How in the fuck is this movie getting bad scores.
ITS AMAZING.
Those people don't think it's amazing.
At least I think that's how it works.
How in the fuck is this movie getting bad scores.
ITS AMAZING.
I don't really know what to make of the reactions here. They are all over the place. My wife and I were going to see this sometime this weekend but are now thinking twice about that decision - might see something else instead.
For those that have seen it - would I enjoy this if I thought Godzilla '14 was fine (I appreciate the slow burn approach but the characters were definitely weak) and surprisingly enjoyed Kong (despite the myriad of issues others always bring up)?
Look at the critics score vs the audience. People are loving this movie and ultimately that's what matters. I just got back from watching it and people were cheering/clapping A LOT.
This movie will have good wom and it'll put a lot of people on seats. I enjoyed it more than Godzilla 2014 but I feel G14's cinematography was way better.
This movie will be fine.
I legitimately might burn an A-List reservation this week just so I can give this a negative review on Rotten Tomatoes. (I saw it at a theater that doesn't ticket through Fandango) It's that bad. A black mark on Godzilla 2014 and Skull Island (two legitimately spectacular movies).Look at the critics score vs the audience. People are loving this movie and ultimately that's what matters. I just got back from watching it and people were cheering/clapping A LOT.
This movie will have good wom and it'll put a lot of people on seats. I enjoyed it more than Godzilla 2014 but I feel G14's cinematography was way better.
This movie will be fine.
you need to be verified now for audience score, so I don't imagine we'll get that many reviews for KotM. Should wait till few days for sure tho.I don't know how much weight you can put into an audience score after a day or two. You are probably getting a lot of the most hyped/die hards seeing it by that point. It's like 1000 reviews. Not inconsequential, but Godzilla 2014 (which has a lower audience score than critic score) has like 175,000 reviews. We'll see if that kind of number holds for King of the Monsters.
Look at the critics score vs the audience. People are loving this movie and ultimately that's what matters. I just got back from watching it and people were cheering/clapping A LOT.
This movie will have good wom and it'll put a lot of people on seats. I enjoyed it more than Godzilla 2014 but I feel G14's cinematography was way better.
This movie will be fine.
such is the folly of democracyyou need to be verified now for audience score, so I don't imagine we'll get that many reviews for KotM. Should wait till few days for sure tho.
I wish I could vote it (watched it in Indonesia), I'd give it positive review to balance out Mushroomer25's XD
It will never be not funny to me that when a movie is reviewed positively, but audience scores are low the comments are "LOOK AT THOSE TROLLS HATING ON A GREAT MOVIE". Yet whenever the opposite happens it's the critics that are wrong.Look at the critics score vs the audience. People are loving this movie and ultimately that's what matters. I just got back from watching it and people were cheering/clapping A LOT.
This movie will have good wom and it'll put a lot of people on seats. I enjoyed it more than Godzilla 2014 but I feel G14's cinematography was way better.
This movie will be fine.
Yeah. I think user score is mostly shit, be it good or bad.It will never be not funny to me that when a movie is reviewed positively, but audience scores are low the comments are "LOOK AT THOSE TROLLS HATING ON A GREAT MOVIE". Yet whenever the opposite happens it's the critics that are wrong.
You realize between then and now they implemented verified user reviewsIt will never be not funny to me that when a movie is reviewed positively, but audience scores are low the comments are "LOOK AT THOSE TROLLS HATING ON A GREAT MOVIE". Yet whenever the opposite happens it's the critics that are wrong.
Yep. It's why I loved it! I felt like I just watched a fresh and believable take on Godzilla that I never felt before.
Yeah 2019's limpy and bloated attempt at Godzilla sure was, and a cautionary tale about how Hollywood studio committees can not figure out how to make a good movie, no matter how much money and talent they throw at the production...they should have focused on telling a story, which movies like Shin Godzilla excel at and makes for a better movie.
Godzilla films hang on the believability and strength of their human characters. Godzilla himself can do all the coolest shit on the screen, but it won't matter if the supporting narrative is garbage.
The characters in Shin were abysmal. Were they even characters? Just interchangeable talking heads at incessant meetings.
I don't know how much weight you can put into an audience score after a day or two. You are probably getting a lot of the most hyped/die hards seeing it by that point. It's like 1000 reviews. Not inconsequential, but Godzilla 2014 (which has a lower audience score than critic score) has like 175,000 reviews. We'll see if that kind of number holds for King of the Monsters.
My audience was pretty cold and disperse, but even not liking it I hope this movie makes money. I need this franchise to keep goingLook at the critics score vs the audience. People are loving this movie and ultimately that's what matters. I just got back from watching it and people were cheering/clapping A LOT.
This movie will have good wom and it'll put a lot of people on seats. I enjoyed it more than Godzilla 2014 but I feel G14's cinematography was way better.
This movie will be fine.
Shin was filled with pitical nonsense, cool that you enjoy sitting through bureaucracy but that shit couldn't be more unappealing. Wasting time on a bunch of yes men and legal mumble jumbo.All of them? Because there were A LOT, and they all served a purpose for the shared goal of human preservation to an actual imposing and unstoppable threat. It wasn't just a blend of one note quip junk or lame Thanos inspired villains. The movie had focus. The cast of Shin Gojira was intelligently broke into buckets, each with several standouts, and all set to reach the primary objective in different ways that wasn't completely unrealistic and insane.
