Could you muster a response if I said he couldn't rewrite it adequately? I think it goes without saying that he did rewrite it and it sucked. Then they brought on Jack Thorne and it still sucked. Trevorrow shortly left, or was fired. It doesn't matter. He couldn't put the pieces together.If you think that Trevorrow was fired because he COULDN'T think of a way to insert Leia's death then I don't know what I can tell you
One is a cheap slapstick joke, and one has weight to it.
It is in no way a failure, it does indicate a troubling trend for the series, and lend credence that a worse reception than TFA likely plays a part.
Im sorry, I think its a slap in the face to end a movie on a cliff hanger, and then turn it into slapstick comedy situation with Luke throwing the saber over the shoulder, its a coward move by Rian and shows a real lack of respect for your audience. The end of TFA had me in tears and he really ruined it.
It was the most un-Luke like thing he has ever done, it was jarring, and really set the tone for the back handedness which Rian handled the movie with.
I didn't appreciate being made to feel that my passion for star wars means nothing over the course of 2.5 hours. The theme of let the past die being hammered into every scene was something that bothered me to no end. The disrespect was something I was not prepared for.
I've read all of it, and every poorly-conceived argument you've aimed at TLJ applies to Dead Man's Chest, and then some, and that film is an actual financial failure.
I will watch the next movie, I thought there were some amazing scenes in TLJ too, some I will never forget. Some things bothered me a lot though.It's okay to feel this way. That's what fandom is. And guess what? A lot of people agree with you. What's done is done though, its a monstrously successful film financially and critically, and the fanbase itself seems torn on it. That's not a terrible place to be after the prequels. I hope you'll still watch X and I hope you enjoy it.
That film made over $1 billion, which at the time was a more impressive feat. It was shot back-to-back with At World's End, which reduced filming costs. It's still above RO in the BO. It was also a movie that received a mixed critical reception (53% RT), but an overall positive audience reception (72%). The franchise went on, but with diminishing returns and diminishing critical reception. I honestly don't know what your point with DMC is?
I know, right? And even if you take away RO and say TLJ did less than TFA, you still have a dataset with only two points. That's not a trend!How does making more than the previous Star Wars film "indicate a troubling trend for the series"?
Wow. You know that ESB ends on a cliff-hanger right? I was in tears at the end of TFA too, Rey's pleading look to Luke is so moving, and the gravity and weight of his expression back to her is beautiful. I thought him tossing the saber (after taking it from her reverently and considering it) was cheeky and subversive but not insulting?
As for your other complaints, I actually feel for you cause you clearly love Star Wars, and I can relate, I felt pretty damn insulted walking out of the theater after seeing AOTC. To me this film was clearly made with an abiding love of and passion for the stories and characters of the OT (only SW I personally care about) and it was respectful of the characters in that it took them seriously as real people with actual emotions and failings and insecurities. It is a shift in tone from the purely heroic swashbuckling of the OT for sure, but it's also the middle chapter in which the characters are challenged most.
Mos Eisley is just a smaller city in Tunesia or Morocco. Canto Bight is Monacco, both of them "feel like Earth", you're being dishonest.
See my last post, you want weight in that scene? Have Luke drop it right in front of Rey, and walk away, the toss was so horribly misplaced and miscalculated.
What if Luke held out his hand for the lightsaber but then smoothed his hair at the last second so that Rey drops it?
Ahhh, okay that makes more sense. Look, it threw me for a bit too when it happened, but looking back it's a clear signal to the audience: don't assume you know where this story is going or how characters will feel about it. I don't think him tossing it is "clowning the audience" or parodying the serious scene that came before it. It's just a surprising conclusion.I think he means 'to end a n a cliff hanger that implies something mid scene' and then 'to pick up on that very scene with slapstick that clowns the audience and way the scene was set up before'
That's different than ESB ending with a void in front of them, so to speak
>its a slap in the faceIm sorry, I think its a slap in the face to end a movie on a cliff hanger, and then turn it into slapstick comedy situation with Luke throwing the saber over the shoulder, its a coward move by Rian and shows a real lack of respect for your audience. The end of TFA had me in tears and he really ruined it.
It was the most un-Luke like thing he has ever done, it was jarring, and really set the tone for the back handedness which Rian handled the movie with.
I didn't appreciate being made to feel that my passion for star wars means nothing over the course of 2.5 hours. The theme of let the past die being hammered into every scene was something that bothered me to no end. The disrespect was something I was not prepared for.
LOL.What if Luke held out his hand for the lightsaber but then smoothed his hair at the last second so that Rey drops it?
honestly I completely disagree but at least he made an argument about it>its a slap in the face
>its a coward move by Rian and shows a real lack of respect for your audience
>back handedness which Rian handled the movie with
>I didn't appreciate being made to feel that my passion for star wars means nothing over the course of 2.5 hours.
>The disrespect was something I was not prepared for.
Star Wars fans are wild, man.
It's fine the way it is. It sets the tone purposely. It has weight for the audience because we're dealing with a Luke that gives zero fucks, even to the point that he genuinely tosses a lightsaber over his shoulder, Whether it's tossed over his shoulder or dropped at his feet, (probably would be awkward framing on the latter), the message is still loud and clear.See my last post, you want weight in that scene? Have Luke drop it right in front of Rey, and walk away, the toss was so horribly misplaced and miscalculated.
What if Luke held out his hand for the lightsaber but then smoothed his hair at the last second so that Rey drops it?
How does making more than the previous Star Wars film "indicate a troubling trend for the series"?
