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I think nobody is asking for this shit. People want directors shoot new movies on 16:9 to watch them without black bars.
Old movies always should be unaltered.
If by support you mean don't pretend it's unbearable than sure.
And these are usually not shot on film and thus are looked down on
People? If you mean the OP and maybe 0.000000000001% of the movie going public, sure. There is no demand to fuck with the aspect ratio of theatrical films for tv.People want directors shoot new movies on 16:9 to watch them without black bars.
If I knew anyone like this in real life I would lose my fucking mind holy shit.
haha i can't imagine watching a really old film yawn fest like that?!!
This was the only reason I opened this thread
Me too.
It's lockdown, watching a lot of movies...that's why
SamePersonally, I'd rather more directors start shooting in 16:9, since these films are going to live far longer on people's TVs than they will for the couple of months that they're in the theater.
I don't think there is a single director on the planet that cares more about how a film appears on television than how it appears in theaters.Personally, I'd rather more directors start shooting in 16:9, since these films are going to live far longer on people's TVs than they will for the couple of months that they're in the theater.
I'm saying that they should, especially since theaters probably won't be around anymore in a couple of years...I don't think there is a single director on the planet that cares more about how a film appears on television than how it appears in theaters.
I don't think there is a single director on the planet that cares more about how a film appears on television than how it appears in theaters.
Why wouldn't theaters be around in a couple years? Corona not withstanding the theatrical market is booming. Theaters are by and large where most of the money is made for films.I'm saying that they should, especially since theaters probably won't be around anymore in a couple of years...
There are valid cinematography reasons to have different aspect ratios thoughThe lack of one standard is annoying. It would be nice to buy a wide screen TV and all media to have been recorded on whatever that aspect ratio was. Obviously going from 4:3 to wide there's no way around bars, though.
That's the only time I've ever come across it in video. I used to intentionally windowbox old games if it meant preserving an n*native resolution thoughMaybe you were watching Tombstone on a DVD designed for the old square TVs (4:3) used before widescreen TVs (16:9) became the norm. Or the DVD you used had the widescreen movie on it, but it was still designed for square TVs, so not only did you get the black bars you'd normally seen on the square TV but also the ones normally seen on widescreen TVs too.
People preaching the purity of video but watch dubbed content, lol.
Personally, I'd rather more directors start shooting in 16:9, since these films are going to live far longer on people's TVs than they will for the couple of months that they're in the theater.