I really didn't know what to expect out of this one when I decided to throw it on tonight, other then that I wanted to see the damn context around We Don't Talk About Bruno. But it wasn't the best Disney film since Lilo and Stitch by a fairly wide margin, and it wasn't the level of sheer emotional sophistication undergirding the whole thing. Starting with the fact that Mirabel starts this movie in the darkest place of pain I think I've ever seen in a Disney musical? Forget the "longing" or "dreaming" that usually fuels the "I want" song, forget even Elsa's grief and isolation in Frozen, the way this movie shows you the mixture of love and toxicity that this girl is drowning in in the first ten minutes is astounding.
There's a really fascinating double maneuver going on in this movie. Taking the nature of a musical as a succession of non-literal emotional performances and laying it over a story about fantastical powers and the emotional relationship everyone has with theirs, which then feed upwards into the musical numbers so that each character's emotional expression feels like its blurring reality. Its the musical nature of the movie and the magical powers feeding back and forth into each other in a very cool way
The third act might feel a little rushed? Idk, I need to watch it again. But I'm suddenly really rooting for this thing at the Oscars
There's a really fascinating double maneuver going on in this movie. Taking the nature of a musical as a succession of non-literal emotional performances and laying it over a story about fantastical powers and the emotional relationship everyone has with theirs, which then feed upwards into the musical numbers so that each character's emotional expression feels like its blurring reality. Its the musical nature of the movie and the magical powers feeding back and forth into each other in a very cool way
The third act might feel a little rushed? Idk, I need to watch it again. But I'm suddenly really rooting for this thing at the Oscars