I loved her memey Albert Einstein joke. So casually tossed iff
I wonder how many other people got it.
I loved her memey Albert Einstein joke. So casually tossed iff
You see, the show was ruined after S4. At that point, the trainwreck of an ending was inevitable. It was clear D&D never understood the point of ASOIAF in the first place and cared more about turning the show into a Hollywood spectacle. The odd thing is how they swerved at the very end to go back to acting like the series had any sort of thematic point. They take this character driven and thematic show then take a hard swerve into Hollywood Blockbuster town where themes or even internal logic are completely disregarded, then just before ending in a cliche' Hollywood manner they're like SIKE! Actually, it's about how power corrupts as they stroke their sagely beards and wag their fingers at the casual blockbuster audience they cultivated.
Stay away from Star Wars, please.
It seems like characters like Robb, Daenerys and Jon got built up more to make it more surprising when they failed and Bran got downplayed so as to make it more surprising when he won and because Benioff and Weiss weren't sure what to do with him without GRRM's details.
If I remember correctly, this is just an interpretation of George's work by someone and not the man himself. But GRRM likes to build up fan expectations in thinking that certain characters are the main character of the books first Ned then to a much lesser extent Robb (who doesn't have any POVs), Renly etc.
Everyone who you thinks should be the main focus of the story or will be is killed off quite early and the focus of the books are really the characters that a lot of fantasy writers ignore. The mothers, the sisters, a dwarf, a bastard, an orphan princess halfway across the world and a crippled boy. Yet even then, Bran isn't seen as THE main characters, it's Dany or Jon who's secretly a King.
GRRM really played with fan expectations.
I wouldn't say that about Bran. Bran has always been portrayed by GRRM as a main character. He starts the story after all.
It's just that people thought Bran was a messiah for the magic apocalypse but wouldn't matter much to the political story.
But he's actually the answer to the political story as well. So that's where he really played with expectations because they thought Bran would stay in his lane not take over both the magical and political story.
It's my belief that overall, it is very close to being Bran Stark's story. He's at least first among equals when it comes to Jon, Bran and Dany.
I wouldn't say that about Bran. Bran has always been portrayed by GRRM as a main character. He starts the story after all.
It's just that people thought Bran was a messiah for the magic apocalypse but wouldn't matter much to the political story.
But he's actually the answer to the political story as well. So that's where he really played with expectations because they thought Bran would stay in his lane not take over both the magical and political story.
It's my belief that overall, it is very close to being Bran Stark's story. He's at least first among equals when it comes to Jon, Bran and Dany.
I think the thing is that the story doesn't do enough to justify that. Even in the books, Bran isn't THAT present. He isn't that prominent. His arc is there, sure, but it's so secondary to EVERYTHING that audiences should be forgiven for believing it's mostly there to provide context, explanation and world depth rather than a "where the story has always been going all along" kind of thing.
The first POV in a story is not always the most important one. After all, the actual first PoV in Game of Thrones is actually Will in the prologue.
Finally he looked north. He saw the Wall shining like blue crystal, and his bastard brother Jon sleeping alone in a cold bed, his skin growing pale and hard as the memory of all warmth fled from him. And he looked past the Wall, past endless forests cloaked in snow, past the frozen shore and the great blue-white rivers of ice and the dead plains where nothing grew or lived. North and north and north he looked, to the curtain of light at the end of the world, and then beyond that curtain. He looked deep into the heart of winter, and then he cried out, afraid, and the heat of his tears burned on his cheeks.
Now you know, the crow whispered as it sat on his shoulder. Now you know why you must live.
"Why?" Bran said, not understanding, falling, falling.
Because winter is coming.
GRRM: When I was writing the first chapter, I really didn't know what it was. Is this a short story? Is this a chapter of a novel? Is it all gonna be about this kid Bran? …Bran is the first of the major characters you meet, after the prologue.
GRRM: I've had a million people tell me that was the moment that hooked them, where they said, "Well, this is just not the same story I read a million times before." Bran is the first viewpoint character. In the back of their heads, people are thinking Bran is the hero of the story. He's young King Arthur. We're going to follow this young boy – and then, boom: You don't expect something like that to happen to him. So that was successful [laughs].
