Meanwhile Kit Harrington is like "hey what if we just do a sequel."
Would love to see how this goes but I guess it would involve all other remaining alive characters to be included somehow but that would be hard to get them all back probably
Meanwhile Kit Harrington is like "hey what if we just do a sequel."
D&D don't own the rights to Game of Thrones. Letting D&D end the series when and how they did had more to do with deferring to their creatives -- and maintaining a reputation of HBO as a place of deference to creatives -- than any legal hassle. If you didn't like S8 it's easy to say now that HBO should've muscled D&D off the show, but imagine in 2016 the optics of the studio firing the showrunners of their biggest property and replacing them with a new team explicitly to keep the show running even longer. People would've cried foul of corporate interference and it would've been a huge black eye to HBO's rep.In retrospect it really seems like the answer should have been "buy the rights out from D&D and keep this thing going"
But I guess D&D had a lot more Hollywood clout in that moment.
I remember Mitch Hurwitz saying that the reason he wrote so many similar names into Arrested Development (George, Michael, George Michael, GOB who is George Oscar, then George's brother named Oscar) was to force the viewers into paying closer attention to the show. If you couldn't keep track of the names, the jokes were probably going to fly over your head anyway.Thank god for Ryan Condal. Viewers are smart enough to distinguish between Rhaenyra and Rhaenys. Don't pull another goddamn Yarrrrra renaming.
Total facepalm that it required so much to go wrong for the network to finally give the actual author creative deference.
Because at the time they though the showrunners knew better. With hindsight they clearly didn't.
Interesting chronicle - I'll highlight this part:
George can be pretty damn sly when he wants to, hiding behind that jovial Santa exterior. He basically waited until he was proven right, he "proposed" his prequel idea (with a tone akin to "it's only an idea, but, you know, one that's coming from me" I assume) and got a fanboy of his at the showrunner spot when the network decided he was worth listening to after the reaction to GOT's final season.
The swiftness of HBO getting on board with Martin's desire to hire Condal was the beginning of a pivot in the author's relationship with the network. During the latter seasons of Thrones and the early years of HBO hunting for a successor series, Martin sometimes felt out of the loop.
I don't think it's that they knew better, it's that they ran out of material to adapt. Before the last season, the show changed when they ran out of books. The characterization became flatter and the entire show became more streamlined because they no longer had the books to rely on to give them the detail and color that made game of thrones special. I think the showrunners knew that giving them more time would not have helped them because that wasn't their real problem. They needed the books to adapt from and the books were not coming in time. So it was either try to spin their wheels or work with the information they had. I bet they would even admit they are better adapters than writers so adding on two or three more seasons wouldn't have made the show better, it would have made them just write more worse things while getting to the same place.
So how many episodes did GRRM want to make about the Westerossi trade federation until someone said "begun the dance of the dragons has"
Lol. Hopefully it turns out good but this is really looking like Star Wars 2.0
Would love to see how this goes but I guess it would involve all other remaining alive characters to be included somehow but that would be hard to get them all back probably
Same as clone wars when they eventually got it rightThat's what Game of Thrones was, the series is about the politicking.
As a book reader, I am just so uninterested in any sequel series. The main series should end with ASOIAF. The aftermath left to our imagination.
Same as clone wars when they eventually got it right
I just find the parallels amusing and chose to be snarky. I think you could start at either point and be fine. Wars have turning points and that's just as great a place to start
Yeah, wow. Literally playing politics, installed someone loyal to him and his world in a top spot when HBO needed him and thought that a Game of Thrones show would be their equivalent to Disney's Mandalorian.
Now that'll never happen again.
Problem is if you start right at the war then your series is only going to be about 2-3 seasons if you follow the source material.
They weren't good adapters though. By the time they started adapting stuff from the last two books they were already cutting out entire plotlines and butchering characters for no reason and replacing it with terrible original material. Even though a lot of focus is put on their choices in seasons 7 and 8, the showrunners were making changes that didn't work as early as season 5 that were pilling up and resulted in the shitshow that was the final season.
This is 100% on them. They had direct access to Martin, to additional writers who could elaborate better ideas on how to continue the threads left by the books and instead they chose to ignore all of it and rush to an ending all out of their own heads.
They weren't good adapters though. By the time they started adapting stuff from the last two books they were already cutting out entire plotlines and butchering characters for no reason and replacing it with terrible original material. Even though a lot of focus is put on their choices in seasons 7 and 8, the showrunners were making changes that didn't work as early as season 5 that were pilling up and resulted in the shitshow that was the final season.
This is 100% on them. They had direct access to Martin, to additional writers who could elaborate better ideas on how to continue the threads left by the books and instead they chose to ignore all of it and rush to an ending all out of their own heads.
You have to remember that the last two books were very divisive, too. And for a reason, even most people who like AFFC/ADWD would probably agree that GRRM introduced way too many new side plots and characters while the main story moves too slowly.
