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Whose art do you like more?

  • Pepe Larazz (House of X, best Rogue in comics?)

    Votes: 40 55.6%
  • Jorge Jimenez (Batman, Creator of Punchline)

    Votes: 32 44.4%

  • Total voters
    72
  • Poll closed .
Status
Not open for further replies.

ElNarez

Member
Oct 28, 2017
3,472
Spending literal days agonizing over how I forgot to put Guardians of the Galaxy #8 in the list I sent to my shop of books I want them to hold for me while the entire country is on lockdown. I think the next few don't have as many glaring errors but lockdown has forced me into this strange grind for lists.

BATMAN #102
HELLBLAZER RISE AND FALL #2
JUSTICE LEAGUE #56
YOUNG JUSTICE #20
BANG #5
CROSSOVER #1
LOST SOLDIERS #4
BLACK WIDOW #3
MARAUDERS #14
RISE OF ULTRAMAN #3
X-MEN #14
VAMPIRE THE MASQUERADE #4
 

Sibersk Esto

Changed the hierarchy of thread titles
Member
Oct 25, 2017
16,602
DCAU Toyman is such an incredible character that I genuinely have no idea why DC didn't look at him and decide to import him over to the comics.

For a brief moment in time, around the time the Superman line was going through a refresh after "52" and Superman Returns was coming out, they did a soft reboot of Toyman to be close to the Animated series version in apperance

Toyman_Android_01.png


This was just a robot drone by the real Toyman, part of a series to A. Explain the multiple versions of Toyman and B. To retcon away the gritty Triangle era version that killed kids

ElQN5C1WoAIhOtf


It should be noted that the "real" Toyman is basically the DCAU version character wise anyway

Also the recent Superman: Man of Tomorrow digital series by Vendetti combined this Toyman with the DCAU one's appearance

Superman-Man-Of-Tomorrow-3-1.jpg

1093-Toyman.jpg

Toyman-Costumes.jpg


This is out of continuity though, as canon Toyman seems to be getting rehabilitated and joined Checkmate

toyman.jpg
 

BKatastrophe

Member
Oct 28, 2017
13,359
Toyman is one of the very few "gadget" villains that I actually find legitimately enjoyable/threatening because of the DCAU. Like fuck Gizmo and the Tinkerer and shit
 

Vic_Viper

Thanked By SGM
Member
Oct 25, 2017
29,124
I wonder if sales for Hellblazer increased at all after the announcement that it was ending. Either sales went up or went down after that announcement. Im really surprised DC didnt change their minds after. The only thing that would make sense is they are waiting until after whatever happens next year before doing a new book.

Such a bummer either way. Was really looking forward to a new Hellblazer on-going. Hopefully they are going to do a complete collection after the tpbs are all out.
 

Sibersk Esto

Changed the hierarchy of thread titles
Member
Oct 25, 2017
16,602
Speaking of Superman:Man of Tomorrow, the latest issue of that is about the Fortress of Solitude getting taken over Key (a weird villain from way back in Morrison JLA run), who then strips Superman of his powers. So Superman fights his way through this huge ecosystem with Batman's utility belt, Aquaman's trident and the Sword of Superman from like the Silver Age, and then he rides a space shark by blinking Morse code at it.

Proving once and for all that Superman/comics in general should have weird cool shit all the time
 

BKatastrophe

Member
Oct 28, 2017
13,359
Speaking of Superman:Man of Tomorrow, the latest issue of that is about the Fortress of Solitude getting taken over Key (a weird villain from way back in Morrison JLA run), who then strips Superman of his powers. So Superman fights his way through this huge ecosystem with Batman's utility belt, Aquaman's trident and the Sword of Superman from like the Silver Age, and then he rides a space shark by blinking Morse code at it.

Proving once and for all that Superman/comics in general should have weird cool shit all the time
I mean, yes. That is the absolute jammiest of jams. I loved Bendis doing street level Metropolis in Action Comics, but wacky adventures is the Superman jam also

The animated series took full advantage of that. Time travel, aliens, alternate dimensions, alternate planets, all kinds of trippy villains.

