Eh, for all the flak the show gets, all i can say is that when i rewatched it a year or so ago, i was really reminded of the fact that this was kind of the last show that actually still FELT like Trek to me. Warts and all, the "background" feeling when watching even the duller episodes (and even TNG had plenty of those as well) that you get feels "right" and you know you're watching actual Star Trek like back in the day. It's pretty hard to describe i guess, but that feeling was missing in the newer stuff and i am not quite sure why that is....
Have you tried Lower Decks? Because you should try Lower Decks. Give it a couple episodes (like maybe 5), because it starts a little rough but it quickly gets better and better (and they're short episodes in a short season).Eh, for all the flak the show gets, all i can say is that when i rewatched it a year or so ago, i was really reminded of the fact that this was kind of the last show that actually still FELT like Trek to me. Warts and all, the "background" feeling when watching even the duller episodes (and even TNG had plenty of those as well) that you get feels "right" and you know you're watching actual Star Trek like back in the day. It's pretty hard to describe i guess, but that feeling was missing in the newer stuff and i am not quite sure why that is....
Have you tried Lower Decks? Because you should try Lower Decks. Give it a couple episodes (like maybe 5), because it starts a little rough but it quickly gets better and better (and they're short episodes in a short season).
They certainly play up the southern aspect of his personality, but he also does some ballsy shit during "Cease Fire" and shows some depth of thought in his conversation with dumbass Malcolm in "Future Tense".Tripp in the first couple seasons is nothing more than a redneck. You could literally hear him say "Hold my beer and watch this!" the way he acts. The guy literally believes the "Your hair and nails keep growing after you die"
I know people say that you shouldn't watch the last episode but I couldn't get through Terra Prime as well. Watching a xenophobic movement exploit people's fears was way too much for me to handle about a year ago.
Keep an eye out, during the Nazi episode a war film plays and a building is shown being shot with phasers and blowing it. It's the same building explosion from that Voyager episode.Carbon Creek:
Better than the similar Voyager episode, 11:59. I recognized the non-asshole Vulcan as a regular Trek guest star. I had a tough time not seeing him as a Nazi from that Voyager holodeck episode (and he apparently plays a Nazi again in Enterprise when the Space Nazis show up)
Keep an eye out, during the Nazi episode a war film plays and a building is shown being shot with phasers and blowing it. It's the same building explosion from that Voyager episode.
i never knew the actress who played Crewman Cutler died in 2003 :(
I always wondered why she wasn't in more episodes
One of my favorite episodes actually. As for what plans they had? Probably non. Bragga especially loved to set up sequels with no actual plans for one.Dead Stop:
Torres lures the crew of the Enterprise in with promises of speedy repairs after the minefield incident from the last episode (nice bit of continuity). Probably on orders from Janeway, she kidnaps Mayweather in order to use his brain in her ultimate computer.
Joking aside, this episode wasn't bad. I wonder what future plans they had for the station, or the race that created it. The tease ending was nice and creepy.
This is Phlox erasureMinefield:
Took a full season, but here we have ARcher acting like agood leader. Trying ot bost mroal of an injured crewman, and trying everything to save them while there's time. Reed continues to be the only competent member of the crew.
Not to mention Deus ex cloaking deviceThe Communicator:
Reed is now just as incompetent as the rest of the crew. leaving his communicator behind.
Showing how poorly planned this show is. Once again we're on a mission to a pre-warp civilization. And once again, no one with any training in anthropology. That could have been a unique addition to a trek show. An Anthropologist that actually gets to use their skills (without looking it up, do you know what main cast member of a previous show was a trained Anthropologist?).
Anyways, the episode is just more screw ups by the crew. Especially when Archer tries to pass him and Reed off as spies for the other nation. They're captured, more of the tech has been captured. They're even playing with the phaser they brought with them. The aliens correctly guess that they're aliens. But then Archer decided to fuck things up even more.
They're about to go to war, and Archer decides to tell them that their enemy is genetically enhances and possesses vastly superior technology. Like that won't lead to a bigger war and arms race by making them thing that. That's going to contaminate their culture less than just telling them the truth?
It is interesting just how vivid the break in the production design is for this show, right out of the gate. The TOS era and the Discovery era have their own distinct looks as a result of when they were made of course, but this comes right on the heels of Voyager which wraps up the very consistent TNG/VOY/DS9 era of visual identity. Its not just that they (obviously) didn't make the ships look like the Enterprise D, but I would bet a good chunk of money that they were looking specifically at Stargate SG1 when they were putting together the overall approach to how the uniforms, technology, and interiors look. Maybe a bit of Babylon 5 also, but I get major Stargate vibes off of a lot of this
It is interesting just how vivid the break in the production design is for this show, right out of the gate. The TOS era and the Discovery era have their own distinct looks as a result of when they were made of course, but this comes right on the heels of Voyager which wraps up the very consistent TNG/VOY/DS9 era of visual identity. Its not just that they (obviously) didn't make the ships look like the Enterprise D, but I would bet a good chunk of money that they were looking specifically at Stargate SG1 when they were putting together the overall approach to how the uniforms, technology, and interiors look. Maybe a bit of Babylon 5 also, but I get major Stargate vibes off of a lot of this
I think they were just looking for something between a Trek uniform and an old military uniforms. I actually like the look of the Enterprise jumpsuits.
