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Creatchee

Member
Oct 26, 2017
1,805
Sarasota, Florida
So I've been trying to figure out both the thread title and the actual question that I wanted to ask for a while, and this is what I landed on, for better or worse.

Horror has been my favorite genre of movies since I was a little kid who snuck downstairs after everyone went to sleep on weekends to watch USA Up All Night and Saturday Night Dead on my local NBC affiliate. I've seen pretty much every permutation of the genre over my 40 years, and I still come back for the thrills, chills, and laughs (even if they are unintentional).

To this day, and even in the time of COVID, there are tons of horror releases of every variety and quality - so much so that is pretty much impossible to keep up with them unless you have nothing else to do and are a glutten for punishment. I say this because there are definitely stinkers out there. A lot of them.

But what makes a horror movie a bad horror movie?

Is it budget? Horror movies have always been the champions of the low budget affair. During the time of their respective releases, Halloween and The Blair Witch Project were among the most profitable movies ever made compared to their budget. And beyond financial success, horror has pushed filmmakers to do more with less, and in the process create different ways of telling stories that scare the shit out of us.

That being said, a lot of horror ends up looking cheap, either in film or production quality. Now this doesn't necessarily mean an automatic "bad" rating, but it does take away from the experience. During the 80's and 90's, a lot of direct to video stuff was shot on video instead of film, and the results were unkind. Even today, many features are shot on digital video, which can be great if your lighting and set teams are good and your post production team knows how to make it look nice. Unfortunately, with the budget constraints that come with horror, this seems to be where a lot of money is not spent, and the final work suffers.

I read and watch a lot of interviews with horror filmmakers (and sometimes follow them on social media), and most of them have a lot of love and respect for the genre. However, that doesn't necessarily translate to abilities when it comes to making a solid film. A lot of times, the concept is fine, but the execution falls short by any number of degrees. Either the pacing is off or the framing is not right or any number of things that can be traced back to the actual takes that were used and the edits finalized.

Then of course there is derision. The last 15-20 years have been a endless hoard of zombies, found footage, scary black-haired girls, and exorcisms, among other things. It's not a surprise that many highly regarded movies during the time have been those that have stayed as far away from those archetypes as possible (like Midsommar, The Babadook, The Lighthouse etc). Is the sameness that was once a comfort now oversaturation?

Or maybe it's the acting. A-Listers don't really jump into horror at the top of their games (certain exclusions apply, naturally) and horror worlds are usually populated by unknowns and "that one guy/girl from that one thing a few years back" who is used as a draw. Fear is typically not an easy emotion to convey in the absence of something scaring you. A lot of times, performances lack the urgency of people who are scared that they will be harmed. I imagine that the less training you have, the less likely you will be to pull it off.

There's a lot of other possibilities too. What do you think it is that separates the good from the bad when it comes to horror movies?

I would lean towards the film quality and production end myself. Nothing takes me out of a movie more than it not looking good or having to squint through bad lighting and color. Horror is one of those genres where atmosphere and mood are everything, and that starts with how the images on the screen look.
 

Kain-Nosgoth

Member
Oct 25, 2017
15,563
Switzerland
i usually prefere psychological horror than just visual and jump scares... it also needs a good atmosphere and story...

horror just for horror's sake doesn't do shit for me
 

Brinbe

Avenger
Oct 25, 2017
58,292
Terana
Well, the aim of a horror movie is to scare, right? So I think the mark of a a really good-ass horror movie is that it will have you thinking about that shit way after you've seen it.

Art that leaves an impact.
 

Penguin

The Mushroom Kingdom Knight
Member
Oct 25, 2017
6,217
New York
For the most part, it comes down to the characters for me.

A lot of "bad" horrors don't allow me to care for the characters... because they are bad people or make bad decisions or we spend so little time with them.
 

Bradford

terminus est
Member
Aug 12, 2018
5,423
Generally the same thing that makes other movies good.

Strong technical competence. Storywriting that clearly communicates meaning. Performances that are purposeful and have intent. A point.

Good movies are good movies, regardless of genre.
 

Deleted member 9241

Oct 26, 2017
10,416
Acting is super important in horror movies. If this is off by just a little it can ruin the entire experience. The audience has to empathize and believe the characters. Beyond this, I think a good movie establishes and grounds it's premise and obeys its own rules. A good example of this being done incorrectly is if the audience finds themselves thinking things like "Why didn't they just use their cell phone?" or any other of plot holes the movie does not explain.

Btw, isolation is probably the biggest trait all my favorite horror movies share. By showing how deep the conspiracy went in Invasion of the Bodysnatchers, they even managed to isolate the core group of characters in a city of millions. If a movie establishes why & how isolated the character(s) are, I feel like it will probably be a good movie.
 