"Batman's doing all the grounded narratives. Let's throw Lois Lane into an alternate dimension."
 

Weiss

User requested ban
Banned
Oct 25, 2017
64,265
Superman is a larger than life adventure character whose powers and stature in the DCU allow him to, more or less, do anything as long as it isn't street level urban vigilantism ala Batman, and thank god for that; we've enough Batmen in this house.
 

Freezasaurus

Member
Oct 25, 2017
57,110
TIME FOR A MUTHAFUCKIN' LIIIIIIIIIIIIIIIIST

Black Widow #3
Vampire: The Masquerade #4

Okay, that's not a very big list.
 

Vic_Viper

Thanked By SGM
Member
Oct 25, 2017
29,124
Comics needs a really good dark Fantasy on-going. Feel like we dont really have many choices these days thats still going. Without some weird twist, like being a futuristic western or connected to our world through some sort of portal or something lol. Just a straight up dark fantasy book with a medievil inspired setting.
 

Einchy

Member
Oct 25, 2017
42,659
Comics needs a really good dark Fantasy on-going. Feel like we dont really have many choices these days thats still going. Without some weird twist, like being a futuristic western or connected to our world through some sort of portal or something lol. Just a straight up dark fantasy book with a medievil inspired setting.
I've talked about the same thing before.

Feels like you only get those type of comics from Europe.
 

caliph95

Member
Oct 25, 2017
35,332
Comics needs a really good dark Fantasy on-going. Feel like we dont really have many choices these days thats still going. Without some weird twist, like being a futuristic western or connected to our world through some sort of portal or something lol. Just a straight up dark fantasy book with a medievil inspired setting.
It will only last less than 12 issues anyway
IAlso isn't that Black Label Last god or are the covers lying
 

Mars People

Comics Council 2020
Member
Oct 25, 2017
18,232
Superman the animated series had the best version of several villains. Toyman, Brainiac, Luthor are all the best versions for me.
 

BKatastrophe

Member
Oct 28, 2017
13,359
Superman is a larger than life adventure character whose powers and stature in the DCU allow him to, more or less, do anything as long as it isn't street level urban vigilantism ala Batman, and thank god for that; we've enough Batmen in this house.
I was thinking to myself today about how many Batman toons we've had:

Batman The Animated Series
Batman Beyond
The Batman
Batman Brave and the Bold
Beware the Batman

And while I don't have a problem with having another Batman cartoon (we're not getting one, I'm just saying), you have to wonder how many times can you pitch a singular property in a different way before they go "We need to mine something else?" Those are all different, but how many times can you do that again? Let's not even bother getting into the movies.

Young Justice is great, but it's an ensemble that's sort of a general "DC Universe" show at this point (and brilliantly so, honestly). Harley Quinn is fantastic, but it's pretty much taken up root as the resident "Bat cartoon" slot (again brilliantly so).

Like now's the time to strike with a Wonder Woman or a Superman series. Revive that Superman family show if you can. #GreenLanternS3
 

Vic_Viper

Thanked By SGM
Member
Oct 25, 2017
29,124
It will only last less than 12 issues anyway
IAlso isn't that Black Label Last god or are the covers lying
Oh right, I could check that out.

Also put Conan on my list, but man there is a bunch of random stuff since Marvel got the rights back. Like two events that I hadnt even heard of. Feel like I need a reading order already lol.
 

