, I do know, ignorance and ego).
Just read this. There was no sense of self-reflection on BHL's part. The blatant hypocrisy on display was insane!he's really amazing, the BHL interview was something else
https://www.newyorker.com/news/q-and-a/bernard-henri-levy-on-the-rights-of-women-and-of-the-accused
I dunno man. I kinda like dumbasses being called out for there stupidity. Just like in this interview.Guys, save your ammunition. This is not a "centrist", this guy is just ignorant and completely oblivious of facts.
Yup.Oh god that was a fantastic read.
Ellis comes off like the biggest fucking moron imaginable.
He ain't coming back.
"I'm not that political"
Well don't write a book about the current political climate then, dumbass.
EDIT : also the idea that democracy is showing up to vote once every couple of years and just shutting up in between... well that's something I guess.
"Somewhere in the last few years—and I can't pinpoint exactly when—a vague yet almost overwhelming and irrational annoyance started tearing through me maybe up to a dozen times a day," Ellis writes on the first page of White. By this, he just means Twitter, which he believes to be governed by an authoritarian conformism out to suppress true free speech. He has gotten this impression, it seems, from some mean things that people said to him online in response to a few harmless tweets. "That a gay man can't tell a joke equating AIDS with Grindr (something my boyfriend and I had used a number of times) without being scorned as self-loathing is indicative of a new fascism," Ellis announces. Readers may wonder what kids in cages are indicative of.
It is perfectly acceptable to bitch and moan about how the mean people didn't like your good tweets, but there is a time and a place for such behavior, and it is not the offices of Alfred A. Knopf, publisher. Surely someone will let Bret Easton Ellis into their group chat. "Twitter encouraged the bad boy in me," he admits, the first man to whom this has ever happened. Yet if you feel you must spend pages clarifying what you meant when you tweeted, in 2012, that Zero Dark Thirty director Kathryn Bigelow was overrated because she was "a very hot woman," then not only are you a bland sexist, but also, and much more importantly, you kind of suck at Twitter. In this regard, White is a simple case of illiteracy. Indeed, one begins to question if Ellis, who cannot stop bragging about his Gen-Xer negativity, has ever taken a good look at Twitter, the most inventively negative cultural institution of the twenty-first century, whose own users regularly call it "this hell site."
If you want a chaser go read that David Foster Wallace takedown of Ellis afterward.
Do you have a link? Or the name of the short story collection?
I tried google but I cant find it, only Bret's response.
I was looking for this earlier but it took me a while to find it, because as I say I will not tire of this dude getting clowned on:
https://www.bookforum.com/inprint/0...M-3oV5Ky0jy30NB8Yl6Y7z36rFHCnrMyi-L59cSj0lPtc
American Psycho is a fucking terrible book. It is so utterly in love with itself and its interminable, vacuous descriptions of meaningless shit.
not playing around with a reader's subjective reality tunnels for the purpose of provoking laughter for those in the know, anger for those who are the target of the joke and thought/reflection for those confused by it.
It's a masterpiece. The "interminable, vacuous descriptions of meaningless shit" are intentional. They illustrate the shallow materialism that consumes Patrick Bateman's personality. In the novel, Bateman's idol is Donald Trump, which is fitting.
I don't understand why Bret Easton Ellis has embraced the culture he appeared to be critiquing with his novel.
At some point, one must ask if a man who sees 1984 all around him is really just stuck in the '80s. The comparison between American Psycho's serial-killer protagonist and its controversial author is easily made. Patrick Bateman and Bret Easton Ellis are both rich. They both attend a lot of dinners. They both admire Donald Trump. Ellis himself makes the comparison at the end of White, recalling how he poured all his frustration—"what seemed expected of me and other male members of Gen X, including millions of dollars, six-pack abs, and a cold amorality"—directly into Bateman, "a fictional figure who was my own worst version of myself, the nightmarish me, someone I loathed but also considered, in his helpless floundering, sympathetic as often as not." To Ellis, who describes himself as an "outsider" and a "freak" since childhood, Bateman's social criticism sounded "almost entirely correct."
At his best, he had a Didion-like unflinching journalistic eye and detachment that gave his morality tales a real sense of truth. The problem is his narcissism prevents him from delivering anything with more depth than essentially wagging his finger while standing on the precipice of complete nihilism. It ruined Glamorama, and prevented Lunar Park from being something truly revelatory. His current brand of social commentary, since his Post-Empire period, is such a obvious plea to be awarded the title of iconoclast that I'm not sure why he's even granted interviews anymore. Like, who gives a shit?What the fuck happened to BEE? He used to be a satirist who sometimes injected himself into his work as a way of showing he's willing to hold himself accountable for some of the many horrible behaviors he lampoons in his writing. Then he goes off the deep end by writing a non fiction book titled "white", which would imply an attempt at directing satire at things like white privilege and how it leads to emotional fragility and the luxury of political apathy. But instead of presenting it as clever satire by, say, finding humor in playing devils advocate for such behaviors, he reveals himself in an interview to be the exact thing he sets out to make fun of. I know, some will try to try to say, "but wait, is it possible he's just owning a persona for the purposes of creating a hilarious and provocative interview that embodies the themes of his nove...erm, memoirs in microcosm?" Are you fucking serious? That's just not possible. Real truth to power humor is about loudly proclaiming your righteous political stance, not playing around with a reader's subjective reality tunnels for the purpose of provoking laughter for those in the know, anger for those who are the target of the joke and thought/reflection for those confused by it. I know I haven't met the guy or learned much about his personal life beyond what he presents to the public or whatever, but its clear from that interview alone that he's a fucking terrible, irrelevant person who's incapable of being an effective absurdist anymore. Fuck him.