Heynongman!

Member
Oct 25, 2017
8,928
It really depends on what the piece is trying to convey right?

Like I can still enjoy a dumb low-budget schlocky horror movie if it knows exactly what it's trying to be. On the other side of the coin there's a lot of movies that go for that strong arthouse style and just completely fuck up the landing or the entire journey.

What makes a horror good could be so many different things. It's a really broad question, and there's not really anything I can pin point.

We went through a phase - and kinda are still going through it - that started with The Ring, and that is the PG-13 jump scare factory. Movies that only exist to put butts in seats to get theater reaction shots for their marketing material, while also allowing the most amount of people possible for a horror film to watch it. These movies are churned out constantly and have no reverence for past horror movies, they're made by committee and totally fucking sterile. This is what mainstream horror in the mid-2000s to now is.

Luckily we have a strong resurgence in intimate, personal stories or full on horrific nightmare movies, and even some fun comedy horrors. A lot of this is owed to A24 and to a lesser extent Blumhouse - though they still pump out garbage consistently. Warner Brothers also released Doctor Sleep last year, which is a wild movie for a big studio to put out. Unfortunately it kind of flopped, which is a real bummer because it was fantastic.
 
Oct 30, 2017
15,278
I'm a huge fan of suspense and psychological horror. But because it's its own genre it comes with tropes that become more and more noticeable over time. Audio cues, camera angles and character's position relative to the camera, and foreshadowing eventually become tell-tale signs of what's about to happen whether it is the jump scare, the twist, character death, etc.

Which is why something like Hereditary was so good was because it subverted expectations and it manipulated the typical tropes and in so doing made it genuinely frightening; although I recognized some of the choices being used, they were changed or used to manipulate the viewer into a feeling of familiarity before twisting it into an actual scare. Hereditary did such a good job that I have trouble being scared by most films these days. I'm not scared by gore, I'm not scared by the boogeyman, I'm not scared of anything that doesn't fuck with my own internal logic. It is certainly not a boast because I kind of hate how much that film ruined my approach to other horror movies. And has been mentioned, the quality of acting is critical. Again, Toni Collette fucking nails the horror and misery of grief which just adds so much to the movie overall.

One "trope" that I'm currently noticing is
characters/things in the background out of focus.

While it worked in something like Hereditary and IT: Chapter 1 (library lady), it is currently being overused in
The Haunting of Bly Manor.
Because it worked so well in season 1, the writers then decided to go overboard with it and nearly every other scene features it. What used to be a scary "oh fuck look!" has now become an easter egg hunt.
 

sibarraz

Prophet of Regret - One Winged Slayer
Avenger
Oct 27, 2017
18,106
Before I'm going to give my take I want to clarify that I have never watched a horror movie until last month where thanks to DBD I was interested in the Michael Myers character, so I watched all the movies in the series sans III.

I feel like what makes a horror movie terrible is when you cheapen the killer's aura, either by defeating him too much or making them kill too much

Going with the Halloween example, In the first movie Michael was terrifying because they built up the tension smartly by letting him stalk his victims for a good time while not letting him murder the victim at the first chance so It make it feel like he enjoyed the chase and the toying with the victims more than the actual kill. This also lee the audience to connect more with the victims. Also while he was still inhumanly strong, it still feel like a real human being was behind the mask so still felt more real until the final shot where he dissapeared.

Then Halloween 2 came out and everything felt irrelevant and unreal. Michael murdered an entire hospital staff without no one noticing and you couldnt care less for any of the victims. Then they lethally killed him with him, only for them to no sell it and go on for a huge killing streak only to kill him again and repeat the cycle until for some reason Busta Rhymes kicked his ass with karate kicks that he learned from an asian movie. In these movies they never let the audience breath the murders.

At least in Halloween 2018 they rectified this by making it a direct sequel while also making some murders better
 
Oct 27, 2017
3,837
I like psychological horror and very mysterious, almost supernatural, horror where something is "off" but nobody really knows what's truly going on. I prefer horror films that leave you questioning who or what was the "monster" rather than having the antagonist constantly shoved in your face every scene.

Films like The Shining and The Exorcist capture that feeling of uncertainty and unease. You see glimpses of the haunting, but it's very subtle, like subliminal messages/images. Plus they both have a unique storyline, characters/actors that transform and progress, and are competently executed visually and sonically and stand the test of time, don't look dated or artificial (production, practical effects, sound design, sets, etc).

Pacing is another huge make or break for horror movies. If the first 30 minutes are slow, boring and completely devoid of horror, it's not a good horror movie lol. You can't have all the action/scary stuff right at the end, you need like "mini-climaxes" and twists and turns that keep the audience engaged and provoked throughout the plot.
 