Vic_Viper

Thanked By SGM
Member
Oct 25, 2017
29,124
DC's Last God is exactly what I was looking for, thanks! I mean, its 12 issues, but they say its just the end of "Book 1". So hopefully there will be more. Wonder how its been doing sales wise, I had completely written the book off originally lol.

image-19.png


The art looks amazing. Kinda like Ribic, but doesnt take a year per issue lol

image-20.png


The review I read said its like Dark Souls meets Game of Thrones
 
May 24, 2019
22,297
DC's Last God is exactly what I was looking for, thanks! I mean, its 12 issues, but they say its just the end of "Book 1". So hopefully there will be more. Wonder how its been doing sales wise, I had completely written the book off originally lol.

image-19.png


The art looks amazing. Kinda like Ribic, but doesnt take a year per issue lol

image-20.png


The review I read said its like Dark Souls meets Game of Thrones

A second series just started (edit: NM. Looks like it was a one shot?)
 
Last edited:

caliph95

Member
Oct 25, 2017
35,332
DC's Last God is exactly what I was looking for, thanks! I mean, its 12 issues, but they say its just the end of "Book 1". So hopefully there will be more. Wonder how its been doing sales wise, I had completely written the book off originally lol.

image-19.png


The art looks amazing. Kinda like Ribic, but doesnt take a year per issue lol

image-20.png


The review I read said its like Dark Souls meets Game of Thrones
Meaning to read it it always looked interesting
 

whatsinaname

Member
Oct 25, 2017
15,106
Done with the first Sorcerer Supreme omnibus. A pretty good read over all. Some very nice arcs (especially the last one with the fear lords) and some great art, Horny Guice notwithstanding. Took me a loooong time to read due to how compressed it is.

wPlL5cf.jpeg


Also an interesting name drop...

hmGGbuR.png
 

Vic_Viper

Thanked By SGM
Member
Oct 25, 2017
29,124
.
.
.
of course it did
I read the first issue, it actually was straight up Got, but in a darker more Dark Souls like world lol. Pretty neat. Just wish I had started it when there were more issues out to read lol. I hate waiting.

A second series just started (edit: NM. Looks like it was a one shot?)
Yea, its still got 3 normal issues before Book 1 is done. I wonder how long the breaks will be, if the sales were even good enough to warrant a second.
 

Canucked

Comics Council 2020 & Chicken Chaser
Member
Oct 25, 2017
7,427
Canada
I started the last god and then forgot it existed. I need to dig it out. But tonight I am reading harrow county.
Boo!
 

Aurica

音楽オタク - Comics Council 2020
The Fallen
Oct 25, 2017
23,525
A mountain in the US
#30
Severed (Scott Snyder, Scott Tuft, and Atilla Futaki, 1 vol.)
x3O4uMG.png


When a 12-year-old boy named Jack (good name, by the way) goes on a search for his father in 1916 America, he runs into trouble on the road. Sometimes, that trouble is what'd you might expect when you're hopping freight trains and performing music on the street for spare change. Other times, that trouble isn't exactly normal. When Jack and Sam, a friend he makes on a train, cross the path of a shark-toothed grifter, their problems get more dire.

I have some additional background on how this book fell into my hands. It's not important to the book, so you can skip ahead. I'm really writing it down for me more than for you. I have a number of friends around the globe from my time in school in Tokyo, and one I've cherished deeply is a gal in Australia with whom I keep old fashioned correspondence. We send each other hand-written letters with horror comics and books attached. I enjoy having the excuse to break out my tomoe river paper, j. herbin ink, fountain pen, wax, and seal. I believe Severed was the first book she sent me, but I have a tendency to leave media untouched that holds some sort of sentimental value or expectation for me. With this, I've now read everything she's sent me, and I can finally sleep guilt-free.

