Salle: Must you only represent yourself, your gender, your ethnicity, or can you, in fact, play beyond these categories?
Johansson: There are a lot of social lines being drawn now, and a lot of political correctness is being reflected in art.
Salle: Does that bore you? Annoy you? Buck you up? Cheer you on? I know it's complicated, there's probably not one answer.
Johansson: You know, I feel like it's a trend in my business and it needs to happen for various social reasons, yet there are times it does get uncomfortable when it affects the art because I feel art should be free of restrictions. What do you think about it David? You're literally creating art all the time.
Salle: We're seeing a pendulum swing. The pendulum had gone way too far in one direction, and now it's swinging the other way. We all agree it had to swing; the question now is how far it has to go in the other direction, and how long it will it take to reach a point of equilibrium. I have no idea. Personally, I feel that reactions to certain things in the arts have almost reached a level of mass hysteria, and the criteria by which certain works are being judged are pretty whacky, and yet those reactions seem justified to people of a certain generation. In the visual arts there's an almost oedipal drive to get rid of the people above you, to elbow them out of your way. And that's ongoing. I'm not a sociologist, but I think one aspect of the present mood is just the desire to get rid of people who are perceived as having been around too long.
Johansson: Hmm, that's interesting.
Salle: Do you know what I mean? It's partly just biological.
Johansson: I think that's true. It's important to keep focused on the work that is meaningful to you and to keep going.
Salle: Personally, I don't feel that artists, writers, actors have to be superior, or even especially good citizens, but some people feel very differently about it. I mean, we would all like to be good people, good citizens. But the conflict between the two is the stuff of drama. Besides, mores change. There was an article recently in the New York Review of Books about Oscar Wilde that illustrated this dilemma. Viewed through the lens of our current morality, Wilde was a pedophile, which was the way many people of his class behaved in that time. That is no longer acceptable today for obvious reasons, but does that mean we must strip him of his status as a great writer and gay icon? Do we need to reject him altogether? I don't know the answer to that, but it's possible for me to separate personal behavior from the art. It's not so easy for others.
Johansson: I think that's fair. I understand how it's harder for some, and we all have our own experiences. I think society would be more connected if we just allowed others to have their own feelings and not expect everyone to feel the way we do.
Salle: I agree completely. However, the problem is that some people's feelings manifest in censorship and therefore affect the lives of others. Censorship in the arts results in paintings being taken out of museums, books being removed from libraries, and films being banned because people had certain feelings about what they saw or read. Is this the point at which the left makes common cause with the right? This is the precipice that we are all standing on, for better or worse.