This is a good post.
I'll say itso ud put this over pulp, reservoir, inglorius and django?!
THATS BLASPHEMY!!!!
inb4 "opinions and all"
<edit> nvm, I read that wrong, my apologies. u good fam'
you are the guy I mean to quote...
BLASPHEMY!!!
The Cliff/Bruce scene is based on Gene Lebell and Bruce Lee.Lots of good responses so far! I just wanted to address one thing.....in this thread (and everywhere else too) there is a lot of criticism about the Bruce Lee scene or that it's disrespectful in some way. And if it were played straight, I would agree. But it's not. This movie is a straight up fantasy. Tate living and the title fading in at the end is also there to remind you of that. And in the context of a fairy tale, I have no issue with Cliff remembering kicking Lee's ass (not to mention that it comes from the memory of an unreliable source).
QT has a lot of outright spittake full stop asshole racist scenes. When I first watched this scene I laughed because QT is so emboldened and disrespectful that this asshat knows that he can get away with having this nobody white guy secretly best (easily) one of media's most honored masculine Asian fighters of all time.Yeah, this was a hard pill to swallow. In a weird way I would argue its probably the most racist scene in his filmography since he can't explain it away as serving the movie as opposed to his gangsters loving to use slurs (They are supposed to be bad people, ya see) or in service of a greater critique and indictment of slavery or early Americana Racism.
This was 'Lets show the barrier breaking Asian actor as a piece of shit and have him get whupped on and shown his place by a white man'.
QT has a lot of outright spittake full stop asshole racist scenes. When I first watched this scene I laughed because QT is so emboldened and disrespectful that this asshat knows that he can get away with having this nobody white guy secretly best (easily) one of media's most honored masculine Asian fighters of all time.
I'm tortured by my love/hate relationship with Tarantino. He is clearly a GIGANTIC racist asshole. But he's also undeniably gifted. I want to punch him in the face, but also slow-clap his skill.
I find that when Tarantino engages in historical revisionism, I just don't like the result. Inglorious Basterds conveniently wiped away fascism, Django conveniently wiped away slavery, and Once Upon a Time conveniently wiped away an event that you could argue changed the trajectory of Hollywood. I find all of these saccharine in the way they pander easy, feel good solutions to the audience to make them feel better about dark chapters in our collective history.
Each of these films is Tarantino at his absolute worst. Once Upon a Time in Hollywood might be the most pointless of them all.
It's Tarantino's most sentimental and human movie.
Easily my favorite of his.
It's one of the most tragically sad happy endings I've ever seen It's beautiful
The way each of these films present their historical revisionism is clearly designed to be a crowd pleaser. It changes history but in a pandering, dead end, shallow way. It may be his own middle finger to the event, but I get absolutely nothing out of it.I dont know how you came to these conclusions.
If anything, I feel like the movies having been unequivocal middle fingers to these events. Wrapped in his own style.
Yeah he somehow threaded the needle, I was amazed at how well Robbie embodied the character and how it made the viewer truly grapple with a loss they might not have felt otherwise.
I dont know how you came to these conclusions.
If anything, I feel like the movies having been unequivocal middle fingers to these events. Wrapped in his own style.
The end of Hollywood is anything but shallow my gosh.The way each of these films present their historical revisionism is clearly designed to be a crowd pleaser. It changes history but in a pandering, dead end, shallow way. It may be his own middle finger to the event, but I get absolutely nothing out of it.
As a director, I believe Tarantino's strength lies in alienating his audience and being sadistic with them, not when he panders to his audience to make them feel good. I don't find that feel-good mode from him very interesting at all and a waste of his talent. I'd compare it to David O. Russell's career late-stage heel turn to making shallow crowd pleasers. They mostly review well and they do good box office numbers, but they're inferior films that don't fit what the director does best.