This is from the Scott Snyder of yesteryear, before he made DC universe characters that laugh all over the place. It's more subdued, and a bit more concerned with grounded problems than multiversal ones. I've read some of Snyder's older comics, and he's always had a penchant for revealing the darker side of things, but what surprised me here was his willingness to explore emotions beyond anxiety, fear, and excitement. Maybe it was thanks to his co-writer, Scott Tuft, but there were moments of heart in this book. While they weren't common or too deep, I was still happy to see them. This wasn't a page I expected to see in a Snyder book, and it was a nice surprise, thanks in no small part to Futaki's deft hands.
haXuE7a.png

There was one moment that wasn't deep in the visceral horror pages of the shark-toothed killer's chase which I found especially effective at tightening my chest. In fact, it was one of just a few moments that really had me nervous. It was a page or two after this one, and involved a game with a bear trap. That was well done at adding tension and making me question just how well I knew the characters involved.
Pz3ilW4.jpg

While I didn't appreciate some of the events that affected the main characters, the narrative worked well for the sort of fear Snyder and Tuft were peddling. Searching across America and sometimes being chased added two good reasons for changes of scenery that propelled the characters forward and forced their arcs into dangerous climaxes. Nothing about the narrative necessarily wowed me, but it was solid horror work that I enjoyed my time with.

I wasn't familiar with Futaki's work before, but he impressed me. I think my favorite panel was the kiss seen above, but he captured darker moments well, too. From subtle, wry smiles to razor-toothed grins, he captures a spectrum of emotion on our villain that keeps the anxiety boiling beneath the surface, even in pages that feel rather safe. The book wouldn't be nearly as fun to read without his experienced hands showing tender, unguarded exchanges or the blood-curdling fear of several tragic deaths. I wouldn't have cared nearly as much about Jack and Sam without the sympathetic touch to their glances at one another and will to fight for each other burning in their eyes. Day or night, the scenes were a joy to look at, and what was captured in great or little light was captivating.

A single volume of competently written, gorgeously illustrated horror. I'm a sap for romance, so I wish I had seen that grow a bit deeper, though I know it wasn't the draw of the book. I noticed myself feeling tense in several moments, which isn't that common for me anymore. I think the strength of the book was largely in the middle, but I guess I'm a sticker about endings. If you typically find Snyder's recent work to be lacking in a certain... depth, you may still enjoy this book.

Horror comics read this month (31 of 31 volumes completed. New goal: 30 of 31 series):
#1 Kijin Gahou (Shintarou Kago, 1 vol.)
#2 Kiriko (Shingo Honda, 1 vol.)
#3 Mieruko-chan (Tomoki Izumi, 4 vol./ongoing)
#4 Emerging (Masaya Hokazono, 2 vol.)
#5 Honogurai Mizu no Soko kara/Dark Water (Suzuki Koji and Meimu, 1 vol.)
#6 Blackwood (Evan Dorkin, Andy Fish, Veronica Fish, and Greg McKenna, 2 vol./ongoing)
#7 Senrei (Kazuo Umezu, 4 vol.)
#8 The Dollhouse Family (Mike Carey, Peter Gross, Vince Locke, and Chris Peter, 1 vol.)
#9 Basketful of Heads (Joe Hill, Leomacs, and Dave Stewart 1 vol.)
#10 Dracula, Motherf**ker! (Alex de Campi, Erica Henderson, 1 vol.)
#11 Razorblades: The Horror Magazine (James Tynion IV, Steve Foxe, various, 2 vol./ongoing)
#12 Aliens: Salvation (Dave Gibbons, Mike Mignola, and Matt Hollingsworth, 1 vol.)
#13 Infidel (Pornsak Pichetshote, Aaron Campbell, and José Villarrubia, 1 vol.)
#14 Something is Killing the Children (James Tynion IV, Werther Dell'edera, Miquel Muerto, 2 vol./ongoing)
#15 Manor Black (Cullen Bunn, Brian Hurtt, and Tyler Crook, 1 vol.)
#16 Bones of the Coast (a bunch of Canadians, 1 vol.)
#17 Panorama (Michel Fiffe, 1 vol.)
#18 Through the Woods (Emily Carroll, 1 vol.)
#19 The Low, Low Woods (Carmen Maria Machado, Dani, and Tamra Bonvillain, 1 vol.)
#20 Blue in Green (Ram V, Anand Rk, and John J Pearson, 1 vol.)
#21 The Courtyard (Alan Moore, Antony Johnston, and Jacen Burrows, 2 issues)
#22 Neonomicon (Alan Moore, Jacen Burrows, and Juanmar, 1 vol.)
#23 The Invitation (InCase, webcomic)
#24 Wytches: Bad Egg Halloween Special (Scott Snyder, Jock, Matt Hollingsworth, 1 issue)
#25 Trick 'r Treat: Days Of The Dead (Michael Dougherty, Fiona Staples, various, 1 vol.)
#26 Sullivan's Sluggers (Mark Andrew Smith, James Stokoe, and James Harren, 1 vol.)
#27 Nameless (Grant Morrison, Chris Burnham, and Nathan Fairbairn, 1 vol.)
#28 Delphine (Richard Sala, 1 vol.)
#29 Nocturnals: Black Planet (Dan Brereton, 1 vol.)
#30 Severed (Scott Snyder, Scott Tuft, and Atilla Futaki, 1 vol.)
 