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Einbroch

Member
Oct 25, 2017
17,994
Relying on jump scares. They can be used effectively, but too many movies rely on them as their primary form of terror.
 

THEVOID

Prophet of Regret
Member
Oct 27, 2017
22,859
I have a very low bar for horror. As long as it works as intended and is entertaining I'll look past flaws. The worst thing for me is if it's boring.
 

nitewulf

Member
Nov 29, 2017
7,201
I like smart, non gory, unnerving horror. Movies with a sinister undertone but not heavy handed. I never found the slasher movies scary for instance, literally not a single one was scary to me. Something like the original Alien was superbly done. I loved It Follows because of a smart premise and being different. Some of the newer movies I do like if they are campy and goofy like You're Next, but I don't find them scary. Many of the well done serial killer movies are very scary, but they do not have any supernatural elements, so I don't know if they can be considered horror? Even though most generic horror movies are basically serial killer movies with fairly idiotic protagonists that keep getting killed. Movies like SAW I think are just torture porn for people who like gore, for me very cringey and hard to watch but not scary as such.
 

bill crystals

Attempted to circumvent ban with alt account
Banned
Oct 25, 2017
1,079
Self awareness and a respect for the audience. Mainly: KEEP SHIT MOVING.
 

DirtyLarry

Member
Oct 27, 2017
4,112
To me great horror has never been about what you see but what you do not see. Meaning to me it is much more mental. Painting the picture with my own mind.
And that is where the majority of horror movies lose me. They show the creature. It often looks silly to me, etc.
I prefer the horror makes me legit feel scared and does not try to show me why I should be scared if that makes any sense.

Also jump scares have destroyed the genre to me. So stupid and telegraphed.
 
Oct 26, 2017
8,055
Appalachia
Depends what we mean by "horror" and "good". I know a lot of folks who love schlocky, trope-filled horror films and would say they're good. For me, I prefer stuff that focuses more on being legit unnerving so a lot of those films aren't very "horror". Entertaining? Sure! But not scary past your standard jump scares and such.

I don't think budget matters much if you're able to work within your means. Lots of great movies had low budgets and used their resources intelligently to stand out.
 

Violence Jack

Drive-in Mutant
Member
Oct 25, 2017
41,746
Be original, and avoid typical horror cliches.
Or if you're going to go with standard horror tropes, do them well.
Also, characters have a lot to do with it as well. I think there's a lack of sympathetic victims in horror that makes you feel bad when they get offed or have bad things happen to them.
 

THErest

Member
Oct 25, 2017
7,104
While one may have a taste for or be in the mood for something cheesey/schlocky/silly/over-the-top, mainly, what makes a horror movie good is that it is a good movie, first and foremost. That is, it's built around being a good film, not just getting scares.
 

carlsojo

Member
Oct 28, 2017
33,818
San Francisco
Atmosphere - if a horror movie doesn't have it, the whole thing falls flat.

Effects - CGI/digital just does not work as well as practical effects for horror.

You can have bad acting or a generic story, but as long as you have at least one of the two of the above, you can get a decent horror film.
 

AuthenticM

Son Altesse Sérénissime
The Fallen
Oct 25, 2017
30,067
same thing as other movies, honestly: cinematography, screenplay, editing, pacing. Of course, being a horror movie, there needs to be some sort of oppressive atmosphere hanging over the movie for as long as possible.

On that last point, the most stressful horror movie I saw in theaters is probably Blair Witch (2016). As soon as night arrives in the movie, I was uncomfortable from that point on until the very end. Fuck lol. Honestly I don't get the bad reception of this. Most of the criticism that I saw was "it completely lost the subtlety and slow-burn of the original", to which my reaction is "why do you want the new movie to be exactly like the first one". The original movie couldn't, and shouldn't, be replicated.
 

PirateHearts

Member
Oct 27, 2017
1,669
North Texas
A good horror film understands how to find the humor of the situation. Doesn't mean it has to be comedy-horror outright, but you need those moments of levity to ground the film so the tension and the scares hit harder.
 

crienne

Member
Oct 25, 2017
5,174
One of my favorite recent horror movies is The Witch. One of my favorite classic movies is The Thing. I need that sense of the unknown. Tension, bleak atmospheres, etc. THAT is what makes me love a horror movie.

Of course that doesn't mean I don't love me movies like Evil Dead 2, Cabin in the Woods, or Tucker and Dale vs. Evil.

So yeah, give me tension or give me comedy-horror and I'm good.
 

kai3345

Member
Oct 25, 2017
5,444
good characters

now matter how technically tense a scene or sequence is, if I don't care about anyone involved I'm not invested
 

smisk

Member
Oct 27, 2017
3,001
I've realized I tend to love shlocky horror exploitation films, so I want a modern version of that.
 