Those buckets included political/ministry/admin (the prime minister), science and environmental divisions (each with representatives and some goofy standouts, especially in the science department), representatives of foreign and domestic affairs (with two characters especially sharing some great chemistry), journalism, military, and civilian. I can see that you might be "abysmally disappointed" that they might not be designed in a way that you personally find enjoyable. There's no distinct lead, but It wasn't designed in that way, which to me made it much more interesting and unique. The Prime Minister maybe could be your "Conan," as he's the character you get inside his head for a good part of the first act, but the director was explicitly simulating a larger scale event, and well, you remember what happened to the prime minister...At least he didn't get the Sally Hawkins treatment though, right?
What we got in KOTM was two things: an airplane chock full of plot synopsis and wasteful expository dialog, and then Eleven from Stranger Things running away from mustache twirling British man with a mind control McGuffin. Shin created a diverse network of characters, instead of a heavy reduction and oversimplification to race to the credits.
I would say it requires some attention, which may cause some to have a harder time following but saying the characters are "all the same" in Shin is pretty disingenuous. I wouldn't want to imply that you think all Asians look the same to you, but the cast was far FAR more complex than you give it credit for, and designed in such an elaborate and intricate fashion. They didn't need to be action heroes. Talking is fine and the quality of that dialog is what makes good Godzilla movies good (like Shin Godzilla), and bad Godzilla movies bad (like KOTM).
I get where you're coming from, I just disagree with the premise.
It was a Godzilla film in the sense of being a "Godzilla (1954)" film, updating that narrative from commentary on nuclear arms fears and aftermath of Hiroshima/Nagasaki to commentary on the Fukushima disaster.Shin was filled with pitical nonsense, cool that you enjoy sitting through bureaucracy but that shit couldn't be more unappealing. Wasting time on a bunch of yes men and legal mumble jumbo.
I get it's poking at what happened in Japan with the reactor but as someone watching a Godzilla film, that shit could have either been heavily trimmed or just fast forwarded past.
Man I wonder how much would the film be remembred for, if Walter White hadn't dumped an oscar worthy performance in a broom closet.2014 felt a bit more weighty in terms of the human drama but this straight up feels like the 80s/90s style cheesy Zilla movies with a western cast and a bigger budget. Dumb but I still had fun.
The story/characters were nonsense in this flick, which only bothered me because the monster stuff also wasn't that great. Part of what I loved about Godzilla 2014 was its majestic scope, how the camera treated Godzilla as something to be feared and respected, a true force of nature, a god among us. There's very little of that here, it's way more campy and traditional kaiju. Which is fine, I guess, but a huge source of my disappointment was the radical shift in tone, and the way the creatures suddenly just became toys to toss around a sandbox.
Shin was filled with pitical nonsense, cool that you enjoy sitting through bureaucracy but that shit couldn't be more unappealing. Wasting time on a bunch of yes men and legal mumble jumbo.
I get it's poking at what happened in Japan with the reactor but as someone watching a Godzilla film, that shit could have either been heavily trimmed or just fast forwarded past.
Haven't been keeping up with the godzilla info, and these might've been posted earlier, but the Chinese posters for the movie are fucking amazing.
This is more or less my take as well. Big let down compared to 'zilla '14.
I have bad news for youSeeing this Sunday morning.
Really excited from all the comments which say there's a shit ton of monster fights in this. Sounds like the perfect cinema experience.
Is the camera treating Godzilla something to be feared just a way of justifying why we don't see a lot of Godzilla in the 2014 movie?The story/characters were nonsense in this flick, which only bothered me because the monster stuff also wasn't that great. Part of what I loved about Godzilla 2014 was its majestic scope, how the camera treated Godzilla as something to be feared and respected, a true force of nature, a god among us. There's very little of that here, it's way more campy and traditional kaiju. Which is fine, I guess, but a huge source of my disappointment was the radical shift in tone, and the way the creatures suddenly just became toys to toss around a sandbox.
The fights really only make up 20% of the filmwait .. no ... come on .. :(
I saw a youtube non-spoiler review where the guy said there's a lot of fights.
I actually don't have a problem with the amount/lack of Godzilla in the 2014 movie, but even if I grant that...Is the camera treating Godzilla something to be feared just a way of justifying why we don't see a lot of Godzilla in the 2014 movie?
i genuinely enjoy Zilla 14 but yeah, he set the bar. I can't see the series going back that going off of KOTM. I know people are divided on what they want from a Kaiju flick but I've always felt that the best ones really sell the level of destruction and weight of it all through the human drama.Man I wonder how much would the film be remembred for, if Walter White hadn't dumped an oscar worthy performance in a broom closet.
They should have got Puff to drop another Kaiju jam.i genuinely enjoy Zilla 14 but yeah, he set the bar. I can't see the series going back that going off of KOTM. I know people are divided on what they want from a Kaiju flick but I've always felt that the best ones really sell the level of destruction and weight of it all through the human drama.