Weiss

User requested ban
Banned
Oct 25, 2017
64,265
We are twenty years into the new millennium and Chuck Austen is writing comics again.
 

caliph95

Member
Oct 25, 2017
35,332
#30
Severed (Scott Snyder, Scott Tuft, and Atilla Futaki, 1 vol.)
x3O4uMG.png


When a 12-year-old boy named Jack (good name, by the way) goes on a search for his father in 1916 America, he runs into trouble on the road. Sometimes, that trouble is what'd you might expect when you're hopping freight trains and performing music on the street for spare change. Other times, that trouble isn't exactly normal. When Jack and Sam, a friend he makes on a train, cross the path of a shark-toothed grifter, their problems get more dire.

I have some additional background on how this book fell into my hands. It's not important to the book, so you can skip ahead. I'm really writing it down for me more than for you. I have a number of friends around the globe from my time in school in Tokyo, and one I've cherished deeply is a gal in Australia with whom I keep old fashioned correspondence. We send each other hand-written letters with horror comics and books attached. I enjoy having the excuse to break out my tomoe river paper, j. herbin ink, fountain pen, wax, and seal. I believe Severed was the first book she sent me, but I have a tendency to leave media untouched that holds some sort of sentimental value or expectation for me. With this, I've now read everything she's sent me, and I can finally sleep guilt-free.

This is from the Scott Snyder of yesteryear, before he made DC universe characters that laugh all over the place. It's more subdued, and a bit more concerned with grounded problems than multiversal ones. I've read some of Snyder's older comics, and he's always had a penchant for revealing the darker side of things, but what surprised me here was his willingness to explore emotions beyond anxiety, fear, and excitement. Maybe it was thanks to his co-writer, Scott Tuft, but there were moments of heart in this book. While they weren't common or too deep, I was still happy to see them. This wasn't a page I expected to see in a Snyder book, and it was a nice surprise, thanks in no small part to Futaki's deft hands.
haXuE7a.png

There was one moment that wasn't deep in the visceral horror pages of the shark-toothed killer's chase which I found especially effective at tightening my chest. In fact, it was one of just a few moments that really had me nervous. It was a page or two after this one, and involved a game with a bear trap. That was well done at adding tension and making me question just how well I knew the characters involved.
Pz3ilW4.jpg

While I didn't appreciate some of the events that affected the main characters, the narrative worked well for the sort of fear Snyder and Tuft were peddling. Searching across America and sometimes being chased added two good reasons for changes of scenery that propelled the characters forward and forced their arcs into dangerous climaxes. Nothing about the narrative necessarily wowed me, but it was solid horror work that I enjoyed my time with.

I wasn't familiar with Futaki's work before, but he impressed me. I think my favorite panel was the kiss seen above, but he captured darker moments well, too. From subtle, wry smiles to razor-toothed grins, he captures a spectrum of emotion on our villain that keeps the anxiety boiling beneath the surface, even in pages that feel rather safe. The book wouldn't be nearly as fun to read without his experienced hands showing tender, unguarded exchanges or the blood-curdling fear of several tragic deaths. I wouldn't have cared nearly as much about Jack and Sam without the sympathetic touch to their glances at one another and will to fight for each other burning in their eyes. Day or night, the scenes were a joy to look at, and what was captured in great or little light was captivating.