GRRM: It had been years since I wrote a novel. I had an idea for a science-fiction novel called Avalon. I started work on it and it was going pretty good, when suddenly it just came to me, this scene, from what would ultimately be the first chapter of A Game of Thrones. It's from Bran's viewpoint; they see a man beheaded and they find some direwolf pups in the snow. It just came to me so strongly and vividly that I knew I had to write it. I sat down to write, and in, like, three days it just came right out of me, almost in the form you've read.
And you are meant to think that Bran is young King Arthur in the books at least until he's crippled. The initial expectation of Bran was the correct one. The journey there was just different.
The framing of Bran as a main character doesn't come across in the show. He comes as more of a secondary character with about as much prominence as Theon Greyjoy.
They admitted that all they cared about was getting to the red wedding, and it showsGRRM plays straight just a many fantasy tropes as he subverts. Chosen ones, prophecy twists, important characters dying quick, stupid deaths, people ignoring the greater enemy in the face of their own petty political squabbles have all been around since Tolkien if not before.
But it seems that D&D assumed ASoIaF was good only because it subverted expectations, and not because it was simply WELL-WRITTEN.
That "first they came for" analogy is so insulting I can't even.Holy shit, I totally forgot about that Tyrion conversation trying to rationalise killing slavers and rapists as actually a bad thing. Fuck this show.
"Look, I voice acted for a video game about wizards and moons and even that is still smarter than this scene."Setting up Tyrion as this cunning hero and reaching a point where he's written on a level that Dinklage himself (not to imply he's an unintelligent man) is like "I'm sorry what the fuck" is kind of amazing when you think about it.
Holy shit, I totally forgot about that Tyrion conversation trying to rationalise killing slavers and rapists as actually a bad thing. Fuck this show.
But you see her killing people that even by medieval era style morals were bad people bu methods that's not particularly out there by their standards is equal to killing minorities or political groups that were used as scapegoats who were ultimately innocent and didn't do anything other than being differentAbsolutely wonderful video.
That "first they came for" analogy is so insulting I can't even.
I just thought of him as a kid. I never figured he was young King Arthur, and none of the books really build him up as someone you would want to follow.
Hell, he isn't even particularly likeable.
Anon: Soooooo you once said that if ASOIAF had a singular protagonist, it could be argued that it's Bran. Why would you say that exactly?
PQ: 1) He's the first recurring POV, and that first chapter of his sets the tone in a lot of ways for the series–we get Ned's musings on justice and bravery, the introduction of the direwolves, etc.
2) And in his second chapter, we learn one of the series' most important secrets (the twincest) and GRRM hits us with the first of many agonizing plot twists: the fall.
3) And in his third chapter, we're introduced to the metaphysical plot, to which Bran is more closely tied than any other character. He's hovering above the rest of the story.
4) Indeed, there's no multi-character "three heads of the dragon" going on with Bran. He's singular in his place in the magical infrastructure, which IMO puts him a step above Jon, Dany, and Tyrion in the protagonist sweepstakes.
5) And unlike them, his powers have him poised to start playing an active role in storylines across the world. He can put all the pieces together like no one else.
6) As Bran the ReBuilder, he'll lead the way in the post-Others reconstruction.
7) He's a little kid who wants to be a knight, and is going to save the world with his magic, and is an exile prince who loves and understands his castle more than anybody else. Even more than Jon or Dany, his story is just chock-full of classic fantasy imagery, as if GRRM was trying to create the ur-protagonist for his genre.
"Your notion about the bastard may have merit, Bran," Maester Luwin said after. "One day you will be a good lord for Winterfell, I think."
"There are some who call my order the knights of the mind," Luwin replied. "You are a surpassing clever boy when you work at it, Bran. Have you ever thought that you might wear a maester's chain? There is no limit to what you might learn."
Beyond the castle walls, a roar of sound went up. The foot soldiers and townsfolk were cheering Robb as he rode past, Bran knew; cheering for Lord Stark, for the Lord of Winterfell on his great stallion, with his cloak streaming and Grey Wind racing beside him. They would never cheer for him that way, he realized with a dull ache. He might be the lord in Winterfell while his brother and father were gone, but he was still Bran the Broken. He could not even get off his own horse, except to fall.
