Polachek made the record with producers including Danny L Harle, the sometime collaborator with Charli XCX and Carly Rae Jepsen. (Another PC Music member, A.G. Cook, contributed production to "Ocean of Tears," alongside Valley Girl.)
How was Charli live tho?Both of the new songs are amazing. The craftsmanship that Danny has produced on the tracks released so far is stunning. Caroline clearly was inspired from her work with Charli on Tears, which is the song that moulded what Pop 2 would eventually become. Fitting that Caroline's solo debut is a matured sound that has taken Future Pop to the next level.
I'm perched for this album and her eventual tour. I need to hear these songs live.
One of the best songs released this year. Katy did THAT.I'd love to see a comprehensive list of Never Really Over's stream and spin climb. I remember it being met with a lot of silence, but it seems to have grown significantly since. My office radio plays it what seems like almost hourly, and my friends have been playing it in the car and whatnot.
I pray she follows up strong, and proves that she career truly is Never Really Over.
I know for sure it's a Sia song but I can't remember the name of it. :/I'm really out of touch with music and I've overheard a song while in restaurant or in a shopping center, I guess a vocally very strong female pop song, sounded like Rihanna from the voice but I wasn't sure. I don't remember anything but the melody of the chorus and I've tried recreating this here:
https://onlinesequencer.net/1189605
Anyone knows the song?
I know for sure it's a Sia song but I can't remember the name of it. :/
It's definitely recent though, I heard it on the radio.
EDIT: found it
OT: VMA's are irrelevant but I hope TayLORD sweeps!
Atlanta show?I finally got to watch Carly Rae Jepsen perform live yesterday and it was everything I wanted and more. Her concert was nothing but fun, and her setlist was great.
Queen CRJ. <3
And so have I!
Increasingly, Charli has come to realize that those same diehards might be all that matter to her. This became especially clear when she played more than 50 stadiums around the world with Taylor Swift last year. Those truncated opening sets starting at 6 p.m. were a far cry from the late-night shows in cramped, crowded venues where the Angels have grown accustomed to seeing her. "I'm really grateful that [Taylor] asked me on that tour," Charli says. "But as an artist, it kind of felt like I was getting up on stage and waving to 5-year-olds."
The performances served a purpose, though: It made Charli decide to never open for anyone again. "I've done so much of it, and it really cemented my status as this underdog character, which I like now," she says. "But I need to just own my own fucking shit finally."
YOU'RE A STAR TO ME, CHARLIAdding to the intimacy of the record is the way it was made: Charli and her frequent collaborator, PC Music's A.G. Cook, rented a house in Los Angeles and worked for three months—the longest she's ever spent on an album. For comparison, her last full-length project, 2017's Pop 2, was recorded between parties over just two weeks in New York City.
As we stand in this cultural wasteland, sharing a moment of awkward silence before deciding to part ways, I'm reminded of something Charli admitted during lunch. "Sometimes I don't understand why I'm not bigger than I am," she said, breaking eye contact and looking at the empty space to my right. But like most of Charli's downs, it was quickly followed by an up. "I feel very comfortable in my section of pop," she continued. "I'm beginning to feel like the people who know, know. And the people who don't? They wouldn't get it anyway."
Im gonna do this at the resort Im going in NC today. Thanks Normani