A single volume of competently written, gorgeously illustrated horror. I'm a sap for romance, so I wish I had seen that grow a bit deeper, though I know it wasn't the draw of the book. I noticed myself feeling tense in several moments, which isn't that common for me anymore. I think the strength of the book was largely in the middle, but I guess I'm a sticker about endings. If you typically find Snyder's recent work to be lacking in a certain... depth, you may still enjoy this book.

Horror comics read this month (31 of 31 volumes completed. New goal: 30 of 31 series):
#1 Kijin Gahou (Shintarou Kago, 1 vol.)
#2 Kiriko (Shingo Honda, 1 vol.)
#3 Mieruko-chan (Tomoki Izumi, 4 vol./ongoing)
#4 Emerging (Masaya Hokazono, 2 vol.)
#5 Honogurai Mizu no Soko kara/Dark Water (Suzuki Koji and Meimu, 1 vol.)
#6 Blackwood (Evan Dorkin, Andy Fish, Veronica Fish, and Greg McKenna, 2 vol./ongoing)
#7 Senrei (Kazuo Umezu, 4 vol.)
#8 The Dollhouse Family (Mike Carey, Peter Gross, Vince Locke, and Chris Peter, 1 vol.)
#9 Basketful of Heads (Joe Hill, Leomacs, and Dave Stewart 1 vol.)
#10 Dracula, Motherf**ker! (Alex de Campi, Erica Henderson, 1 vol.)
#11 Razorblades: The Horror Magazine (James Tynion IV, Steve Foxe, various, 2 vol./ongoing)
#12 Aliens: Salvation (Dave Gibbons, Mike Mignola, and Matt Hollingsworth, 1 vol.)
#13 Infidel (Pornsak Pichetshote, Aaron Campbell, and José Villarrubia, 1 vol.)
#14 Something is Killing the Children (James Tynion IV, Werther Dell'edera, Miquel Muerto, 2 vol./ongoing)
#15 Manor Black (Cullen Bunn, Brian Hurtt, and Tyler Crook, 1 vol.)
#16 Bones of the Coast (a bunch of Canadians, 1 vol.)
#17 Panorama (Michel Fiffe, 1 vol.)
#18 Through the Woods (Emily Carroll, 1 vol.)
#19 The Low, Low Woods (Carmen Maria Machado, Dani, and Tamra Bonvillain, 1 vol.)
#20 Blue in Green (Ram V, Anand Rk, and John J Pearson, 1 vol.)
#21 The Courtyard (Alan Moore, Antony Johnston, and Jacen Burrows, 2 issues)
#22 Neonomicon (Alan Moore, Jacen Burrows, and Juanmar, 1 vol.)
#23 The Invitation (InCase, webcomic)
#24 Wytches: Bad Egg Halloween Special (Scott Snyder, Jock, Matt Hollingsworth, 1 issue)
#25 Trick 'r Treat: Days Of The Dead (Michael Dougherty, Fiona Staples, various, 1 vol.)
#26 Sullivan's Sluggers (Mark Andrew Smith, James Stokoe, and James Harren, 1 vol.)
#27 Nameless (Grant Morrison, Chris Burnham, and Nathan Fairbairn, 1 vol.)
#28 Delphine (Richard Sala, 1 vol.)
#29 Nocturnals: Black Planet (Dan Brereton, 1 vol.)
#30 Severed (Scott Snyder, Scott Tuft, and Atilla Futaki, 1 vol.)
I miss somewhat grounded Snyder
 

Mars People

Comics Council 2020
Member
Oct 25, 2017
18,232
#30
Severed (Scott Snyder, Scott Tuft, and Atilla Futaki, 1 vol.)
x3O4uMG.png


When a 12-year-old boy named Jack (good name, by the way) goes on a search for his father in 1916 America, he runs into trouble on the road. Sometimes, that trouble is what'd you might expect when you're hopping freight trains and performing music on the street for spare change. Other times, that trouble isn't exactly normal. When Jack and Sam, a friend he makes on a train, cross the path of a shark-toothed grifter, their problems get more dire.