Before S5 came out, I remember a lot of book fans agreeing that the show couldn't possible adapt all that, and streamlining or even outright cutting Dorne, the Iron Islands or fAegon would probably be for the best
Now I agree that what D&D came up with was largely worse. Their Dorne plot is a trainwreck. And after S8 everybody realized that fAegon is actually vital to the story, and cutting him was a big reason why Dany's ending seemed so nonsensical. But that's with the benefit of hindsight. D&D are professional writers and should have done way better, but I don't think trying to streamline the story was unreasonable in itself
I agree with you about the problems with the show that snowballed into a bad ending began back then but for me it's because they went from guiding a train on the train tracks to actually having to lay down the track themselves as the train was moving. If they knew the final books would not be ready by the time the show caught up the released books, they would have approached the show differently. They lost that gamble and that's why the story suffered that instability. They had to rejigger and decided to work around the plots that they knew Martin had already solved versus the other plots that Martin was still figuring out.
Would love to see how this goes but I guess it would involve all other remaining alive characters to be included somehow but that would be hard to get them all back probably
This is one of those memes about Game of Thrones that has never made any sense to me. The show ended, there's no ongoing discussion about it for that reason, as with any other concluded program. It remains a highly recognizable brand.
And I say this as someone who started to dislike the show's writing from about season 3 onward.
While one could have done some things differently, the show was never going to last 12 or 13 seasons. Even by season 8 many of the actors were exhausted (or, like Kit Harington, in a bad place for other reasons).
I don't think he ever openly said what it was, just that he checked himself into a mental care facility to deal with some stuff around the time the last season was airing.
I'd be interested in more Westeros stories.
Not the prequel, though. Have absolutely no interest in a prequel story.
GRRM hasn't even seen The Long Night pilot, wow.
Probably at the top of buried content I'm most interested in seeing.
House will do fine. I keep seeing this sentiment and cannot agree.
Honestly they well could have done it if GoT stuck the landing.
Now, eh. Most people i know just aren't interested.
What would be interesting tbh is if they bring everyone back and redo the last or the last 2 seasons to fix it. It's never really been done beyond redoing a whole series but it would def be interesting, would create a lot of buzz and might fix the ill will created with the current ending.
The Dance of the Dragons is less a prequel in any sort of direct narrative sense, and more an exploration of exactly everything people loved about Westerosi politics in a different time period of the kingdom.
How come you aren't interested in that, out of curiosity? The story should be very compelling. Very arguably more so than even the peak political intrigue of the GoT show.
D&D just wanted that sweet Netflix and Star Wars money ASAP. Shame the HBO execs didn't have a few more brain cells.
Dunk and Egg is still in development. It has a writer (Steve Conrad) and tellingly, GRRM has started to reemphasize on his blog the need to write more Dunk and Egg novellas.
I submit to you.. Rehoboam.
It's also the most bitter, cynical, and depressing story in Westeros history (and that is REALLY saying something) with a bleak and hopeless ending.
Almost every single character involved is is an unlikeable asshole. Those few that aren't either die horrible deaths or are left broken and depressed, and the entire war reduces House Targaryen to a burnt shadow of its glory from which it never recovers.
They listened to the showrunners who wanted to end it earlier.
Why did they let it end in a rush at 8 seasons and heavily damaging the brand in the process, if they were going to pump out tons of prequels anyway? We should be talking about Season 11 or 12 coming out soon.
D&D said they wanted to end the show in 7 seasons for forever, don't think it had much to do with Star Wars.I thought the story was that HBO tried everything they could to get them to squeeze in a few more episodes, but they wanted to wrap things up fast because they wanted to move on to their Star Wars project.
Why did they let it end in a rush at 8 seasons and heavily damaging the brand in the process, if they were going to pump out tons of prequels anyway? We should be talking about Season 11 or 12 coming out soon.
My man. HBO are one of the few I'd trust to do it decently.
To have a coherent ending that makes sense?D&D were smart anyway. Another two seasons wouldn't have changed the ending because GRRM still ain't done writing. We're three years past the ending and George still hasn't finished the next book. So, why would D&D sit there spinning around another two seasons when they still would be no closer to having an actual ending to follow?
I mean George told them the ending, they chose to rush to itThat would require George giving them such an ending. And the series having a "coherent" ending was dashed since Season 5.
From all the pitches HBO got I have to say my favorite was the Doom of Valyria one - we would get more politicking but in a pseudo-Rome setting! How can you say no to that?! On the other hand, it might've had the same pitfalls as the Naomi Watts pilot: not enough info on the depicted setting, meaning it would probably diverge a lot from GRRM's ideas.
Long Night doesn't interest me at all in terms of TV, considering how stupid the whole White Walker business ended up becoming in GOT S8. Long Night in the books, however? Fuck yeah, give it to me.