As for Stargate influences on the tech, I don't really see it. They wanted the ship to look cramped, like a submarine. Kind of like what would be done on Battlestar Galactica. Also, Enterprise premiered before Stargate started bringing in big Earth fleet ships.
It might be more that SG1/Enterprise/Atlantis/Battlestar themselves represent a distinct period of design for American sci-fi shows haha. Lots of railings and metal panelling everywhere. Plenty of fog usage
Atlantis hadn't started yet. SG1 was only in Season 4.
I Think it was just UPN wanting another Trek show to replace Voyager.
The enterprise jumpsuits feel both appropriate (astronaut jumpsuits) and familiar (purp, black, and some departmental piping)
I haven't watched Discovery but the show looks over designed to hell and back. The uniforms in particular. i thought 09 Star Trek did a fantastic job of updating the TOS unis into something more modern while pretty much completely staying true to the show.
I think Generations Enterprise D lighting look ludicrous, but returning to TNG after all these years, yes, the lighting is too flat.I think its the lighting too. There's a way that shows were just lit in this era that is different from the 90s and different from the 2010s
It is but I'm not sure if Enterprise's approach of "Everything is lit by multiple small lights off camera" is much better lolI think Generations Enterprise D lighting look ludicrous, but returning to TNG after all these years, yes, the lighting is too flat.
it sticks out the same way studio lighting from movies in the 60s sticks out.
Discovery is very close structurally to what I want, honestly, almost all of its problems come down to the actual writing. It's got way too much Alex Kurtzman in its DNA, especially in the plotting, characters are written to be a little too schmaltzy at times, and maybe most importantly it doesn't seem to have a great understanding of like...sociology and history and how organizations and communities act and react (which many other Trek shows are pretty dang good at). But those are all solvable problems, they've got a pretty good balance in terms of juggling episodic plots with long form plots with character development, which is the thing I think you need to make a "modern" Star Trek workAlso, for curiosity, what would an ideal modern Star Trek show be like for fans? I don't mean just a shinier version of TOS or TNG, but something that pushed things forward in interesting ways and introduced completely different characters, tackled themes that are relevant to current society etc. I guess not too dissimilar to what TNG did for TOS, but drawing even further from advances in modern television, effects, whatever.
Discovery is very close structurally to what I want, honestly, almost all of its problems come down to the actual writing. It's got way too much Alex Kurtzman in its DNA, especially in the plotting, characters are written to be a little too schmaltzy at times, and maybe most importantly it doesn't seem to have a great understanding of like...sociology and history and how organizations and communities act and react (which many other Trek shows are pretty dang good at). But those are all solvable problems, they've got a pretty good balance in terms of juggling episodic plots with long form plots with character development, which is the thing I think you need to make a "modern" Star Trek work
You can see a lot of the influence of the last decade and a half of Hollywood big-budget genre screenwriting on it, which makes sense given Kurtzman's involvement. A lot of emotional stuff doesn't work because it feels like its being stitched together with the assumption that a good music swell or lighting cue will generate the "correct" response in the audience, and they don't have time to build up the actual groundwork for those moments because there's a ton of minute to minute inefficiencies. I think it's the show's biggest flaw (but it's better than Picard, which was just abysmal for these exact same reasons)Good writing is obviously something you would assume a good contemporary ST show would need have to succeed. But yeah, what you're describing is basically the reason why a lot of sci-fi fails to grab mainstream audiences. You need to know how our own world works and how history formed the present to really leverage the science fiction concepts in ways that resonate with people. If the fantastical elements reflect your own reality in some way then it becomes more than just cool shit.
Lower Decks loves Star Trek, warts and all.
I wouldn't be surprised to see Lower Decks take a look at Spock's Brain, or Code of Honor, or Threshold, or that TNG episode where Beverly had sex with a ghost... and say "I'm sorry but I unironically love this."
You'll never get a consensus on this.Also, for curiosity, what would an ideal modern Star Trek show be like for fans?
It would be the Orville but without the comedy which leaves you basically with TNG.Never really asked for that either, but I believe you. Just curious what expectations were. You can't please everyone, but I'm pretty sure there's a way to do a show that at least gets some core tenets right that most fans can agree on, yes?
Not familiar with the segmentation of the ST fanbase, but it seems like all the well liked shows have a few things in common.
Also, for curiosity, what would an ideal modern Star Trek show be like for fans?
Yes, Rick BermanTucker's and T'Pol's wierd massage thing. Wtf? Was that written by a horny teen?