I have some additional background on how this book fell into my hands. It's not important to the book, so you can skip ahead. I'm really writing it down for me more than for you. I have a number of friends around the globe from my time in school in Tokyo, and one I've cherished deeply is a gal in Australia with whom I keep old fashioned correspondence. We send each other hand-written letters with horror comics and books attached. I enjoy having the excuse to break out my tomoe river paper, j. herbin ink, fountain pen, wax, and seal. I believe Severed was the first book she sent me, but I have a tendency to leave media untouched that holds some sort of sentimental value or expectation for me. With this, I've now read everything she's sent me, and I can finally sleep guilt-free.

This is from the Scott Snyder of yesteryear, before he made DC universe characters that laugh all over the place. It's more subdued, and a bit more concerned with grounded problems than multiversal ones. I've read some of Snyder's older comics, and he's always had a penchant for revealing the darker side of things, but what surprised me here was his willingness to explore emotions beyond anxiety, fear, and excitement. Maybe it was thanks to his co-writer, Scott Tuft, but there were moments of heart in this book. While they weren't common or too deep, I was still happy to see them. This wasn't a page I expected to see in a Snyder book, and it was a nice surprise, thanks in no small part to Futaki's deft hands.
haXuE7a.png

There was one moment that wasn't deep in the visceral horror pages of the shark-toothed killer's chase which I found especially effective at tightening my chest. In fact, it was one of just a few moments that really had me nervous. It was a page or two after this one, and involved a game with a bear trap. That was well done at adding tension and making me question just how well I knew the characters involved.
Pz3ilW4.jpg

While I didn't appreciate some of the events that affected the main characters, the narrative worked well for the sort of fear Snyder and Tuft were peddling. Searching across America and sometimes being chased added two good reasons for changes of scenery that propelled the characters forward and forced their arcs into dangerous climaxes. Nothing about the narrative necessarily wowed me, but it was solid horror work that I enjoyed my time with.

I wasn't familiar with Futaki's work before, but he impressed me. I think my favorite panel was the kiss seen above, but he captured darker moments well, too. From subtle, wry smiles to razor-toothed grins, he captures a spectrum of emotion on our villain that keeps the anxiety boiling beneath the surface, even in pages that feel rather safe. The book wouldn't be nearly as fun to read without his experienced hands showing tender, unguarded exchanges or the blood-curdling fear of several tragic deaths. I wouldn't have cared nearly as much about Jack and Sam without the sympathetic touch to their glances at one another and will to fight for each other burning in their eyes. Day or night, the scenes were a joy to look at, and what was captured in great or little light was captivating.

A single volume of competently written, gorgeously illustrated horror. I'm a sap for romance, so I wish I had seen that grow a bit deeper, though I know it wasn't the draw of the book. I noticed myself feeling tense in several moments, which isn't that common for me anymore. I think the strength of the book was largely in the middle, but I guess I'm a sticker about endings. If you typically find Snyder's recent work to be lacking in a certain... depth, you may still enjoy this book.