Parch

Member
Nov 6, 2017
7,980
I'm not a fan of psychological horror movies. They're the same as a decent drama IMO.
I like a good old fashioned monster movie. They can be tense and have good atmosphere with the added shock factor of a creepy critter. As long as they're not too corny or over do the jump scares and gore, a good monster movie is good fun.
 

McNum

One Winged Slayer
Member
Oct 26, 2017
5,192
Denmark
Keeping the scary thing on a time budget.

I'm not much of a horror fan, but I do like a good "The monster is chasing us" story from time to time. But as much as the scary thing is the star of the show, it can't be used too much, as if the targets for it don't get any time to show why they're afraid of this monster/ghost/doll/robot that's the problem, well, why should I care? Honestly, if the cast is bad enough, I'll cheer for the monster.

As for jump scares... Only if they have a purpose, otherwise you're just making a horror-comedy, which is fine and all, but still. Have the monster crash a seemingly quiet scene? Great? The inevitable return once you think it's vanquished? Yup, everyone will see it coming, but it's too classic not to do.

Basically, I like The Terminator. That's a fun movie monster. Scary not because he'll kill you, though he most certainly will if he gets the chance, but because he is coming for you. He is always coming for you. You might shake him, you might damage him, but he will keep showing up with murder in his programming.
 

Jersey_Tom

Banned
Dec 2, 2017
4,764
Overly complicated plots giving justification for the slashers/villains kills the movie for me.

I don't need the movie trying to put me in a place where I need to be rooting for the killer. The possible exception to this would be Jason I suppose, but even then by the time he gains his iconic look and everything he's more or less just an uncaring zombified killing machine.

Those Halloween movies that tried to paint Michael Myers as somewhat sympathetic with the sister subplot? No thanks.
 

beelulzebub

Member
Oct 25, 2017
4,591
If it's schlocky, I'm looking for something that's fun and really has some imagination in creating over-the-top, morbid ways to die.

If it's not, I'm looking for something that effectively cultivates a palpable feeling of dread. Something that gnaws at me and gives me an ever-increasing tightening pit in my chest.

In all cases, good character work and good chemistry and (ideally) performances are key. Horror really taps into the primeval and the unspoken, and having raw performances really enhances that gnawing uncomfortableness.
 

misho8723

Member
Jan 7, 2018
3,719
Slovakia
Characters that are believable and well written, characters that don't act stupid, tense/dark/gritty atmosphere and suspense, if there's going to be some kind of a jumpscare - it needs to be earned and well put together = I'm basically talking about The Thing and Alien/Aliens
 

LanceX2

Member
Oct 25, 2017
6,821
I like most horror. Most horror are bad too lol.

As long as its not totally B rate shit.
 

7threst

Member
Oct 25, 2017
3,297
Netherlands
Atmosphere and sound design in combination with a cast that actually puts effort in the movie. Might be that's why Blumhouse is successful even though they use small budgets for their movies. The combination is also why I liked It Follows so much.
 
Oct 26, 2017
17,373
Atmosphere is probably one of the most important aspects of directing a horror movie well. If you cannot build a proper atmosphere through costume and set design, audio mixing, the script, and so on, you're going to have a really ineffective horror movie. You need to be able to draw people in and immerse them in this story you are creating, otherwise they won't have the sort of engagement to be genuinely frightened by the film.
 

Team_Feisar

Member
Jan 16, 2018
5,353
Over-reliance on Jumpscares and tropey Monster Designs for me.
Also, a thing that automatically kills all the tension for me personally: Films where it is revealed rather quickly that the Threat is closely and specifically tied to the Persons in the film (for example in "lights out") and its impossible - by the films own logic - that I the viewer could run into that same threat in "real life".
 

caliph95

Member
Oct 25, 2017
35,180
Honestly for me if it has a competent story but really good characters and atmosphere

I'm not a big horror fan but the ones i do like is because i actually like the characters and invested in them
Even horror movies that didn't really scare me a lot like the conjuring movies i really liked because I'm invested in the story and characters

Get out and Us while had a lot of tense scenes and creepy scene's ultimately boiled down to because i really liked the characters ane don't want to see them die or suffer and in Get out because the writing is really good

Is why a lot of shitty horror movies don't do it for me because a lot of the time the characters are either unlikable or bland because the creators care more about a body count than actually having good characters

Also you're only allowed like a couple of jumpscares a lot of shitty horror are over reliant on them it's not scary its surprising and a lot of time i can basically time the jumpscare to the dot
 

JigglesBunny

Prophet of Truth
Avenger
Oct 27, 2017
31,119
Chicago
Among other things, characters that I want to see survive. Rob Zombie's work is always a complete dud because everyone is a deplorable, violent, profane hellbilly and there's no relatability or engagement to be found there.