Harrion Karstark, the oldest of Lord Rickard's sons, bowed, and his brothers after him, yet as they settled back in their places he heard the younger two talking in low voices, over the clatter of wine cups. "… sooner die than live like that," muttered one, his father's namesake Eddard, and his brother Torrhen said likely the boy was broken inside as well as out, too craven to take his own life.
Broken, Bran thought bitterly as he clutched his knife. Is that what he was now? Bran the Broken? "I don't want to be broken," he whispered fiercely to Maester Luwin, who'd been seated to his right. "I want to be a knight."
"I want you to say the words. Tell me who you are."
"Bran," he said sullenly. Bran the Broken. "Brandon Stark." The cripple boy. "The Prince of Winterfell." Of Winterfell burned and tumbled, its people scattered and slain. The glass gardens were smashed, and hot water gushed from the cracked walls to steam beneath the sun. How can you be the prince of someplace you might never see again?
So Bran's kingship is really centered on what if the smart, outcasts( Brienne, Tyrion, Davos, Bran and Sam) ruled society rather than macho warriors or popular dudes.
I do think that the idea behind why Dany is dead and Bran is king is because Bran sees the humanity in everyone and Dany does not.
It's implied that Bran values all life from the deleted scene in the script and Daenerys only values the lives of people who she doesn't have anything against.
Ramin Djawadi's music was good and some of the acting was good.
That's about it.
Lots of great lines in this video, but the lasting part for me was how the show is no longer rewatchable because the ending did not deliver the payoff the show built up. This is in direct contrast to shows like Breaking Bad where even knowing how it ends the show is still exciting and enjoyable to watch because it isn't all buildings to something great.
The smart outcasts in the books include Jon and Dany and not Brienne and Davos though... And as per the show, Dany dies and Jon is exiled. Even though these are the two characters who actually get whole books and arcs where they realy do some serious smart administration and rule. In the books, Brienne is the macho warrior, not Jon.
Characters in the books who have actual experience in administration at the end of book 5 : Tyrion, Bran, Jon and Dany.
Preston Jacobs: I'll say this about Jon Snow being the chosen one and defeating evil. Our author has never written a story ending that way. It is a trope that our author seems to want to avoid. Weirdo-freak protagonists like Tuf can succeed but not a classic hero like Jon at least not in a badass sword-fight triumph over evil sort of way. But even Tuf the weirdo doesn't have a traditional ending normally.
GRRM: Well who wouldn't want to be Jon Snow — the brooding, Byronic, romantic hero whom all the girls love.
The Byronic Hero is a type of character popularized by the works of Lord Byron, whose protagonists often embodied this archetype (though they did exist before him). This trope gained prominence during Romanticism. Sometimes an Anti-Hero, others an Anti-Villain, or even just a Villain, Byronic heroes are charismatic characters with strong passions and ideals, but who are nonetheless deeply flawed individuals who may act in ways which are socially reprehensible because he's definitely contrary to his mainstream society. A Byronic hero is on his own side and has his own set of beliefs which he will not bow nor change for anyone. A Byronic hero is a character whose internal conflicts are heavily romanticized and who himself ponders and wrestles with his struggles and beliefs. Some are portrayed with a suggestion of dark crimes or tragedies in their past.
His intense drive and determination to live out his philosophy without regard to others' philosophies produce conflict, and may result in a tragic end, should he fail, or revolution, should he succeed. Because of this, he is very rebellious, having a distaste for social institutions and norms and is disrespectful of rank and privilege, though he often has said rank and privilege himself. This rebellion often leads to social isolation, rejection, or exile, or to being treated as an outlaw, but he will not compromise, being unavoidably self-destructive.
Maybe that explains why it was obvious a whole season away. I wonder if the Red Wedding is more subtle and less obvious in the books? Never read them myself though.They admitted that all they cared about was getting to the red wedding, and it shows
It literally is "punching nazis makes you the real nazi" levels of stupid.She doesn't bring a lot of new points but this is a fantastic tear down of why those final seasons are so bad. Fantastic work.
And yeah, that Tyrion speech is ridiculous. Killing slavers is not a prelude to anything bad and acting like it's a natural jump is insulting.