Horror comics read this month (31 of 31 volumes completed. New goal: 30 of 31 series):
#1 Kijin Gahou (Shintarou Kago, 1 vol.)
#2 Kiriko (Shingo Honda, 1 vol.)
#3 Mieruko-chan (Tomoki Izumi, 4 vol./ongoing)
#4 Emerging (Masaya Hokazono, 2 vol.)
#5 Honogurai Mizu no Soko kara/Dark Water (Suzuki Koji and Meimu, 1 vol.)
#6 Blackwood (Evan Dorkin, Andy Fish, Veronica Fish, and Greg McKenna, 2 vol./ongoing)
#7 Senrei (Kazuo Umezu, 4 vol.)
#8 The Dollhouse Family (Mike Carey, Peter Gross, Vince Locke, and Chris Peter, 1 vol.)
#9 Basketful of Heads (Joe Hill, Leomacs, and Dave Stewart 1 vol.)
#10 Dracula, Motherf**ker! (Alex de Campi, Erica Henderson, 1 vol.)
#11 Razorblades: The Horror Magazine (James Tynion IV, Steve Foxe, various, 2 vol./ongoing)
#12 Aliens: Salvation (Dave Gibbons, Mike Mignola, and Matt Hollingsworth, 1 vol.)
#13 Infidel (Pornsak Pichetshote, Aaron Campbell, and José Villarrubia, 1 vol.)
#14 Something is Killing the Children (James Tynion IV, Werther Dell'edera, Miquel Muerto, 2 vol./ongoing)
#15 Manor Black (Cullen Bunn, Brian Hurtt, and Tyler Crook, 1 vol.)
#16 Bones of the Coast (a bunch of Canadians, 1 vol.)
#17 Panorama (Michel Fiffe, 1 vol.)
#18 Through the Woods (Emily Carroll, 1 vol.)
#19 The Low, Low Woods (Carmen Maria Machado, Dani, and Tamra Bonvillain, 1 vol.)
#20 Blue in Green (Ram V, Anand Rk, and John J Pearson, 1 vol.)
#21 The Courtyard (Alan Moore, Antony Johnston, and Jacen Burrows, 2 issues)
#22 Neonomicon (Alan Moore, Jacen Burrows, and Juanmar, 1 vol.)
#23 The Invitation (InCase, webcomic)
#24 Wytches: Bad Egg Halloween Special (Scott Snyder, Jock, Matt Hollingsworth, 1 issue)
#25 Trick 'r Treat: Days Of The Dead (Michael Dougherty, Fiona Staples, various, 1 vol.)
#26 Sullivan's Sluggers (Mark Andrew Smith, James Stokoe, and James Harren, 1 vol.)
#27 Nameless (Grant Morrison, Chris Burnham, and Nathan Fairbairn, 1 vol.)
#28 Delphine (Richard Sala, 1 vol.)
#29 Nocturnals: Black Planet (Dan Brereton, 1 vol.)
#30 Severed (Scott Snyder, Scott Tuft, and Atilla Futaki, 1 vol.)
Snyder is way better with his independent horror stuff than his DC work.
 

Vic_Viper

Thanked By SGM
Member
Oct 25, 2017
29,124
Is ISOLA back?
If you think Federici's art is amazing there, you should see his work on Aquaman.
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I gotta catch up on The Last God. I enjoyed the first couple issues. It's fun to have something so unapologetically fantasy on the stands.
Oh wow, that does look neat
 

Aurica

音楽オタク - Comics Council 2020
The Fallen
Oct 25, 2017
23,525
A mountain in the US
I'm deciding what should be my #31 horror comic... choice, choices... I have a few things to do with friends later tonight, so I'm not sure which series I have time for.
 

Aurica

音楽オタク - Comics Council 2020
The Fallen
Oct 25, 2017
23,525
A mountain in the US
House of Penance!!!!
I'll get to that one (and I am looking forward to it), but I want to hit the climax of the month with something that holds a special meaning for me.
Can't believe he hasn't read that yet
I could make many of you say this with a number of comics I've been putting off for like over a decade, but I'm too much of a yellow-belly for that, so I'll hide that information for now.
 

caliph95

Member
Oct 25, 2017
35,332
I'll get to that one (and I am looking forward to it), but I want to hit the climax of the month with something that holds a special meaning for me.

I could make many of you say this with a number of comics I've been putting off for like over a decade, but I'm too much of a yellow-belly for that, so I'll hide that information for now.
Coward

It just seems right up yours or donnie alley
 
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