If he drops it, he just rejects it.It's fine the way it is. It sets the tone purposely. It has weight for the audience because we're dealing with a Luke that gives zero fucks, even to the point that he genuinely tosses a lightsaber over his shoulder, Whether it's tossed over his shoulder or dropped at his feet, (probably would be awkward framing on the latter), the message is still loud and clear.
TLJ was a sure bet to open higher than RO because it was the next mainline film (not Side film). The troubling thing is that it OPENED almost as high as TFA but then fell harder than any of the previous two. So much so that it is now trading blows with a film that opened at 155 million versus the 220 million of TLJ.
If opened almost equal to TFA but is holding worse than TFA and Rogue One.
Could you muster a response if I said he couldn't rewrite it adequately? I think it goes without saying that he did rewrite it and it sucked. Then they brought on Jack Thorne and it still sucked. Trevorrow shortly left, or was fired. It doesn't matter. He couldn't put the pieces together.
It could have set up some good psyche gags and giving Rey swirlies in the Dark Hole
It's not "trading blows" with Rogue One. It's surpassed it's entire run in 3 weekends.
It's not "trading blows" with Rogue One. It's surpassed it's entire run in 3 weekends.
If TLJ was a Karate Kid remake(without the comedy, Im talking tutelage) set in the star wars universe with Luke playing a true teacher
This movie does 2 billion.
There's no reality where TLJ does just as much as TFA.
What if Luke held out his hand for the lightsaber but then smoothed his hair at the last second so that Rey drops it?
Let's go one step further and just mash it into Perfect Hair ForeverThen pointed at Rey, and said "you're the heir to the Jedi I presume?" A pun and EU Legends joke all in one.
I gotta be honest and say that I'm not entirely sure if the lightsaber toss over shoulder was supposed to be slapstick, but I never personally took it that way, and if it was, then it was the only complete failure of comedy in the entire movie. Out of the 3 times I've seen it, not a single person in the theater laughed one time at that part. In comparison to some jokes in the movie which are hit or miss depending on the audience on a given day.
If TLJ was a Karate Kid remake(without the comedy, Im talking tutelage) set in the star wars universe with Luke playing a true teacher
This movie does 2 billion.
I don't think your point is wrong, but... have you been to Tunisia or Morocco? They look nothing like Mos Eisley. Much like Canto Blight doesn't look much like Monaco (I've been to all the places referenced here, btw).
I think the point that Canto Blight is a lot more "earthlike" is fair, but also not particularly relevant.
What if Luke turned around and chucked in into the ocean, then briefly reconnected to force push it further, but he hit it so hard it launched out of orbit and was sent flying through space and is forgotten about until Rey goes to confront Kylo Ren and then it smashes through the space window and impales Snoke just as he was about to tell Rey his origin story?
Rey, Kylo's dad, and Luke Skywalker already failed turning him to the light side. Luke spent a big chunk of his adult life coming to terms with the fact that Snoke "had already turned his heart".All that means is that Luke was never going to be able to turn him back, not that nobody, Rey specifically, can't. You'll have to do better.
Hypothetical Rian Johnson stealing from Thor?!What if Luke turned around and chucked in into the ocean, then briefly reconnected to force push it further, but he hit it so hard it launched out of orbit and was sent flying through space and is forgotten about until Rey goes to confront Kylo Ren and then it smashes through the space window and impales Snoke just as he was about to tell Rey his origin story?
The box office talk is strange to me. It makes perfect sense that TLJ isn't making as much as TFA did. TFA was the "return" of Star Wars in the public eye more or less, it was always gonna be a far more significant event. The same happened with Phantom Menace, as far as the numbers I'm seeing. Even ESB and RotJ did significantly worse than the original Star Wars.
I gotta be honest and say that I'm not entirely sure if the lightsaber toss over shoulder was supposed to be slapstick, but I never personally took it that way, and if it was, then it was the only complete failure of comedy in the entire movie. Out of the 3 times I've seen it, not a single person in the theater laughed one time at that part. In comparison to some jokes in the movie which are hit or miss depending on the audience on a given day.
I'm not sure of the tone either, but it comes minutes after a phone prank that included a "yo momma" joke. The audience on my first viewing was nervous in the first 20 minutes of the movie. There were a few audible "Is this a joke?" comments. And then you get the entire skit with Luke and the blue milk creature (which wouldn't really be slapstick if it wasn't for the look the creature gives to Rey).
The movie steers the course after that, but I still feel Rian went overboard with it. I understand deconstructing the expectations about Luke, but the first half of TLJ borders on the mystifying.
Its relevance to me is that it takes me out of the film. Seeing Obi Wan in his Jedi robes stroll into a diner that looks basically just like one down the road yanks me right out of the film.
Canton Bite isn't that bad but it still similarly pulled me out of the film with how it was presented.
Same thing with the more contemporary language like "I'm holding for" or "page turner."
That stuff goes beyond "recognizable and believable" to being straight "of our world."
Don't you ever compare Like Skywalker to Black Dynamite. Don't you ever!What if Luke turned around and chucked in into the ocean, then briefly reconnected to force push it further, but he hit it so hard it launched out of orbit and was sent flying through space and is forgotten about until Rey goes to confront Kylo Ren and then it smashes through the space window and impales Snoke just as he was about to tell Rey his origin story?
It's like seeing cosplayers eating at Waffle House. It didn't help that the CG was too clean.Its relevance to me is that it takes me out of the film. Seeing Obi Wan in his Jedi robes stroll into a diner that looks basically just like one down the road yanks me right out of the film.