This joke stinks.The humor can at times be corny, but Tarantino, characteristically refusing to toe the line with overt polish, lends trademark soul to his overarching work.
Excuse you, I only watch C E R T I F I E D F R E S H movies because of my C E R T I F I E D F R E S H life.i hate how obsessed this place is with rotten tomatoes and "consensus". just watch a movie.
i hate how obsessed this place is with rotten tomatoes and "consensus". just watch a movie.
Probably Charles Manson.
Pitt is one of the best actors going. He's in the tier below the exceptionals of say DDL.I'm assuming we're getting some insane historical revisionism with talk of how wild the ending for this is
also talk of Pitt being the standout in this, which is unexpected.
That's amusing cause I like basterds, django and hateful 8 more than his first 3 films.Cool. I haven't liked Tarantino since Basterds and I'm super excited about this.
i hate how obsessed this place is with rotten tomatoes and "consensus". just watch a movie.
i hate how obsessed this place is with rotten tomatoes and "consensus". just watch a movie.
Takes place in Hollywood 1969. So all of them? lol
If it's already 5% rotten, in 2 months it'll be inediblereally debating on whether or not i should see this in two months now
It definitely doesn't have Tarantino saying "no" to Weinstein.
Yeah, RT is god around here.i hate how obsessed this place is with rotten tomatoes and "consensus". just watch a movie.
Getting the % out of thread titles would be a good start
B+ but he almost only have good things to sayhttps://film.avclub.com/quentin-tarantino-fights-the-future-in-his-funky-meand-1834944301
Dowd gave it a B+, which is an A+ for any other critic.
Hype intensfies.
it sounds like its the closest he's been to that style of movie in a whileBest since Pulp Fiction? Those are some big fucking words right there.
The last 40 minutes or so is probably going to contribute to it. For the flip side, I'm surprised A Hidden Life isn't lower overall.I'm surprised by the very high Metacritic and RT scores. The initial buzz from Cannes seemed a bit more mixed.
It's currently (only) the fourth best reviewed film in the Screen Daily's jury grid. Interestingly, the international critics have been a lot less enthusiastic about it than the Americans and the Brits.
It's still the fourth highest rated film of the festival despite getting a 0/4. Most critics seem very impressed by the film.I'm surprised by the very high Metacritic and RT scores. The initial buzz from Cannes seemed a bit more mixed.
It's currently (only) the fourth best reviewed film in the Screen Daily's jury grid. Interestingly, the international critics have been a lot less enthusiastic about it than the Americans and the Brits.
"From watching the different old Western shows and everything, I did it to get in the head of Bounty Law. I ended up starting to really like the idea of Jake Cahill, as a character. I really started loving those half hour '50s Western scripts. The idea that you could write something like 24 minutes, where there was so much story crammed in those half hour shows, with a real beginning and a middle and an end. Also it was kind of fun because you can't just keep doubling down and exploring. At some point, you've got to wrap it up. I really liked that idea. I've written five different episodes for a possible Bounty Law black-and-white half hour Western show."