At this point, are we sure it was a satire and not a love letter?It's a masterpiece. The "interminable, vacuous descriptions of meaningless shit" are intentional. They illustrate the shallow materialism that consumes Patrick Bateman's personality. In the novel, Bateman's idol is Donald Trump, which is fitting.
I don't understand why Bret Easton Ellis has embraced the culture he appeared to be critiquing with his novel.
But BEE is the one who repeated the "I'm not that political" line, I don't know what you're getting at here...Except he writes a book on politics while others should shut up between voting.
Do you have a link? Or the name of the short story collection?
I tried google but I cant find it, only Bret's response.
Yeah i'd like this as well. Been looking for it but can't find it.
In an interview with the T.L.S., you said that progressive movements become "as authoritarian as what they're protesting," and that "it's happened to a degree with the #MeToo movement. The idea of sexual assault and violence against women is reprehensible. I don't know anyone who doesn't accept that." Can—
I was looking for this earlier but it took me a while to find it, because as I say I will not tire of this dude getting clowned on:
https://www.bookforum.com/inprint/0...M-3oV5Ky0jy30NB8Yl6Y7z36rFHCnrMyi-L59cSj0lPtc
Ellis has dinner at the Polo Lounge in Beverly Hills; he has dinner at a West Hollywood restaurant. In fact, in the span of seventeen pages, Ellis describes attending no fewer than eight dinners with friends of his, including a well-known writer, a commercial director, and a liberal Jewish woman in her fifties with a penthouse overlooking Central Park and a net worth of more than ten million dollars. At a restaurant on Beverly Boulevard, this woman explodes "into a spastic rage" and accuses Ellis of "white male privilege" when he casually suggests that Black Lives Matter has a PR problem. "We finally calmed her down," he reports, "but our dinner had already been ruined." Dinner, it seems, is the greatest casualty of liberal fascism. "Who you supported politically would determine if you were invited (or not) to a party or a dinner table," Ellis complains. (He really feels for White House press secretary Sarah Huckabee Sanders, who was asked to leave a restaurant in Virginia last summer.) Yet it seems never to occur to Ellis, a man who is surely 70 percent dinner, that his friends are annoying the shit out of him not because they hold left-wing political views, but because, like him, they are rich, and rich people are universally horrible.
https://www.newyorker.com/news/q-and-a/donna-brazile-explains-why-she-is-working-for-fox-newsI just want to return to this: you have, over your career, talked a lot about bigotry. Are you concerned about the amount of bigotry and racism in our society, and do you have any concern about the network you are working for propagating those things on a nightly and daily basis?
I have a concern about society in general.
O.K., and?
And I hope whenever I see it, I am going to call it out.
You will be seeing it a lot now, so that will be good.
I hope you understand that you are having a conversation with me because I chose to call you back. I chose to get your digits, and I chose to call you. I understood that when I made this decision to call you that you probably wanted to get up in my crap about going on Fox. I made my position known. I wrote a column and I put out a statement. I knew people were going to call and say, "Don't you know the house might stink up?" "Yeah, but is that the only house that is stinky?"
it's in the "Consider the Lobster" collectionDo you have a link? Or the name of the short story collection?
I tried google but I cant find it, only Bret's response.
She talks like Trump, constantly self aggrandizing. People like this think they're unfathomably brilliant, but when they talk they don't sound intelligent at all and everything they say is just hapless babbling to try and make themselves sound as awesome as they think they are.fantastic, what a dingdong. btw the same interviewer had a pretty brutal one with Donna Brazille RE her taking a job at Fox a couple weeks back:
https://www.newyorker.com/news/q-and-a/donna-brazile-explains-why-she-is-working-for-fox-news
And to think I was a fan of his work in my teenage years. That was before I realized he was just as shitty as the characters he portrays.
It's like he literally isn't listening to himself. He acts like his views are new and insightful but he doesn't know shit in the end by his own fucking admission. He feels he's fit to admonish people's actual empathy and effort to change our culture simply because he's never been told, or rather never internalized it when he was, that his weak, uninformed opinions don't fucking matter.Fun little fact for y'all because this stood out to me: In the interview, he's quoted 10 (11 if you count a quote from a previous interview) times saying "I don't know".
I've always found people who use "I don't know" as a deflection to be incredibly insightful.
You've never seen American Psycho? At the very least I'd expect most people to be at least tangentially familiar with Ellis from that movie.
You've never seen American Psycho? At the very least I'd expect most people to be at least tangentially familiar with Ellis from that movie.