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Share your cinematography porn
- Thread starter dmshaposv
- Start date
That scene, the music and the editing, is just incredible.
Prisoners [2013]
I couldn't get past the first 20 mins of flashing lights. They looked pretty but they became a bit much. Is it like that for the rest of the film?
Iirc, the flashing decreases for the most part about 30ish minutes in.
Dreams in Murnau's Sunrise
The Triptych sequence in Abel Gance's Napoleon
All those wide-angle shots in High and Low, especially in the first half
The Hall of Mirrors shootout in Orson Welles' Lady From Shanghai (pity we never got to see the uncut version)
That wonderful tracking shot that follows Catherine Deneuve in The Young Girls of Rochefort, that I can't seem to find online...
Barely scratching the surface. So much great stuff to choose from!
Can people please not post pictures without a title?
Why do posters always do this? It's lazy posting.
Why do posters always do this? It's lazy posting.
spare yourself - its a fucking weird film - with an incomprehensible message.
anyway - love this shot
Arrivals
My answer is Seven Samurai. Every frame is beautiful. I picked action sequences but even dialogue scenes are framed beautifully.
That driving through traffic gif is beautiful. I was going to say how refreshing it is to see something so mundane shot so beautifully and without CG, then I remembered this VFX breakdown video from Sicario and realized that gif is probably a composite shot. Villeneuve is the master of using CG right, in that you don't notice it.
Prisoners [2013]
Blue (Slawomir Idziak)
Dekalog: One (Wieslaw Zdort)
Vivre Sa Vie (Raoul Coutard)
Suspiria (Luciano Tovoli)
Dekalog: One (Wieslaw Zdort)
Vivre Sa Vie (Raoul Coutard)
Suspiria (Luciano Tovoli)
Moonlight is one of my absolute favourites. Quite simple in execution but beautifully done. Those Hawk Anamorphics are just so perfect for it.
Most of you are posting the name of the film your shots are from, and I want to say thanks for that.
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Mississipi burning?
The Revenant (Emmanuel Lubezki) had some nice shots of the wilderness to show the hostility and beauty of the environment. Hard to find good ones on images
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yeah the cinematography in TLJ was leagues above anything else in the franchise.I will open the can of worms.
Steve Yedlin, The Last Jedi.
This relatively obscure Japanese movie (19) made in 2000 has stuck with me for reasons I really don't fully understand. It felt very amateur while also somehow effortlessly maintaining a sort of dreamlike mundanity from start to finish. The low quality camera and overblown lighting probably worked in its favor rather than being a detraction.
My man.The fire rises brother
Ragnarok is especially great in this!
These two photos are from a movie I saw recently: El Espíritu de la Colmena (1973). There are still many wonderful visuals in this film, in my opinion. However, it is not easy to find an image of it.
The cinematographer, Luis Cuadrado, had a progressive eye disease, which was deteriorating. He committed suicide in 1980 after being unable to work independently on projects such as Cría cuervos (1976), for example, due to his blindness.
....aaaaaaaaaaaaand tagged for me to watch anything I haven't seen.
The beach landing in Saving Private Ryan was/is just incredible. Controlled cinematic chaos that you could see and feel in the theater. Probably one of the most visceral moments of my movie going history. It's horrifically beautiful shot.
Sorry about the crappy grabs, would love some hi-def versions. However, this is one of those "shots/sequences" you really have to watch.
There's no can of worms to open. Anyone arguing the movie doesn't have absolutely beautiful, moving, shots in it is a liar/blind.
This moment/shot is in my top 10 movie/theater moments ever. The imagery and the audio/silence during that shot was just awesome on the big screen.
The beach landing in Saving Private Ryan was/is just incredible. Controlled cinematic chaos that you could see and feel in the theater. Probably one of the most visceral moments of my movie going history. It's horrifically beautiful shot.
Sorry about the crappy grabs, would love some hi-def versions. However, this is one of those "shots/sequences" you really have to watch.
I will open the can of worms.
Steve Yedlin, The Last Jedi.
There's no can of worms to open. Anyone arguing the movie doesn't have absolutely beautiful, moving, shots in it is a liar/blind.
This moment/shot is in my top 10 movie/theater moments ever. The imagery and the audio/silence during that shot was just awesome on the big screen.