All this does not matter - You were talking about smart outcasts - Jon and Dany are among the few young characters who actually do smart administration, rule, bring about innovative new ideas like green houses and irrigation canals. Not Brienne and Davos. GRRM devotes a lot of time setting up Jon and Dany as rulers giving them entire arcs where they learn about the actual hardship of ruling - he does not give that to Brienne and Davos - who are tertiary characters in the series.From years ago by Preston Jacobs:
Anyways, Jon and Dany are more subversions of that since they're specifically Byronic heroes.
For instance, Jon is constructed to be the eternal outcast but because he's the rightful heir, there's a sense of irony to it. The guy who should be at the top of the food chain is instead forever looked down on by people. I think GRRM gets a kick out of that.
Yeah, no.It seems like characters like Robb, Daenerys and Jon got built up more to make it more surprising when they failed and Bran got downplayed so as to make it more surprising when he won and because Benioff and Weiss weren't sure what to do with him without GRRM's details.
Comparing Bran to Simon from Gurren Lagann like it was Bran's story all along makes no sense.
Fucker was absent for an entire season of the show. Nothing about the show's resolution makes sense but Bran being King is the one thing possibly in the universe that actually makes less than zero sense, it makes negative sense.
Beyond the castle walls, a roar of sound went up. The foot soldiers and townsfolk were cheering Robb as he rode past, Bran knew; cheering for Lord Stark, for the Lord of Winterfell on his great stallion, with his cloak streaming and Grey Wind racing beside him. They would never cheer for him that way, he realized with a dull ache. He might be the lord in Winterfell while his brother and father were gone, but he was still Bran the Broken. He could not even get off his own horse, except to fall.
"Gone down into the earth," she answered. "Into the stones, into the trees. Before the First Men came all this land that you call Westeros was home to us, yet even in those days we were few. The gods gave us long lives but not great numbers, lest we overrun the world as deer will overrun a wood where there are no wolves to hunt them. That was in the dawn of days, when our sun was rising. Now it sinks, and this is our long dwindling. The giants are almost gone as well, they who were our bane and our brothers. The great lions of the western hills have been slain, the unicorns are all but gone, the mammoths down to a few hundred. The direwolves will outlast us all, but their time will come as well. In the world that men have made, there is no room for them, or us."
All this does not matter - You were talking about smart outcasts - Jon and Dany are among the few young characters who actually do smart administration, rule, bring about innovative new ideas like green houses and irrigation canals. Not Brienne and Davos. GRRM devotes a lot of time setting up Jon and Dany as rulers giving them entire arcs where they learn about the actual hardship of ruling - he does not give that to Brienne and Davos - who are tertiary characters in the series.
As for this:
Yeah, no.
This is the POV count of the characters in the 5 books so far:
Tyrion Lannister: 47
Jon Snow: 42
Arya Stark: 33
Dany: 31
Sansa: 24
Bran: 21
Jaime:17
Cersei: 12
These are character screen times after season 8:
Tyrion: 679 mins
Jon: 651 mins
Dany: 524 mins
Cersei: 425 mins
Sansa: 418 mins
Arya: 393 mins
Jaime: 393 mins
Bran: 224 mins
So no, the show did not build up Jon and Dany at the expense of Bran. In fact if you look at the POV chapters and corresponding screen time, it was Arya who suffered the most while characters like Sansa and Cersei got more writing on the show. GRRM's central 5 characters were Jon, Dany, Tyrion, Arya and Bran. D&D were just more interested in writing for Sansa and Cersei on the show. Arya has not had a proper story in 3 seasons and she had pretty much no story once she got to Westeros other than killing off some side characters.
I would say that the show build up Sansa at the expense of Bran. Bran is the rightful heir of WF - with actual experience of ruling WF and the North when Robb was gone. But once he actually got to WF he was nerfed into an automaton who just sat there while Sansa walked around instructing actual armorers on armor making because girl power.
You can't really use screentime as a good metric because characters like Bran and Arya have isolated stories whereas Cersei and Jaime criss-cross stories with other characers all the time. A character like Cersei looks much more important when you actually check how much page time she has in chapters that aren't his. A lot.
Arya is also a less important character than Bran even if she does get more page time because Arya's not a messianic character like Bran, Jon and Dany.
The Robert Moses College forEllis really needs to just get make a 30 minute video tearing Robert Moses apart. We all know she wants to.
I think her initial series is done, not sure if there is something else lined up
Oh, so you're job is to just drive by troll every thread you post in.